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The article is devoted to the discussion of the personal name of one of the Yenisei Qïrqïz embassy member to the Táng 唐 imperial court in 842, Yuán-yīn-suō yè-hàn ā-yǐ-shí 元因娑拽汗阿已時, mentioned in chapter 8 of «Collection (of Works] of the Huì-chāng Period» [Huì-chāng yī-pǐn jí 会昌一品集], composed by Lǐ Dé-yù 李德裕 (Lǐ Wèi-gōn-g 李卫公). The study attempts to reconstruct the original pronunciation of the name recorded in the Chinese transcription, which, in the author’s opinion, allows to propose several considerations regarding the socio-political organization of Qïrqïz, at least, by the 40th years of 9th century.
The article draws attention to the mention in the Chinese source “Táng huì yào” (唐會要) of the absence, at least in the 7th century A. D., of the practice of tamga-sign marking of horses among the Qurïqan (Chinese: Gǔ-lì-gàn, 骨利幹) tribal group, while it was here a customary to make cuts on the face and ears of the animals. This undoubtedly indicates the existence of private-family livestock ownership expected, but makes it possible to speak of the absence of large social associations of the same type, which are fixed among other tribal groups in Inner Asia. Although other sources hint at the existence of several tribal or administrative associations of Qurïqan in different historical periods, this do not allow to assert anything about the character of the intermediate links of social organization between them as its highest taxonomic units and the lower ones, which are families households whose typical character we also know nothing about.
МАТЕРИАЛЫ V МЕЖДУНАРОДНОЙ НАУЧНОЙ КОНФЕРЕНЦИИ «НАРОДЫ И КУЛЬТУРЫ САЯНО-АЛТАЯ И СОПРЕДЕЛЬНЫХ ТЕРРИТОРИЙ», 2018
The report is devoted to a comparative analysis of identity marks (tamga-signs) of the Yenisei Kyrgyz and rulers of the Western Turkic Khaganate. The conclusion is made for the similarity of graphic basis and modification rules for tamgas of both states at the early stage. It conforms with the information about relationships between founders of the First Turkic Khaganate and ruling family group of Kyrgyz, that is described in the genealogical legend of the 6th century in the Chinese composition «Zhou Shu». The earliest prototypes of Kyrgyz and Western Turkic tamgas can be identified among the images of the late stage of Tashtyk culture. They allow us to interpret them as a conventionally represented image of a bird-woman, that can be correlated with goddess Umay.