Preface to Fifth Edition to Signs and Meaning in the Cinema (original) (raw)

Literature, Criticism, and the Theory of Signs

Victorino Tejera

Semiotic Crossroads, 1995

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2017 - The man, the signs and the unusual

Darcilia Simões, Simone V Resende

2017

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Wendy Wheeler, "Play" in A More Developed Sign: Interpreting the Work of Jesper Hoffmeyer, eds. Don Favareau, Kalevi Kull, Paul Cobley

Wendy Wheeler

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ARRIVALS AND DEPARTURES: LESSONS FROM A FIRST-TIME NOVELIST

Dr. Brenda Y Yun

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READING A : Extracts from ‘ Signs and myths ’

Jonathan Bignell

2007

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Sign of the Times? An introduction

Dominiek Hoens, Anneleen M Masschelein

S: Journal of the Circle for Lacanian Ideology Critique, 2011

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The Routledge Companion to Philosophy and Film

Paloma Atencia-Linares

Disputatio, 2010

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The Routledge Companion to Philosophy and Film edited by livingston, paisley and carl plantinga

Cynthia Freeland

The Journal of Aesthetics and Art Criticism, 2010

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Film Studies, Andrew M. Butler

Janu Joni

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Inflected accounts and irreversible journeys

Melanie Selfe

Participations: Journal of Audience and Reception Studies, 2008

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The Pursuit of Signs

Jonathan Culler

2005

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Missing Links: A book in ten sessions

Lucas Ferraço Nassif

Missing Links, A Book in Ten Sessions , 2023

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From the Sign to the Circumstance KJ copia 2.pdf

Walter Branchi

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Cinéma&Cie 5/2004 – Transitions

Cinéma&Cie. International Film Studies Journal

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A Companion to Literature and Film

Alessandra Raengo

2004

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Book Review Cinema Pessimism and Punctuations

Katherine Goktepe

Perspectives on Politics, 2020

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A Review of Oliver C. Specks' Funny Frames: The Filmic Concepts of Michael Haneke by Jeremiah Ambrose

Jeremiah Ambrose

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Birth of a cinema

colin maccabe

Critical Quarterly, 2009

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The Routledge Companion to Film and Philosophy

Havi Carel

British Journal of Aesthetics, 2010

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First published in 1986 by Pluto Press 345 Archway Road. London N6 5AA

Edward gates bey

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Two Paths for the Novel

Kneehigh Choksi

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International Conference on Language, Literary and Cultural Studies (ICON LATERALS) 2016

RISMA RISMELATI

Proceedings of ICON LATERALS 2016, 2016

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Signs: An introduction to semiotics

Winfried Nöth

Journal of Pragmatics, 1996

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The Structures of the Film Experience by Jean-Pierre Meunier: Historical Assessments and Phenomenological Expansions (co-edited with Daniel Fairfax)

Julian Hanich

The Structures of the Film Experience by Jean-Pierre Meunier: Historical Assessments and Phenomenological Expansions (Amsterdam: Amsterdam University Press, 2019), 2019

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Some themes in cinema

Mirsat Demirci

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International Conference on Philosophy and Film eProceedings Volume 1, 2014 (ed.)

Matthias De Groof, Ala Sivas, Susana Viegas, Alba Torrents, Rodrigo Rodrigues, Steve Choe, G. Gatti

2015

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Fullagar, S. (2004) On restlessness and patience: Reading desire within Bruce Chatwin’s narratives of travel. Tourist Studies. 4(1), pp.5-20.

Simone Fullagar

Tourist Studies, 2004

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Deliveries of Absence: Epistolary Structures in Classical Cinema - in Buchanan, J. (ed.), The Writer on Film. Screening Literary Authorship. London: Palgrave Macmillan, 2013, pp. 193-205.

Clara Rowland

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Theory of the Novel: The Literary Imagination of Classical Film Theory

Johannes von Moltke

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BOOK (2024) EXTRACTS: Film Study and Movement: How starting with movement changes everything

Paul Sommer

Film Study and Movement How starting with movement changes everything, 2024

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The Intervals of Cinema by Jacques Rancière

Konstantinos Koutras

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On restlessness and patience: Reading desire in Bruce Chatwin's narratives of travel

Simone Fullagar

Tourist Studies, 2004

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Beginnings and Endings

A.E.M. Baumann

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with Florian Kläger. “‘You didn’t set me up. Did you?’ Genre, Authorship and Absence in Martin Amis’s London Fields and Night Train”

Patrick Gill

Trespassing Journal 2, 2013

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'Time and the Fragmented Subject in Minority Report'

Martin Hall

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