Forging identities in the ‘New World’: a Study of Salman Rushdie’s Fury (original) (raw)

The Transnationalism of Salman Rushdie: From a Contrapuntal to a Metamorphic Reading of History

Roxana Doncu

2017

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Forging National Identity. Salman Rushdie and (Post)colonial Violence

Roxana E Marinescu

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“Cultural Warfare Redux: Salman Rushdie’s Knighthood”, Helena Gonçalves da Silva et al. (orgs.), Conflict, Memory Transfers and the Reshaping of Europe. Newcastle upon Tyne: Cambridge Scholars Publishing, 218-230.

Ana Cristina Mendes

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‘Worlds in Collision’: Salman Rushdie, Globalisation, and Postcoloniality-in-Crisis

Treasa De Loughry

The Global Novel and Capitalism in Crisis - Contemporary Literary Narratives , 2020

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Politics of Frontiers, Exile, Hybridity and Multiculturalism inthe Novels of Salman Rushdie

SMART M O V E S J O U R N A L IJELLH

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Building post-colonial identity : metaphor of the nation in Salman Rushdie's "The Moor's last sigh

Magdalena Stempin

2017

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Salman Rushdie in the Postmodern Current: New Venues, New Values

Aya W. Akawi

2014

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Salman Rushdie: The Accidental Intellectual in the Mediascape

Ana Cristina Mendes

Postcolonial Intellectuals in Europe: Academics, Artists, Activists and their Publics, 2018

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A Critical Summary of Rushdie's "The New Empire Within Britain"

Lili Veronika Németh

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THE RE-EVALUATION OF THE MAKING OF HISTORY FOR THE CREATION OF NATIONAL IDENTITY IN SALMAN RUSHDIE’S

Mudasir Rahman

Research Inspiration, 2016

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THE AGONIES AND ECSTASIES OF DIASPORA IN RUSHDIE'S FICTION

Dr. Priyanka Singla

IRJHIS, 2023

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A Post Colonial Reading of the Diaspora in Salman Rushdie's Imaginary Homelands

Büşra Şentürk

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Building post-colonial identity. The metaphor of the nation in Salman Rushdie’s The Moor’s Last Sigh

Magdalena Stempin

Maska, 2017

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Salman Rushdie in the Cultural Marketplace

Ana Cristina Mendes

Ashgate, 2013

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Salman Rushdie: An Anthology of 21st Century Criticism

Dr Ajay K Chaubey

Atlantic Publishers and Distributors, New Delhi, 2016

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Rushdie ’ S the Moor ’ S Last Sigh : ‘ Peeling Off History ’ as the Necessity of Becoming an Individual

Roxana Elena

2014

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Enchanted realms, sceptical perspectives : Salman Rushdie’s recent fiction

Madeline A Clements

2014

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Transnational Literary Slippages and Salman Rushdie's The Satanic Verses

Joel Kuortti

2011

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In Search of Self: the Pangs of Identity in Salman Rushdie’s Midnight’s Children

punyashree panda

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Games of Identity and Alterity in the Novels of Salman Rushdie and V. S. Naipaul

emilia ivancu

2019

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Postcolonial Kitsch and writing History: Critical Inquisitions in Salman Rushdie's The Moor's Last Sigh and The Ground beneath Her Feet

Sunil Kumar

International Journal of English Literature and Culture, 2015

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"Salman Rushdie's Authorial Self-Fashioning in Joseph Anton"

Charlie Wesley

Journal of Commonwealth Literature, 2017

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Unending metamorphoses: myth, satire and religion in Salman Rushdie's novels

Margareta Petersson

1996

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Rewriting the Political, Social and Cultural History of India, England and America by Rewriting the History of the Novel in Salman Rushdie's Quichotte

Geetha Ganapathy-Doré

HAL (Le Centre pour la Communication Scientifique Directe), 2020

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Constructing The Nation: An Outline of Salman Rushdie's Shame

IJIRT Journal

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History and Politics Revisited: A Critical Study of Salman Rushdie’s Shame

Ars Artium

Ars Artium, Vol. 1, 2013

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An Examination of the Key Features of Salman Rushdie’s Historiographic Metafiction: A Possible Worlds Theory Approach

George Shamshayooadeh

2018

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A Thematic Analysis of Salman Rushdie's Essay - Commonwealth Literature Does Not Exist

Vinay Rajoria

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“Fictions could be as powerful as histories”: The (Un)Making of Salman Rushdie’s Victory City

Alexandra Cheira

17th ESSE Conference, Round Table “Salman Rushdie and the Historical Novel”, University of Lausanne, Switzerland/ online, 26-30 August, 2024

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Nation, History and Memory: A Critical Study of Salman Rushdie’s Midnight’s Children

aakankhita sharma

2019

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Writing History, Narrating Nation: A Postcolonial Reading Of Salman Rushdie's Midnight's Children

Preety Rashmi

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About 'Hybrid' Identities and 'Interstitial' Spaces: A Reading of Salman Rushdie's Moor's Last Sigh and Enchantress of Florence

Indrani Chaudhuri

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Voids Shaped Like God and the Shaping of Political Space: Religion and Contact Among Cultures in the Work of Salman Rushdie

Steven Schroeder

American Academy of Religion, national meeting, San Francisco, 1992

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Margareta Petersson. Unending Metamorphoses: Myth, Satire and Religion in Salman Rushdie's Novels

Nancy Batty

ARIEL: A Review of International English Literature, 1997

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Intertextuality and Exoticism in Salman Rushdie's THE MOOR'S LAST SIGH

José Angel García Landa

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