'I Myself Still Remember': Political Memories in Interwar Italy and Beyond (original) (raw)

" A typically Italian Joke " - An Inquiry into the Collective Memory of Italian Fascism

Moving from an article written by the American historian Ruth Ben-Ghiat concerning the relationship between Italian people and the monumental legacy of Italy’s Fascist past, this paper aims to tackle the broader issue of Collective Memory of Italian Fascism. Namely, the memory of a rather benign form of totalitarianism which is not stained by the horrible crimes of its Nazi counterpart, and towards which the Italian population – because of its inherent goodness - never totally adhere to. To determine the way in which this image established itself, the topic is approached through the tools supplies by Memory Studies, in an attempt to identify those intellectual and cultural traditions which have framed this particular representation of the past and those active memory agents who selectively adapted and manipulated history. In particular, attention is given to the specificity of the historical period in which the process of establishing a collective memory took place, the failure of the purges against the Fascists and the lack of persecution against war criminals, which lead to a misleading evaluation of the legacy of Fascism and the war. Furthermore, active agents of memory are individuated in the work of the scholars who dealt with the history of Fascism, in the Allies and the propaganda techniques they deployed during the war, and finally in the visual media and their active role in forging specific exculpatory memories. What this paper ascertains, therefore, is how these policies of re-elaboration of the national past mainly pointed towards establishing an aura of social amnesia around Fascism, its crimes and the connivance of Italian people. This collective amnesia, however, left gaps and ‘black holes’ into the collective memory of Italians. As this paper argues, these gaps were fulfilled thanks to a constant comparison with Nazi Germany and the brutality of its crimes, thus establishing what is known as the ‘bad Germans/good Italians’ trope which is central in evaluating what has established itself to be the collective memory of Italian Fascism.

Past, present, and future of the Italian memory of Fascism. Interviews with Luisa Passerini, Filippo Focardi, John Foot, Robert Gordon, and Philip Cooke

Modern Italy

This article consists of interviews with five world experts on the memory of Fascism. Taking the centenary of the March on Rome as an opportunity to rethink the development of Italian collective memory, the five interviewees were asked to reflect on different aspects of the Italian memory of Fascism, addressing the dominant conceptualisations, limits, and transformations of the discourses used to narrate Fascism in Italian culture. The result of these conversations, which touch upon issues related to the memory of the Resistance, the Second World War, the Holocaust, and colonialism, is a rich overview of the main trends and current trajectories of Italian memory culture, which can help us imagine the future directions of the Italian memory of Fascism and enhance interventions in this field by memory scholars and memory activists.

The Memory of the Axis War in Italian Literature: Ethical Counterforce or Uncritical Denial of Responsibility?

Past (Im)in Perfect Continuous Trans-Cultural Articulations of the Postmemory of WWII, ed. by Alice Balestrino (Sapienza University Press), 2021

The Axis War had a complex legacy in postwar Italy: it remained at the margin of the commemorations promoted by the state, was often overlooked by historical enquiries, and was generally neglected by cinematic mediations. As a result, the transmission and circulation of memory narratives of the Axis War within the Italian community of memory have been largely hampered. Yet, memories of the Axis campaigns and occupations circulated across the Italian community thanks, above all, to narrative texts, which constituted the main vectors of memory of Italy's participation in World War Two as a Fascist nation. In this paper I would like to explore the representations developed by the Axis War literature in three decades after the end of the Second World War. I will show that among literary vectors of memory three texts, written in the 1950s by Pirro, Terrosi, and Lunardi, helped readers gain awareness of Italy's role as a repressive power, thanks to representations of the Italian use of violence and a thematisation of the protagonists' sense of guilt. However, the paper will highlight that a similar narrativisation of the war years, which encouraged readers to take on responsibility for Italy's Fascist past, has constituted an exception. The majority of narrative texts dealing with the Axis War presented the Italians as victims of war and adopted a series of topoi that conveyed the idea of Italy's innocence. This overbearing representation, continuously remediated across Italian society, hindered the formation of a responsible memory of the Axis War and contributed to evading Italy's responsibilities for Fascism.

Memory, post-fascism and the far-right

Italian Political Science Review , 2024

After 78 years of democracy, Italy continues to grapple with its recent past in the political, social, and cultural spheres. Its experience of fascism under Mussolini, its dual participation in the Second World War, and the continuous and still existent connections between the ideological factions of the 1930s-1940s and now render the country a rich case for the study of public history and memory. The specificity of these characteristics has often made Italian history and memory look like an outlier, shaped by circumstances difficult to compare with those of other countries'. This paper argues that contemporary Italian memory politics are in reality a valuable source of information about the kind of mnemonic discourses that may arise in other (Western) European countries, given the increasingly polarised and populist European landscape. Our study of discourses put forwarded by the post-fascist party Fratelli d'Italia reveals a set of mnemonic tools with which they successfully banalise fascism and chip at Italian public discourse slowly but surely. The comparison between this discourse and that of VOX and AfD in Spain and Germany, respectively, shows that these tools, ranging from nativism to policy (de)legitimation linked to fascist imagery, has started to transfer to other countries' political strategies.

The Limits of National Memory: Anti-Fascism, the Holocaust and the Fosse Ardeatine Memorial in 1990s Italy

Forum for Modern Language Studies, 2008

This article uses the memorial to the 1944 Fosse Ardeatine massacre in Rome as a case study that demonstrates how the symbolic function of memorials can alter over time. Focusing on the changing meanings of the monument in a post-Cold War context, it examines how, during the 1990s, the memorial was transformed from a central, national symbol of the Italian anti-fascist Resistance to one which evoked the Holocaust. It argues that this shift in meaning recast the monument – and the massacre itself – as a site and an event at the margins of national history and memory.

Wartime Nostalgia in Italy: Validating the Fatherland

Fascism, 2019

In the late 1980s and early 1990s, Italy experienced a series of crises when its precarious postwar political compromise was challenged by the effects of decades of structural corruption. The author was offered unsolicited narratives of the prewar and especially wartime Fascist period. Surprisingly, many of these stories cast Fascists and their Nazi political allies in a positive light. Here, the author argues that these favourable views of a bleak period are linked to the disenchantment and diffidence many felt (and continue to feel) toward the state and its institutions, and that these stories are not nostalgic expressions of fascist sympathies. Instead, they stress how people managed the micro-details of everyday life to gain small, individual victories against wartime degradations that would otherwise transform them into powerless victims. Even today, these expressions of individual agency reinforce shared notions that there is alternative to the institutional culture of an inefficient and oppressive state. Keywords Italy-Fascism-nostalgia-Second World War-fatherland-oral history Odysseus' ten-year homeward journey tells a tale of longing for a past that seems to him increasingly unattainable with each adventure in a distant land. Beyond the personal emotions of Odysseus' sense of loss, there is also a social dimension: nostalgia is a narrative device that heightens the story's climax, when Odysseus kills Penelope's suitors and executes his servants for disloyalty.