Illuminated Manuscripts (original) (raw)
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Texts, Illustrations, and Physical Objects: The Case of Ancient Shipbuilding Treatises
Research and Advanced Technology for …, 2007
One of the main goals of the Nautical Archaeology Digital Library (NADL) is to assist nautical archaeologists in the reconstruction of ancient ships and the study of shipbuilding techniques. Ship reconstruction is a specialized task that requires supporting materials such as reference to fragments and timbers recovered from other excavations and consultation of shipbuilding treatises. The latter are manuscripts written in a variety of languages and spanning several centuries. Due to their diverse provenance, technical content, and time of writing, shipbuilding treatises are complex written sources. In this paper we discuss a digital library approach to handle these manuscripts and their multilingual properties (often including unknown terms and concepts), and how scholars in different countries are collaborating in this endeavor. Our collection of treatises raises interesting challenges and provides a glimpse of the relationship between texts and illustrations, and their mapping to physical objects.
Traversing the Globe through Illuminated Manuscripts
Embark on a kaleidoscopic journey from the 9th through 17th centuries to consider how illuminated manuscripts and other portable objects—like ceramics, textiles, glassworks, gems, and sculptures—contributed to one's outlook on the world in Europe, Africa, Asia, and the early Americas. Drawn primarily from the Getty’s collection of illuminated manuscripts, with generous complementary loans from collections across Los Angeles, the exhibition presents stunning and at times surprising images and a range of ideas about exploration, exotic pursuits, and cross-cultural exchanges in the then-known world. (January 26–June 26, 2016)
Illuminated Manuscripts Syllabus, Oberlin College, Fall '13
We will study the European illuminated manuscript from its origins in late antiquity to its final contest with the printed book. The class will take multiple perspectives, including medium, makers and patrons, and various types of book. We will make frequent use of works in Oberlin's collections.
Hidden Treasures: Illuminated Manuscripts from Midwestern Collections
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This exhibition highlights the rarely seen holdings of ornately decorated handmade books from sixteen university libraries, museums, and private collections in seven states. Approximately forty manuscripts and single leaves are featured, dating from the ninth to the sixteenth centuries and made in Italy, France, Germany, the Netherlands, and England. Illuminated manuscripts were produced in Western Europe during the Middle Ages and early modern period, and the exhibition includes examples of Bibles, liturgical manuscripts, and books of private devotion, as well as literary, historical, and legal works. This exhibition explores the different book types most widely produced in the Middle Ages, considers the audiences for which they were made and how they were used, and presents the aesthetic brilliance of the medieval illuminator's craft. These illuminated manuscript examples, from some of the major artistic centers in Europe, can lead us to a greater understanding and appreciation of the past.
Art Newspaper, 2017
Review of: Colour: the Art and Science of Illuminated Manuscripts, ed. Stella Panayotova, with Deirdre Jackson, Paola Ricciardi et al (Harvey Miller/Brepols Publishers, 420pp, €75); Beyond Words: Illuminated Manuscripts in Boston Collections, ed. Jeffrey F. Hamburger, William P. Stoneman, Anne-Marie Eze, Lisa Fagin Davis and Nancy Netzer, (University of Chicago Press in association with the McCullen Museum of Art, 378pp, $85); Le Miniature della Fondazione, ed. Giorgio Cini, Massimo Medica and Federica Toniolo with Alessandro Martoni (Silvana Editoriale, 544pp €75); The Art of the Bible: Illuminated Manuscripts from the Medieval World, ed. Scot McKendrick and Kathleen Doyle (Thames & Hudson in association with the British Library, 336pp, £60); Christopher de Hamel, Meetings with Remarkable Manuscripts (Allen Lane -Penguin Books, 632pp, £30); Jonathan J.G. Alexander, The Painted Book in Renaissance Italy, (Yale University Press, 400pp, £50)
Medieval Illuminated Manuscripts in Leeds University Library, (2017), pp. 1-11
This is a brief introductory guide to the medieval illuminated manuscripts in Leeds University Library.* An earlier online version of the text can be found at: hIps://library.leeds.ac.uk/special-collecKons-illuminated-medieval-manuscripts where I have described all illuminated pages with iconographic content in the collecKon, as well as several decoraKve pages; the descripKons and the digiKsed images can be viewed at the above address (click on Contents > More (this opens a drop-down menu) > choose an individual manuscript).