House Of Superimposed Geometries And Transparencies (original) (raw)

Structure with Convertible Shape, a Solution for Improving the Quality of a Residence

2013

The diversity of usage and space in traditional residences, considering the life in megacities, has been overshadowed by the lack of space and economic situation of modern cities. Urban families live in a set of limited spaces where they should fulfill all their operational and psychological needs. Therefore, this question is asked if it is possible to find a solution, despite all the limitations, to provide a versatile function of space based on the traditions of Iranian lifestyle. Can the spaces of a modern house, by combining and connecting, change into the spaces that a family needs in different conditions? The purpose of this research is to find an answer to these questions and to provide a practical solution for flexibility of a residential space. Consequently, there will be a harmony in society among the culture, the attitude towards life and a relative comfort in different parts of the city. So by choosing Neemat Abad, an old texture, as a sample and by using modern building...

Reflections on Open Spaces in a Residential Complex

Asian Journal of Behavioural Studies, 2016

From the early 50s onwards the major Iranian cities were subject to a massive immigration. The immediate solution to this crisis was to build a residential complex in the less populated areas. After few decades of accommodation, while having limited open space, this policy created physical, functional, semantic, environmental, and social problems. Today, the challenge confronted the designers and architectures are to improve the quality of both open spaces and living condition of the inhabitances while at the same time compete in the housing market with a limited budget for their expenditures.2398-4295 © 2016. The Authors. Published for AMER ABRA by e-International Publishing House, Ltd., UK.. This is an open access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for...

The Journal of Architecture The façade fills the frame: the uses and meanings of the elevational view

The camera is set facing a building, whose front is parallel to the picture plane and whose built surface encompasses the visual field: the façade fills the frame. Used since the medium’s beginnings, this photographic idiom has become prevalent and distinctive enough to constitute a subgenre. It encompasses work made by a variety of means for a variety of ends, from amateur city snapshots through scrupulous survey work to fine art photography. But perhaps surprisingly, this mode of image-making, in which built fabric is inescapably and pervasively present, does not feature prominently in the standard repertoire of architectural photography. Orthodoxy tends to favour moving out to capture the building in context, moving around to capture three-dimensional form, or moving in to focus on detail. The static elevation view, despite being central to the design and production of architecture,is relatively rare. In seeking to understand this apparent contradiction, this paper explores the strategies and effects of a number of this subgenre’s most notable exponents. For Lee Friedlander, the surfaces of buildings provided complex patterns of reflection, shadow and overlap which, when photographed, served to collapse foreground and background onto a dazzlingly complex picture plane. For Todd Webb, in his New York streetscapes and for Ed Ruscha in his Los Angeles work, façades became flatter, more mute, and the camera’s gaze concomitantly more dispassionate. More recently, following Andreas Gursky’s seminal Montparnasse image (1993), Stephane Couturier, Michael Wolf and others have produced images which establish an equivalence between their heroic scale and quasi-abstract patterning, and the dystopian arrays of high-rise façades they depict. Might it in fact be this multiplicity of possible readings and visual stratagems, in which the built facts constituting the picture’s content become a point of departure rather than an end in themselves, which militates against the genre’s widespread adoption in architectural photography? Despite, or maybe because of, the fact that in such pictures there is nothing but building, they can seem, ultimately, to be about something else.

Principles of Residential Space Configuration

Principles of Residential Space Configuration, 2024

Housing, being one of the most intricate subjects in design, has been a focal point for researchers across centuries. Despite the wealth of scientific literature on this subject, books specifically dedicated to residential space organization are relatively scarce from today's perspective. This scarcity can be attributed to the fact that architects primarily express their professional identity through design endeavors, with fewer practitioners engaging in theoretical and research-oriented work. In our pursuit to consolidate experiences, we have embarked on a journey to delve deeper, record, and share insights derived from our projects. The idea for compiling this book stems from years of immersion in design and research within the realm of residential architecture. The content presented here encapsulates a culmination of theoretical and historiographical explorations that we, as researchers, have delved into, aiming to unravel the core essence of various design concepts pertinent to residential spaces. Many of these principles find application not only in residential architecture but also extend to other architectural domains such as public and sacred structures. Thus, we envisage that the contents of this book will have broader implications and prove beneficial to a diverse readership comprising students, researchers, and designers keen on delving into architectural theory and practice. The book is structured into several chapters, each exploring thematic units centered on functional, structural, organizational, and perceptual principles that collectively define the essence of residential space configuration. We perceive the term "space configuration" as a comprehensive umbrella term encompassing these fundamental concepts, serving as the cornerstone for grasping the intricate and multifaceted nature of residential architecture. Our intention was not to exhaustively cover all design principles within the architectural realm but rather to elucidate their hierarchy, interconnections, and provide a structured overview, focusing on those that are quintessential and commonly applied. Readers can approach the book sequentially, following the proposed order, or focus on specific thematic units of interest. The thematic framework of this monograph has been significantly influenced by our enduring association with the eminent Serbian architect and scholar of residential architecture, Dr. Mihailo Čanak (1932−2014). Our conversations with him over the years sparked our interest for various residential architecture design principles, leading us to explore and research topics of significance. Circular connection, technical block, human needs, open plan, and other topics presented in the book colored our conversations and focused our attention on the field of housing. While Dr. Čanak played a pivotal role, our academic journey has also been shaped by the guidance of our professors, senior colleagues, and the exploration of the Belgrade School of Housing and its impact on Serbian architectural discourse. Publications and scholarly works by our mentors and esteemed colleagues have further enriched our understanding and directed our focus towards research in residential architecture. Through this publication, we aspire to broaden readers' comprehension of residential architecture and inspire further exploration in this domain. For us, housing is the foundation for contemplating architecture, a perspective we aim to share with fellow researchers and architecture enthusiasts alike.

SAGE Handbook of Architectural Theory

The Journal of Architecture, 2014

On a midsummer's afternoon in Paris' Parc de la Villette locals and tourists mingle amongst the famous red follies that dot the park. Children paddle in a shallow pool that surrounds one of the follies. Family groups and friends gather at tented cafés and bars that have sprouted up alongside one another. Strolling couples take in the sun, cyclists weave along the banks of the canal, while the distant din of an impromptu football

MODERNIST HOUSE NEAR MOSTAR, AS POSSIBLE ANSWER FOR ISSUES OF CONTEXT AND HARMONY WITH ENVIRONMENT

S.ARCH 2015, Environment and Architecture, Proceedings, 2015

The project for a built house near Blagaj, 15 km from Mostar, was created with the desire that modern, in design and visual expression simple architecture fit into the natural submediterranean environment strongly marked by an atmosphere of rich tradition and culture from the nearby Mostar, Blagaj, Pocitelj and Dalmatia. In the spirit of Critical Regionalism that symbiosis between modern architecture and contextual determinants as climate, topography, orientation, traditions and rich architectural heritage were reflecting in the concept that combines open and closed spaces, follows the gentle slope of land and orientation to spectacular views of the surrounding hills, mountains Velez and vast vineyards and orchards. This approach is close to objectives of environmentally sustainable architecture and the wish to create a building that does not dominate but becomes part of the environment. Design of house tries to respect some of the basic principles of architecture adapted to the context; first with the size adjusted to custom periodical using (during weekends and holidays) by four member of family, then through the use of traditional materials and with use of the benefits of orientation towards the sun, but also protection from unwanted insolation during the summer. The house was designed and built to be categorized as a low energy house with 75m2 of living enclosed area that is directly connected with a covered terrace of 20m2, while under the part of housing unit is 25m2 for garage and storage. In the continuity from the shaded terraces there is an intimate outdoor area around the planned smaller swimming pool, surrounded by shade and scents of Mediterranean vegetation. The modernist idea that pure and simple geometric lines and white forms versus free shapes and rich colors of the natural environment are often the best way of their mutual relation is revived in the realization of this house.