Performing Massacre
Efterpi Mitsi
2018
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The Spectacle of Sovereignty: The Abject Multitude in Marlowe’s The Massacre at Paris and Shakespeare’s
Kyle DiRoberto
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Horrid Spectacle: Violation in the Theater of Early Modern England by Deborah G. Burks
Rebecca Bushnell
Renaissance Studies, 2006
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MURDER BY ACCIDENT: Medieval Theater, Modern Media, Critical Intentions
Jody Enders
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The Massacre at Paris: Between English and French Perspectives
Abdulaziz al-Mutawa
ATINER, 2012
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Staging the Crusade against Islam: the Twelve Peers of France and European Popular Theatricality
Francesc Massip
European Medieval Drama, 23 : 31-70, 2019
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The Representation of Religion and Politics in Marlowe's The Massacre at Paris, The Jew of Malta, and Edward II
Abdulaziz al-Mutawa
2010
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Mutual Hatred and the Fear of Difference: The Catholic and Protestant 'Other' in Marlowe's The Massacre at Paris and de Chantelouve's La Tragédie de feu Gaspard de Colligny
J. Bleeker
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Le Massacre à Paris (The Massacre at Paris) (review)
Nathalie Rivere de Carles
Shakespeare Bulletin, 2007
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"Mark this show": On Dramatic Attention in Christopher Marlowe's and William Shakespeare's Tragedies
Jamie Paris
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Theater Makes History: Ritual Murder by Proxy in the Mistere de la Sainte Hostie
Jody Enders
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“A Tragic Farce: Revolutionary Women in Elizabeth Inchbald’s The Massacre and European Drama.” European Romantic Review 17.3 (Summer 2006): 275-88.
Wendy C . Nielsen
European Romantic Review, 2006
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Marlowe's "Massacre at Paris" and the Reputation of Henri III of France
David Potter
D. Grantley and P. Roberts (eds.) Christopher Marlowe and English Renaissance Culture (Scholar Press), 1996
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Teaching to Hate through Theater: Hate, Violence, and the Invention of Piety in French Passion Plays," special issue of Literature Compass 13.6 (2016) on ‘Emotions and Feelings in the Middle Ages,’ ed. Anthony Bale and Lynn Ramey, pp. 389-399.
Andreea Marculescu
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"Bearing Witness and Taking Action: Audiences and Morality in Renaissance Tragedy and Activist Street Theater." Comparative Drama 48.1 (2014): 39-57.
Horacio Sierra
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Reboot your culture! Theatricalizing the Unbearable. IMAGE [&] NARRATIVE Vol. 14, No. 2 (2013), 19-33
Karel Vanhaesebrouck
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“Masking players, painted sepulchers and double dealing ambidexters” on duty: anti-theatricalist tracts on audience involvement and the transformative power of plays
Agnes Matuska
SEDERI: yearbook of the Spanish and Portuguese Society for English Renaissance Studies, 2008
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'Reboot your culture!' Theatricalizing the Unbearable. Image & Narrative 14: 2 (2013), 19-33
Karel Vanhaesebrouck
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Douglas Cole. Christopher Marlowe and the Renaissance of Tragedy. (Contributions in Drama and Theatre Studies 63, Lives of the Theatre.) Westport, CT, and London: Greenwood Press, 1995. 11 illus. + xviii + 176 pp. 55.00cloth;55.00 cloth; 55.00cloth;16.95 paper
Patrick Cheney
Renaissance Quarterly, 1997
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The Politics of Spectacle During the French Revolution - Master's thesis
Nancy Jarchow
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Dramatic Justice: Trial by Theater in the Age of the French Revolution. Yann Robert. Philadelphia: University of Pennsylvania Press, 2019. Pp. viii+331
Pannill Camp
Modern Philology
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Dramatic Representations of Contemporary Terror: Genres of (Post)modern Tragic Theatre?
Sonja Novak
2015
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Revolutionary Acts: Theater, Democracy, and the French Revolution (review)
Mechele Leon
Theatre Journal, 2006
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Review of Buckley, Matthew S. Tragedy Walks the Streets: The French Revolution in the Making of Modern Drama in Modern Philology 107.3 (Feb. 2010): 71-4.
Wendy C . Nielsen
Modern Philology, 2010
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A De-sacrlisation of Violence in Modern British Playwriting
Amani Alied
Manchester University, 2014
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"Forced Modernity in The Revenger’s Tragedy Performance", in The Revenger’s Tragedy: The State of Play, ed. Gretchen Minton (London: Bloomsbury, 2018), pp. 231–53
Kevin A Quarmby
The Revenger’s Tragedy: The State of Play, 2018
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Politics and Aesthetics in European Baroque and Classicist Tragedy ed. by Jan Bloemendal and Nigel Smith
S. Miong
Bulletin of the Comediantes, 2017
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“Coups de théâtre and the Passion for Vengeance.”
Jody Enders
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The Anatomy of the Revenger: Violence and Dissection on the Early Modern English Stage
Attila Kiss
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ATINER ' s Conference Paper Series LIT 2012-0235
Abdulaziz Al-Mutawa
2012
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“Killed By Words: Grotesque Verbal Violence and Tragic Atonement in French Passion Plays.” Comparative Drama 33.1 (1999): 22–55 (Festschrift issue for Clifford Davidson and John Stroupe).
Véronique Plesch
Comparative Drama, 1999
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Jacques Milet's Destruction De Troie La Grant: Reassessing French Theatre In the Late Medieval Period
Lofton L Durham
2009
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Shaping the Spectacle: Faking, Making and Performing Reality through Shakespeare
Agnes Matuska
Relational Designs in Literature and the Arts, 2012
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Anges Matuska. “Masking players, painted sepulchers and double dealing ambidexters on duty: anti-theatricalist tracts on audience involvement and the transformative power of plays"
SEDERI Yearbook, Agnes Matuska
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Towards a Theater of Immobility: Henry IV, The Condemned of Altona, and The Balcony
Mary Ann Witt
Comparative Drama, 1990
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