Bekić, L., Vrkić, Š., Pešić, M., Surić, R. Sveti Nikola u Zadru / Saint Nicholas in Zadar. Arheološko iskopavanje u samostanskom sklopu Sv. Nikola u Zadru 2014 - 2016 / Archaeological excavation at St. Nicholas monastery complex in Zadar 2014 - 2016. 1 dio / Part 1. Zadar 2017. (original) (raw)
Related papers
Diadora, 2018
Several authors wrote about the remains of the early medieval church in Petar Zoranić Square, associated with the Church of St. Peter of the Windlass, known from the archives. This paper consolidates the published and unpublished Late Antiquity and early medieval stone monuments found in the church and its vicinity. The fragments discussed here are compared with well-known identical monuments; the paper indicates that part of the stone furnishings and architectural decorations in the Church of St. Peter of the Windlass can be connected with the furnishings made by the Zadar Cathedral Chancel Panel Workshop in the late 8th and early 9th centuries. The paper also addresses the problem of dating of the sarcophagus of Georgius the Recluse and possible links between this church and the new structures built in Zadar by Bishop Donatus in the late 8th and early 9th centuries.
Crisia, 2024
Following archaeological surveys conducted in 1954, 2015-2017, and 2022, systematic archaeological research was initiated in 2023 at the Bronze Age tell and the medieval monastery of Sântion – Movila Mănăstirii/Kolostordomb. In the 2023 campaign, a new research unit, designated S 3, was established, and excavation activities were continued in the S 2 unit, which had been previously initiated in 2015 but not completed. In S 2, the current level of trampling is 3.42 meters below the present surface. A total of 45 main archaeological contexts were identified. The initial four contexts (Cxt. 1-4) are associated with the medieval monastery. The earliest Bronze Age level, which has remained undisturbed by subsequent modifications, is Cxt. 5, while the final context is Cxt. 44. The Bronze Age stratigraphic accumulations reach a depth of 2.62 meters (Fig. 4). The absolute dates are placed between 1892-1631 cal BC 2σ (95.4%), which corresponds to second period of the Otomani ceramic style. In the 2023 archaeological campaign, the foundation of a two-room building with a west-east orientation was identified. This structure was part of the south wing of the monastery (Fig. 6). The building was equipped with approximately three or four rooms, each with a heating stove. Based on the thickness of the foundations, it is plausible that the structure had a second floor. After its dismantling, which occurred at some point during the mid-16th century, the area was leveled with a substantial layer of rubble, and rooms with brick floors were constructed (Fig. 5). The family monastery was constructed before 1215, as documented in written sources, and its existence persisted throughout the Middle Ages until its disappearance at the end of the 16th century. Previous observations indicating that the monastery underwent at least two major phases of construction in the area under investigation, and probably several other redevelopments, were confirmed.
Human Skeletal Remains from the Exterior of the Zápoľský Chapel in Spišský Štvrtok
INTERDISCIPLINARIA ARCHAEOLOGICA NATURAL SCIENCES IN ARCHAEOLOGY, 2024
The skeletal remains of interest in this study were found during the archaeological reconstruction of the Zápoľský Chapel of the Assumption of the Virgin (or Zapolya's Chapel) at the Church of St. Ladislav (Figure 1), which stands on a hill on the northern border of the village of Spišský Štvrtok in eastern Slovakia (49°00′09″N, 20°27′47″E). The village of Spišský Štvrtok is geographically located on the southwestern edge of the Levoča Hills at an altitude of 520-600 m asl. The village was probably formed at the end of the 12 th century around the Church of St. Ladislav, and later on, in the 14 th century, it developed into a market town and a seat of royal lancers, which was a troop of Medieval infantry operating in the Spiš region, assigned to protect the northern borders of Hungarian Kingdom (Guldan et al., 2011). The construction of the gothic two-storey chapel on the south wall of the church has been attributed to the Zápoľský (Zapolya) family around 1473, but research has shown that it was built earlier between 1456 and 1468 by the Henckel de Quintoforo and Thurzo de Bethlenfalva families in the style of the French royal chapels (called Saint Chapelle) (Buran, ed., 2003; Tajkov and Balogh, 2022). The Zapoľský Chapel is today one of the most important examples of Gothic architecture in Slovakia. It is distinguished from the church by its style of construction and the shiny green tiles on the roof (Dunčko, 1998). Later, to the southwest of the Church of St. Ladislav, the Minorite monastery was built in 1671 and it was connected to the church and chapel by an underground passage (Javorský, 1998). The interior of the Chapel itself was divided into two floors: the upper one in the form of an oratory, and the lower one, partially submerged below ground Volume XV • Issue 2/2024 • Pages 195-206
Diadora 33/34, 2019
Krajem 1923. godine, za vrijeme talijanske vlasti u Zadru, današnji Arheološki muzej Zadar prešao je pod nadležnost Soprintendenza alle Antichità delle Marche e degli Abruzzi (Uprava za starine regija Marche i Abruzzi) u Anconi. Kulturna integracija Zadra i Italije u to je vrijeme bila jedno od pitanja važnih za uspješno provođenje procesa talijanizacije. U tu svrhu, ali vezano i uz (gotovo paralelna) uređenja novih stalnih postava u zadarskom i ankonitanskom muzeju, dogodio se niz razmjena arheološke građe između zadarskog muzeja i njemu nadležnoga muzeja u Anconi. U više je navrata u razdoblju između 1925. godine i Drugog svjetskog rata u Anconu odnošena građa s istraživanja rimskih nekropola Zadra i Nina, a kao protuusluga zadarskom muzeju organizirano je prenošenje triju bogatih picenskih grobova iz nekropola Cupra Marittime i Belmonte Picena za potrebe ovdašnjeg novog postava. Prema raspoloživoj dokumentaciji, razmjenu je zatražio tadašnji direktor Uprave za starine Giuseppe Moretti, a odobrila ju je Opća uprava za starine i likovnu umjetnost u Rimu 27. veljače 1930. Nakon rasformiranja postava u Sv. Donatu i njegova prenošenja u zgradu današnjeg Sveučilišta u Zadru, grobovi više nisu izlagani, a njihov je sadržaj danas nepoznat. Ipak, u muzejskim se spremištima čuva nekoliko predmeta koje s više ili manje sigurnosti možemo pripisati trima picenskim grobnim cjelinama: brončana kaciga, masivni brončani kolut s nizom zadebljanja i cjeloviti apulski vrč, a moguće i ulomak ploče s urezanim figuralnim prikazom. U članku se u kratkim crtama donosi opis i osnovna interpretacija navedene građe te okolnosti pod kojima se razmjena dogodila. U slučaju potonjega, autorica se oslanja na arhivske podatke koje je nedavno objavila Nicoletta Frapiccini, ravnateljica Nacionalnog arheološkog muzeja regije Marche u Anconi. Međumuzejska razmjena, kojom su tri bogato opremljena picenska groba dospjela u Arheološki muzej, zanimljiva je bilješka iz povijesti Arheološkog muzeja Zadar koja pruža uvid u rad ove ustanove u jednom od težih razdoblja njezina djelovanja. At the end of 1923, during the Italian rule in Zadar, the present-day Archaeological Museum Zadar came under the jurisdiction of the Soprintendenza alle Antichità delle Marche e degli Abruzzi (Administration for Antiquities of the Marche and Abruzzi Regions) in Ancona. The cultural integration of Zadar and Italy at that time was one of the issues important for the successful implementation of the Italianization process. For this purpose, but also in connection with the (almost parallel) arrangement of the new permanent exhibitions in the Zadar and Ancona museums, there was a series of exchanges of archaeological material between the Archaeological Museum in Zadar and its competent museum in Ancona. On several occasions, between 1925 and World War II, materials from the Roman necropolises of Zadar and Nin were taken to Ancona. As a favour to the Archaeological Museum in Zadar, the transfer of three rich Picenian graves from the necropolises of Cupra Marittima and Belmonte Piceno was carried out for the purpose of a new exhibition here. According to available documentation, the exchange was requested by the then Director of the Antiquities Directorate, Giuseppe Moretti, and approved by the General Administration for Antiquities and Fine Arts in Rome on February 27, 1930. After the disbanding of the exhibition in St. Donatus and its transfer to the building of today’s University of Zadar, the graves are no longer exhibited and their contents are unknown today. However, there are several items stored in the museum’s repositories that can more or less be attributed to the three Picenian graves: a bronze helmet, a massive bronze ring with a series of knobs, and a complete Apulian jug, and possibly a fragment of a slab with a carved figural representation. The article provides a brief description and basic interpretation of the material in question and the circumstances under which the exchange took place. In the case of the latter, the author relies on archival data recently published by Nicoletta Frapiccini, director of the National Archaeological Museum of the Marche Region in Ancona. The inter-museum exchange, which brought three richly furnished Picenian graves to the Archaeological Museum Zadar, is an interesting note from its history, which provides insight into the work of this institution during one of its difficult periods.