Theatrical and Ritual Boundaries (original) (raw)

The paper explores the influence of the Nāṭyaśāstra on temple sculptures in South India, particularly focusing on how the dance movements codified in this foundational text illuminate the intricacies of sculptural representations. Through a historical lens, it examines the evolution of scholarly perspectives from treating dance movements as static postures to recognizing the dynamic interplay of dance and sculpture across different periods in Indian art history. Additionally, it underscores the contributions of significant scholars like Vatsyayan in broadening the discourse regarding the interrelationship between dance practices and visual art forms.