旺角關公像.pdf (original) (raw)
Related papers
2016
Of regular script calligraphy styles from the Tang Dynasty, the style of Yan Zhen-qing (709-785) became one of the most highly regarded styles by later scholars. For centuries, " Yan style " was seen as a climax of Tang Dynasty regular script, and his work has had a wide and profound effect on Chinese calligraphy ever since. However, Tang Dynasty calligraphy critics did not place much value on Yan style, and they did not think of Yan Zhen-qing as a great calligrapher. This phenomenon is difficult to understand. The main aim of this paper is to further investigate the above-mentioned observation of Yan's lack of popularity in the Tang dynasty. The conclusions are as follows: 1. There are only ten extant genuine works of Yan Zhen-qing's regular script calligraphy, including Wang-lin Mu Zhi "Wang Lin's Epitaph", Duo-bao-ta Bei "Prabhutaratna Pagoda Stele",Yan Qin-li Bei " Stele for Yan Qin-li" and others. All other works are either co...
2022
從規範佛教而言，佛教戒律中不贊同修道者歌舞倡伎以影響道心，但是佛教 傳至明清時期卻扭轉了這種規範性的認知，確實看見了大傳統與小傳統的不同。 不論從唐代的《洛陽伽藍記》描述佛教寺院中有戲臺的影子，到了明清版畫中也 能看到寺院搭起戲臺表演俗劇。除了戲臺外，還出現佛道融合的儀軌例如「破地 獄」，將表演與儀式結合，表現出的文化現象。在佛教戒律中禁止歌舞倡伎，但 是在寺院外卻搭起戲臺歌唱世俗情愛，這種佛教與民間衝擊的弔詭現象，現在佛 教研究的學術界甚少討論，因此希望藉由本文作為一個開端，使未來更多人關注 佛教音樂的研究。 本文欲透過文本分析、圖片考證，整理中國佛寺戲臺以及明清佛教戲劇與儀 式的資料，試圖歸納過去佛寺戲臺搬演及紀錄，還有現存佛寺戲臺的遺址。並且 列出明清時期佛教相關戲曲，乃至於佛教故事表演如何與儀式結合進行探討。希 望透過這兩個層面，概述明清佛教寺院戲劇與儀式的形態。
色幻悟道與平等新生：溥緒《摩登伽女曲本》與泰戈爾《昌達爾姑娘歌舞劇》人物形象及主題寓意研究
《玄奘佛學研究》25期, 2016
摩登伽女的故事歷來都是漢傳佛教警戒男修行者遠離美色誘惑的 典型，她也成為情欲魔女的象徵。民國16 年溥緒（1882－1933）（清逸 居士）創作《摩登伽女曲本》，由京劇名伶尚小雲於北京新明戲院演出， 引起轟動。民國22 年，這個印度來的故事被印度泰戈爾（1861－1941） 創作成歌舞劇《昌達爾姑娘》，再改編為《昌達爾姑娘歌舞劇》搬上劇 場公演，至今仍表演不輟。同時代的二個劇本都能移動傳統視角，正視 摩登伽女自身，卸去僵化的魔女形象，但又各自呼應著自己的文化土壤 與時代關懷，呈現不同主題寓意：一者關注她的情愛與修悟，以色幻悟 道為精神；一者關注她的啟蒙與平等，以實踐平等新生為精神。 在溥緒筆下，摩登伽女具有端莊美麗，專情高潔的形象，有傳統文 學的杜麗娘之傷春幽情、賈寶玉之色空悟道，又有《西遊記》魔考誘惑 的情節。故事關注情愛與修悟，在情愛美色的貪執中，徹悟不淨與如幻， 並輔以平等慈悲之懷。 而泰戈爾的歌舞劇，藉此抒發對印度種姓不平等制度的批判。他筆 下的摩登伽女言語靈動，活潑熱情，從不平等的種姓思惟中被啟蒙新生 後，自我作主，勇敢追愛，這份蘊含「愛」的新生，歸向阿難與佛陀所 象徵的平等慈悲，隱含泰戈爾「在愛中徹悟」的梵愛合一路徑。 就女性視角詮釋的二個路徑「情欲主動」、「速證果位」觀察，溥緒 以專情高潔之主動來詮釋其「情欲主動」，並以消融情欲而得悟，雖然 能呈現她因情而悟，但並無深刻描寫其「速證果位」。泰戈爾則完全沒 有著墨「速證果位」，主力全在「情欲主動」上，這份主動來自平等的 啟蒙，情欲化為自主勇敢去愛，與泰戈爾「梵愛合一」的宗教哲學呼應。 關鍵詞：摩登伽女、阿難、溥緒、泰戈爾、昌達爾姑娘 In Chinese Buddhism, the story of Matangi's daughter has been taken as a warning for male Buddhists to keep away from the temptation of lust, and Matangi's daughter has become a representative of femme fatale. In 1927, Pu Xu (1882-1933, art name Qing Yi Ju Shi) composed a tune of ＂Matangi's daughter＂, starred by Shang Xiao-yun and caused a sensation in the Xinming Theater in Beijing. Then in 1933, this Indian story was written as a musical drama ＂Chandalika＂ by the respected Indian writer Rabindranath Tagore, and be readapted and played in theaters until now. These two scripts of the same era both change the point of view toward female by facing up to this character and getting rid of the stereotype as a femme fatale. What's more, they reflect to their own cultural soil and contemporary concern, and present two different theme implications: the former focuses on her love and enlightenment, taking enlightenment from form & vision as the essence; the later focuses on h...
2013
How did people in the Han (漢) Dynasty project their attachment to and imagination of hometown? What does this “hometown”refer to? These are the two questions which this thesis wants to ask. This thesis especially emphasizes the political context which personal feelings depend on and tries to explore how people in the Han Dynasty removed themselves from the indulgence and restraint of homesickness. How did an individual still keep different ways of emotional expression while sharing the same homesick atmosphere? The exhibition of these differences is called agency in this thesis. Chapter One explores how Liu Bang(劉邦) and Xiang Yu(項羽) felt homesick and their different relations and reactions to“hometown” according to the examples of choosing capital cities. What is involved includes not only emotional aspects but political calculations and rational reasoning. The two’s every decision was to seek for a balance between attachment with hometown and political calculations. In addition, th...
The Color Purple of Taiwan Politics
Evolutionary Progress in Science, Technology, Engineering, Arts, and Mathematics (STEAM), 2020
Tsao, Hung-ping (2020). The Color Purple of Taiwan Politics. In: Evolutionary Progress in Science, Technology, Engineering, Arts, and Mathematics (STEAM) , Wang, Lawrence K. and Tsao, Hung-ping (editors). Volume 2, Number 10, October 2020; 285 pages. Lenox Institute Press, Newtonville, NY, 12128-0405, USA. No. STEAM-VOL2-NUM10-OCT2020; ISBN 978-0-9890870-3-2; http://dx.doi.org/10.17613/s16r-c655 . ..........ABSTRACT: This collection of one thousand articles sidetracks the democratic progression in Taiwan for the period between 1996 and 2013. Most of the articles were published in The World Journal and each reflected spontaneously the complexity of the political, economical and cultural facades of Taiwan, Hong Kong and China. ...........KEYWORDS: Taiwan, Politics, Thousand articles, World Journal, Political, economical and cultural facades, Hong Kong, China
「做個就業好公民」的身心障礙者就業促進論述－以建制民族誌觀點分析
2016
The purpose of this study, based on the author’s personal experiences of disjuncture in her professional career, is to explore reasons for the employment promotion measures’ failure to improve the career situation of persons with severe disabilities. Drawing upon institutional ethnography, the author portrayed the actors involved in the process, and analyzed factors influencing those actors’ decisions. The aim is to disclose why, even with so many employment promotion measures, persons with disabilities are still trapped in low-paid and low-skilled jobs. The author argued in her analysis that：(1) the government, the education and the professional system promote an image of hard-working citizens and they persuade families with children with disabilities to make decisions meeting this social expectation;(2) due to the lack of and/or the unaffordable social services, those families work hard to follow the arrangement by schools and professionals;(3) the experts and professionals influe...
國立政治大學歷史學報, 2008
This article is an attempt to explore how scholarly doctors perceived and treated ”demonic affliction” in Ming-Qing China. In the recent past certain medical historians claimed that the classic Chinese medicine is a ”rationalized” medical system primarily based on naturalistic explanations of illness and methods of treatment. To me, this viewpoint is only partly true. In fact, shamanistic exorcism and religious healings have never been excluded completely from Chinese medicine throughout the ages. The ritual therapies of zhouyou 祝由 and zhoujin 咒禁 have even become a part of the official medical education since the Tang until the late Ming. It is therefore my interest to examine if the scholarly doctors in the later ages employed any ritual therapy of this kind, particularly in the cases of ”demonic affliction”. To begin with, my article introduces a category of illnesses, namely, xiesui (literally trans. ”evil influences”) as recorded in Ming-Qing medical writings. Some doctors inter...