Valuing Films: Shifting Perceptions of Worth (original) (raw)

Evaluating and Valuing in Film Criticism

Sérgio Dias Branco

2015

View PDFchevron_right

Valuing Films: Reflections on the Practice of Film Criticism

Sérgio Dias Branco

2021

View PDFchevron_right

Perspectives: A Dialogue Upon the Question of Value in Film Education

Alan Bernstein

Film Education Journal, 2019

View PDFchevron_right

Nollywood Style: Nigerian Movies and 'Shifting Perceptions of Worth'

Jeffrey Geiger

View PDFchevron_right

Whose Canon is it Anyway?: Subcultural Capital, Cultural Distinction and Value in High Art and Low Culture Film Distribution

Mark Mckenna

Cult Media, 2017

View PDFchevron_right

What Film Is Good For: On the Values of Spectatorship

Julian Hanich, Martin P Rossouw

University of California Press, 2023

View PDFchevron_right

Comparing artistic values: the example of movies

Sheila Weyers

Empirical Studies of The Arts, 2006

View PDFchevron_right

The Value of Arthouse Films

Shalonda Reese

View PDFchevron_right

Values of protagonists in best pictures and blockbusters: Implications for marketing

Doug Beckwith

Psychology & Marketing, 2009

View PDFchevron_right

Popular Communication: The International Journal of Media and Culture Film Discourse on the Praised and Acclaimed: Reviewing Criteria in the United States and United Kingdom

Annemarie Kersten, Denise Bielby

View PDFchevron_right

Artistic value as an excuse for spreading cinematographic filth

Matti Häyry

The Journal of Value Inquiry, 1995

View PDFchevron_right

Quantitative approaches to valuation in the arts, with an application to movies

Victor Ginsburgh

2008

View PDFchevron_right

Spectacle and Value in Classical Hollywood Cinema

Tom Brown

Valuing Films: Shifting Perceptions of Worth. Hubner, L. (ed.). Basingstoke: Palgrave Macmillan, 2011

View PDFchevron_right

"On the Many Worlds and World Values of Cinema" in What Film is Good For, Julian Hanich and Martin Rossouw eds., University of California Press, 2023, 138-149.

Daniel Yacavone

What Film is Good For: On the Values of Spectatorship , 2023

View PDFchevron_right

Capital and popular cinema: the dollars are coming

Akshaya Kumar

Historical Journal of Film, Radio and Television, 2019

View PDFchevron_right

After Taste: Cultural Value and the Moving Image. Routledge, 2013

julia vassilieva, Constantine E Verevis

View PDFchevron_right

Conditioning audience patronage using subject matters in Nollywood films: the example of 30 days in Atlanta

Silver OJIESON

Ekpoma Journal of Theatre and Media Arts, 2016

View PDFchevron_right

Rethinking "quality" cinema

Jara Fernández Meneses

International Journal of Cultural Policy , 2020

View PDFchevron_right

Film Discourse on the Praised and Acclaimed: Reviewing Criteria in the United States and United Kingdom

Denise Bielby

Popular Communication, 2012

View PDFchevron_right

A cross-country analysis of the demand for "art house" vs. "mainstream" cinema films

Fernando Governo

2011

View PDFchevron_right

Tournaments of values at the European film market

Roderik Smits

Arts and the Market

View PDFchevron_right

Dimensions of Conventionality and Innovation in Film: The Cultural Classification of Blockbusters, Award Winners, and Critics' Favourites

Marc Verboord

Cultural Sociology, 2014

View PDFchevron_right

Aesthetics and Ethics of Cinema

Hugo Noël Santander Ferreira

An Interdisciplinary study on the Influence of Theatre and Theology in Cinema, 2024

View PDFchevron_right

Selling World Cinema by the Pound: Disclosing the Worldist Idea of Cinema

Andrea Gelardi

Cinergie, Il Cinema e le Altre Arti, 2016

View PDFchevron_right

FILMS AS CULTURAL ARTEFACTS

Machunwangliu Kamei

View PDFchevron_right

Moral Dilemma in Nollywood: Virtue Celebration or Vice Glorification

Chukwuma Anyanwu, Osakue Omoera

View PDFchevron_right

Not a flaw, but a feature : the language, aesthetics, and value of bad cinema

Jared Aronoff

2019

View PDFchevron_right

ONCE UPON A TIME IN MOVIE THEATRES: HOW THE FILM INDUSTRY IS RE-WRITING ITS SCREENPLAY Master thesis in CULTURAL ECONOMICS

Isabella Favero

View PDFchevron_right

The Work of Interpretation: A Theoretical Defence of Film Theory and Criticism

Blair Miller

Kinema, 1999

View PDFchevron_right

The Battle for the Blockbuster: Discourses of Spectacle and Excess

Erlend Lavik

View PDFchevron_right

A Theoretical Defence of Film Theory and Criticism

Blair Miller

Kinema: A Journal for Film and Audiovisual Media, Spring 1999

View PDFchevron_right

Cinematic Arenas of Wealth Production : How Cinema is Shaping Labor and What (New) Film Histories It Reveals

Guilherme Machado

Rethinking Film History Through Global and Digital Approaches, 2022

View PDFchevron_right

The Better Films Movement and the Very Notion of It

Jenny Horne

Feminist Media Histories, 2017

View PDFchevron_right

Cinephilia Goes Global: Loving Cinema in the Post-cinematic Age. In The Routledge Companion to World Cinema, eds Rob Stone, Paul Cooke, Stephanie Dennison and Alex Marlow-Mann. New York and London: Routledge (2018), pp. 404-414.

Belén Vidal

View PDFchevron_right

Introduction: B for Bad Cinema

julia vassilieva

2017

View PDFchevron_right