Uniunea Artiștilor Plastici din România, mediator al dialogului artistic cu Estul și Vestul în anii 1950-1980 (original) (raw)

Activitatea tipografică la Chișinău în perioada veche a cărții românești

2020

The article highlights the printing activity in Chisinau in the old period and the circumstances in which the synodal exarchate was abolished. The idea of creating a new religious administrative unit and framing the annexed territory in a new diocese is analyzed. Important contributions regarding the history of printing in Chisinau are reflected

Despre clopotele şi clopotarii din Ţara Moldovei (până la 1859) / About bells and bellmakers in Moldavia (before 1859)

Tyragetia, 2015

Bells used in Christian churches are documentary sources due to the inscriptions, decorations and coats of arms available on them. Depending on the language in which the inscriptions were made, old bells had different names. The bells used to be donated to the churches by private persons, by the right of the founder, or by communities; the oldest bells of the medieval Moldavian state date back to the reign of Stephen the Great. The alloy used for bell casting contained copper, brass and a minor amount of silver or other elements. Bellfounders were itinerant, traveling from church to church to cast bells, the furnaces were built on sites, and the casting of large bells was carried out only during the warmer months. The most lasting operation was building the furnace and constructing the mold, and the most dangerous process was pouring the melt metal in a mold. This was followed by controlled cooling the bell, removing the mold material after the metal has solidifi ed, and finishing t...

Geografie și enciclopedism. Revizitându-l pe Gheorghe Lazăr (150 de ani de muzeografie orădeană, coord. Gabriel Moisa, Aurel Chiriac, Ed. Muzeului Țării Crișurilor, Oradea, 2023, pp. 223-232) [= Indo-historico-geographica 3. Addendum]

Geography and encyclopaedism. Revisiting Gheorghe Lazăr: Between 1810 and 1822, Gheorghe Lazăr (1779/82-1823) composed or compiled four geography textbooks for the use of the Romanian schools of Transylvania and Walachia: a mathematical geography (1810), a geography of Transylvania (1815), an astronomical geography (1820), and a world geography (1822), respectively. The first two were destined for publication in Transylvania, but his superior blocked all attempts. The last two were used in the St. Sava College of Bucharest, and – according to a 1822 manifesto – the world geography was being prepared for publication. Like most of Lazăr’s Nachlass, they have been lost after his death. The present article discusses all the available information about these books and attempts to identify their sources on the basis of contextual data. It also underlines Lazăr’s long lasting interest for the subject matter of geography, which has been neglected by both his biographers and the historiography of geographical studies in Romanian culture. My thesis is that it should be understood as part of Lazăr’s encyclopaedicism, another dimension of his intellectual formation and academic profile which has been neglected. The last section, which places Lazăr in the context of the geographical textbook production during his mature life and the decades following his death, shows that many other manuscript textbooks have met with the same fate: they failed to reach the printing press and – sooner or later – have been lost.

Probleme ale artei contemporane

Annals of the University of Bucharest - Philosophy Series, 2015

This paper aims at discussing some problems of the contemporary art through some of Arthur Danto’s theories. The concept of the end of art, the new way of making art, how to understand the contemporary art are some fundamental problems of nowadays art criticism. Comparisons among artistic techniques used by various avant-gardist movements, especially cubist, abstractionist and dadaist ones are intended to build a comprehensive image of the evolution in art creativity towards post-wars period represented by new contributions (Andy Warhol and Joseph Beuys). These examples prove that the contemporary art needs a more attentive interpretation and a better understanding of the material-form connection within the art work and the process of plastic creativity.

Între "orientalism" şi obiectivitate: etnografia rusă şi Basarabia în a doua jumătate a secolului XIX

2013

This paper discusses the interaction between the discourses of empire and nation as it emerged in the debates about the proper object of research and the criteria for legitimacy of the newly founded discipline of ethnography in the Russian Empire in the last decades of the 18 th and throughout the 19 th century. A special emphasis will be laid upon the particular features of the appearance and evolution of ethnographic preoccupations in the Russian Empire starting with the second half of the 18 th century, when the first attempts at the synthesis and classification of ethnographic enquiries can be discerned, and spanning the first half of the 19 th century. In this context, the case of Bessarabia represents an illustrative example of the uneasy interaction between the specialized and supposedly "objective" knowledge of learned experts and the agendas of the central and local authorities and officials. My basic goal has been to uncover the relationship between the "imp...

Creangă şi proza basarabeană: istoricul problemei

2020

In the history of Romanian literature in Bessarabia Creangă's modelling role is exem¬pli¬fied especially during the turning periods, when the concept of literature is radicalized (years 20-30, 60, 80). Across different searches and wanderings of prose writers, namely, the organicist perspective of the structure of the Bessarabian literary phenomenon elucidates the importance of the Creangă model in overcoming the different complexes, among which, especially, of the narrow-minded Romanian.