Лозовая И.Е., О системе пения седмичных канонов Октоиха // Гимнология 4 (2003) 52-68 (original) (raw)
On the Chanting System of the Weekly Octoechos Canons in the Early Liturgical Tradition. Nine types of the early Russian Parakletike represented in 18 manuscripts are introduced into the context of the early Byzantine liturgical tradition. They all belong to three local varieties of Parakletike, these of Constantinople, old- Bulgarian and early Russian. The fourth, Palestine variety of Parakletike exhisting in the unique oldest copy Sinait. gr. 776 which includes along with the Sunday and partly formed weekly canon cycles, the earliest form of Octoechos / Parakletike. In this proto-Octoechos all weekly echos canons of different dedications, having rather archaic literary text, are sung following the model of one heirmoi akolouthia, marked in the manuscript as «common». In Heirmologia the majority of «common» heirmoi are part of the akolouthiai of Germanos, Patriarch of Constantinople.
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Интонация как компонент семиозиса русских частиц
Studia Rossica Posnaniensia, 2019
The aim of this article is to focus on the role of intonation in the process of semiosis of Russian particles as language signs. Intonation is a non-lingual means of communication. It fulfills an auxiliary or independent function in the act of communication. In the process of communication Russian particles can intensify semantically important language information, or level it up. They can be expressers of explicit or latent/hidden intentions of its participants. From the point of view of semiotics intonation is an interpretation of a separate Russian particle as a language sign.
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