umetnicka instalacija kao arhitektonski projekt.pdf (original) (raw)
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2005
The specific intent of this paper is to set up the research of modular coordination in the work of Nikola Dobrović. It is focused on two villas that were built by Dobrović during the prewar period: villa Vesna (1939) and villa Svid (1940), both placed in the region of Dubrovnik. In order to gain a closer insight into the design process of modern architects, these houses are subjected to structural and dimensional analyses. The investigation shows that the classical principles of proportion are not abandoned, as suggested in the later explications of the author, but that they were put in the mode of crisis. This aberration has been interpreted in this work as a distinctive "opening to the future", inherent "will to change".Tema ovog rada je istraživanje problema modularne koordinacije u radu Nikole Dobrovića. Predmet istraživanja su dve vile koje je Dobrović projektovao i sagradio na području Dubrovnika pred početak Drugog svetskog rata: vila Vesna iz 1939. i vila...
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2013
Cilj ovog istraživanja bio je da se ispitaju slicnosti i razlike u strukturi doživljaja lepote dva tipa eksterijera koji nas okružuju - arhitektonske i prirodne scene. Sam doživljaj lepote definisan je kao kompozit razlicitih vrsta estetskih impresija (npr. skladno, velicanstveno, ljupko, divno, toplo itd). U prvom delu preliminarnog istraživanja izdvojen je skup od 64 deskriptora (priloga) koje su ispitanici najcesce navodili kao dobre opisivace doživljaja lepote razlicitih kategorija objekata. U drugom delu preliminarnog istraživanja birani su stimulusi. Dve grupe ispitanika procenjivale su dva sira seta stimulusa (100 arhitektonskih i 100 prirodnih scena) na deskriptoru 'lepo'. Pri izboru stimulusa rukovodili smo se sledecim kriterijumima: (a) zastupljenost razlicitih tipova scena (npr. planine, voda, livade i sl.) i (b) pokrivenost cele distribucije procene lepog (od maksimalne do minimalne). Na ovaj nacin izabrana su dva seta od po 24 stimulusa, setovi arhitektonskih i ...
Bernardo Bernardi; The Design Work of an Architect 1951-1985; Iva Ceraj
2016
The scientific monograph covering the most significant work of architect Bernardo Bernardi, the pioneer of Croatian design, is based on the doctoral dissertation and curatorial work of Iva Ceraj within the Croatian Museum od Architecture. It follows the didactic, theoretical, architectural and, foremost, design ouvre of the most prominent Croatian industrial designer of the 20th century. The book sheds light on a previously unpublished selection of drawings and photographs, offering new insights into the surprising parallels with, and the creative influences of Scandinavian organic modernism, indicating Bernardi’s strong affiliation to the democratic ideas of Scandinavian design. A lifelong promotor of humanizing the physical environment, Bernardi can be credited with establishing the design profession in the Croatian context as well as initiating the establishment of the School of Design in Zagreb