Facing death abroad. Epitaphs from pilgrim shrines as a potential source for the study of women’s pilgrimage in late antique Anatolia (original) (raw)
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Tracing Blueprints: Persian cultural revivification through photographs
2019
This paper focusses on a set of photographs of archaeological sites, bas-reliefs and inscriptions from the pre-Islamic Achaemenid (ca. 559-330 BCE) and Sasanian dynasties (224-651 BCE). In question are photographic reproductions with motifs from Persepolis, Pasargade and Persian rock tombs made in between 1904 and 1934 by the German archaeologist Ernst Herzfeld. As a leading figure in ancient Near Eastern and Iranian studies during the first half of the twentieth century Ernst Herzfeld produced these images for purposes of further studies, research and publications. Just like most of the 3850 glass negatives that constitute the centrepiece of Herzfeld's photographic collection these images have been reprinted and replicated using the blueprint method. The discovery of cyanotype (blueprint) in 1842 commenced the third practical means of lasting image production after daguerreotype in 1839 and calotype in 1840. The increasing commodification and commercialisation of light-sensitive papers for blueprints during the 1870s advanced cyanotype to the first reprographic process. As such it was not merely a method for drawing copies but in fact became a crucial means of replicating photographs over the course of the coming decades. For its simplicity and low material costs the cyanotype printing process was also Herzfeld's reproductive choice for his extensive glass negatives and cut films that documented prehistoric artefacts, monuments and archaeological sites of the Near East, including Iran. Elaborating on the historical framework and distinctive particularities of the cyanotype process this paper discusses the significance of cyanotype in the replication of photographs of ancient Persian cultural sites, specifically focusing on the blueprints of Herzfeld's collection. Against this backdrop this paper further addresses the extent to which the dispersion of the discussed cyanotypes and Herzfeld's photographic heritage at large enabled, promoted and accelerated the revivification of Persian cultural awareness and thus the formation of a national identity.
Explore! Access to Arts: Different Ways of Looking
In this hands-on creative workshop you will explore different ways of looking at art through multi-sensory props. You will have the opportunity to discuss and explore different ways of looking and accessing artwork and creativity in a gallery and museum settings. The goal is to remove or reduce physical, sensual and intellectual barriers so that art galleries, exhibitions and activities are accessible for children with different backgrounds and abilities. Providing the right tools everyone can feel welcomed and gain full access to the exhibition and the art activity.
1. ULUSLARARASI PROF. DR HALİL İNALCIK TARİH VE TARİHÇİLİK SEMPOZYUMU (THE INTERNATIONAL SYMPOSIUM ON PROF. HALİL İNALCIK HISTORY AND HISTORIOGRAPHY) 2. 10-13 NİSAN 2017 ANKARA/TÜRKİYE 10-13 APRIL 2017 ANKARA/TURKEY 3. 75. YIL KONFERANS SALONU (EDEBİYAT FAKÜLTESİ) / 75. YIL CONFERENCE HALL (FACULTY OF LITERATURE) 4. 14.15-14.30: Yrd. Doç. Dr. Tunç YILDIRIM: "Modern Türk Sinema Tarihyazımına 'Marxist' ve 'Ulusalcı' Bir Giriş: Nijat Özön’ün Sinema Tarihçiliğine Dair Görüşler"