GROTESQUE MOTIFS IN CLASSICAL LITERATURE AS MOTIVES OF MILLENIALS' AFFECTION TO SCARY STORIES (original) (raw)
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Korku Edebiyatında Bir Devrim: Frankenstein ve The Vampyre
Dil ve Edebiyat Araştırmaları/Journal of Language and Literature Studies, 2020
Horror has always been an outstanding theme that authors use in their literary works for centuries. Over time, these horror themes have been changed and developed based on societies' fears and needs. Especially the 19th century is considered to be a turning point for the evolution of horror as a reflector of human's fears and preoccupations. Meanwhile, monsters that acquire extraordinary features have made a breakthrough in horror literature. One of the most important events which leave its mark on the era is the ghost story competition started by Lord Byron. Two important pieces of English Literature, Mary Shelley's Frankenstein (Or The Modern Prometheus) and John William Polidori's The Vampyre emerged in this challenge. This study will discuss the comparative analysis of the books mentioned. It will present gothic factors, major symbols, characters and their roles in the novels, on the one hand; it will compare the relationships between the protagonists and the antagonists on the other.
The term Phantasmagoria was referred to a 'magic lantern' show. The show consists of optical illusion, in case of a horror theatre, it uses one or more magical lanterns to project frightening images such as demons, skeletons and ghosts onto walls, or semi screens, whereby allowing the projected images to move and change size on the screen, and multiple projecting devices that allowed quick switching of different images. This kind of show started in Germany in the late 18 Europe throughout the 19 th century especially in England. Supernatural fiction has become one of the most celebrated literary very aspect of bringing about something new and extraordinary with this type of work has fascinated many readers in the modern era as they seek out something different from the mundane works of fiction and bringing their interest towards horror and terror to feel a sense of excitement. It is astounding how the human mind works in different aspect, both in conscious and unconsciousness state, and the very aspect of delving deep into the mind of an individual brings about so much of resilience and limitless bond between the reader a the character, which is brilliantly created by the writers of supernatural fictions. This paper attempts to explore phantasmagoria in Mary Shell Walpole's The Castle of Otranto psychological fiction. The creation and opus of the deep thoughts and creative agency that travels far beyond the natural instincts that any human can conceive of in the real world. The writers of the supernatural fictions highly stupendous like all the othe ability of their ingenious and imaginative thoughts towards bringing about their ideas and the intended message to the readers. While their work and motives focus solely on the entertainment basis, their intention lies in bringin to convince the readers through their imagination, by producing effects that can trigger the readers mind and keep them intrigued throughout the reading process. imaginative writer who deals with the work of unreal convincing effect in the readers mind becomes a necessary approach. Also, while bringing entertainment to the mass, the writers try to transport the mind of the readers to their imaginative world which should bring about The term Phantasmagoria was referred to a 'magic lantern' show. The show consists of optical illusion, in case of a horror theatre, it uses one or more magical lanterns to project such as demons, skeletons and ghosts onto walls, or semi screens, whereby allowing the projected images to move and change size on the screen, and multiple projecting devices that allowed quick switching of different images. This kind of tarted in Germany in the late 18 th century, gained its popularity through most of century especially in England. Supernatural fiction has become one of the most celebrated literary genres about something new and extraordinary with this type of work has fascinated many readers in the modern era as they seek out something different from the mundane works of fiction and bringing their interest towards horror and terror to feel a It is astounding how the human mind works in different aspect, both in conscious and unconsciousness state, and the very aspect of delving deep into the mind of an individual brings about so much of resilience and limitless bond between the reader a the character, which is brilliantly created by the writers of supernatural fictions. This paper attempts to explore phantasmagoria in Mary Shelley's Frankenstein The Castle of Otranto and tries to build a bridge between supernatural Shelley, phantasmagoria, terror, gothic. the supernatural phenomenon comes with the immersion of deep thoughts and creative agency that travels far beyond the natural instincts that any human can conceive of in the real world. The writers of the supernatural fictions highly stupendous like all the other type of fictional writers who use ability of their ingenious and imaginative thoughts towards bringing about their ideas and the intended message to the readers. While their work and motives focus solely on the entertainment basis, their intention lies in bringing about realization and the ability to convince the readers through their imagination, by producing effects that can trigger the readers mind and keep them intrigued throughout the reading process. deals with the work of unrealism and surrealistic aspect, the convincing effect in the readers mind becomes a necessary approach. Also, while bringing entertainment to the mass, the writers try to transport the mind of the readers to their imaginative world which should bring about 'the make-believe The term Phantasmagoria was referred to a 'magic lantern' show. The show consists of optical illusion, in case of a horror theatre, it uses one or more magical lanterns to project such as demons, skeletons and ghosts onto walls, or semi-transparent screens, whereby allowing the projected images to move and change size on the screen, and multiple projecting devices that allowed quick switching of different images. This kind of century, gained its popularity through most of genres of all time. The about something new and extraordinary with this type of work has fascinated many readers in the modern era as they seek out something different from the mundane works of fiction and bringing their interest towards horror and terror to feel a It is astounding how the human mind works in different aspect, both in conscious and unconsciousness state, and the very aspect of delving deep into the mind of an individual brings about so much of resilience and limitless bond between the reader and the character, which is brilliantly created by the writers of supernatural fictions. This Frankenstein and Horace and tries to build a bridge between supernatural and with the immersion of deep thoughts and creative agency that travels far beyond the natural instincts that any human can conceive of in the real world. The writers of the supernatural fictions are ters who use their maximum ability of their ingenious and imaginative thoughts towards bringing about their ideas and the intended message to the readers. While their work and motives focus solely on g about realization and the ability to convince the readers through their imagination, by producing effects that can trigger the readers mind and keep them intrigued throughout the reading process. As an ism and surrealistic aspect, the convincing effect in the readers mind becomes a necessary approach. Also, while bringing entertainment to the mass, the writers try to transport the mind of the readers believe concept' in the
Jurnal Melayu, 2020
The Frankenstein'a monster has always been one of the prominent image of the grotesque and marginalization in countless horror productions. Its creation was meant to challenge God and eversince its creation, the monster has become the embodiment and reference of sin, transgression, failure, and taboo in many literary works. Over the years, the image of the Frankenstein's monster has been adapted into many film productions and simultaneously, its image has evolved from the grotesque to a more pleasant appearance. In further discerning to this matter, three Frankenstein's monsters from different corpus have been analyzed using the concept of Entextualization under the discipline of Comparative Literature. The first monster is taken from Mary Shelley's Frankenstein, followed by the Frankenstein's monster in the film Van Helsing and finally the monster is taken from the Japanese anime Soul Eater. Through the lense of Entextualization, the findings indicate that the original monster's traits of grotesqueness and marginalized have been shifted to a more pleasant, heroic and accepted, with significant roles. This transitional figure is somehow seen as a reflection of the social pattern in accepting social taboo. The discipline of Comparative Literature is also utilized to observe the degree of convergence and divergence found in the chosen corpus. This study have contributed to the expansion of horror and social studies.
Horror and gothic literature, same or separate: A comparative study
international journal of health sciences, 2022
This study aims to show the readers who are drawn to this subject and the ones who are questioning if the two kinds of literature that have been mentioned are in the same category or fully separated from each other, that these kinds of literature are actually in the same category and one of them is other one's subgenre. Research focuses on the ideas of people who talked about the subject itself, the psychology that is needed to understand the horror and gothic in order to follow the literature of it better so person reading can be capable to interpret it more comfortable.
Verbum, 2018
The research is aimed at studying the pragmatic potential of nominations of the subject-source of fear (a monstrosity, in particular) in texts of horror discourse in English and Ukrainian. The idea is that the expression of the communicative sense “fear” in a subjectively created world according to an author’s intention is explicated in the nomination of the subject-source of fear (SSF). Generally, any SSF is a monster as far as its attributes and actions are harmful for the recipient of fear (SRF), its essence contradicts the SRF’s world creating norms. Psychologically, a SSF-monstrosity is a metaphor that gives ground to a trend in the horror discourse (J. Hartwell) and preconditions the modus of fear emphasis that lets the reader concentrate his empathy on the SRF, revealing his hidden fears. In psychology this state is called dysmorphophobia, or an obsessive fear of deformities (both own and others). Alogism of SSFs’ reference includes repellent appearance as the feature of exte...
IJCIRAS, 2019
Gothic as a literary form became the most popular kind of literature developed in England in the late Eighteenth and early Nineteenth Century with the works such as The Castle of Otranto, The Monk, and Melmoth the Wanderer. Horace Walpole started this genre of gothic fiction with The Castle Of Otranto (1764). Mary Wollstonecraft Shelley, the author of Frankenstein: or The Modern Prometheus (1818), has very boldly and majestically described a giant or monster Frankenstein, who became the root cause of troubles in the novel. Likewise, Stephenie Meyer's The Twilight Saga, which also comes under the gothic genre, has full contents of gothic settings and various supernatural bloodthirsty demonic vampire-themed characters. The motive of this research paper attempts to explore the gothic elements in the select works of Mary Shelley and Stephenie Meyer. It will deal with the full range of themes related to the gothic genre in the famous excellent works, as mentioned earlier. As both, the novelists attempt to make the world aware of the undead existing in this earthly sphere through their imagination. The work will explore not only the aberrant aspect of gothic literature but also the beast-human relationship, with the association of psychological and physiological circumstances creating the creepy, frightening, and shuddersome settings in these gothic narratives.
Reflections on Childhood, 2014
The macabre and the supernatural are extremely popular in children's fiction these days. Terrifying creatures, evil vampires and ghosts are a common motif, while death and violence constitute the central themes in some of the best-selling children's books worldwide. This unprcedented obsession with horror has expanded to all areas involved in children's entertainment, from the toy and video games industry to the Hollywood film studios. For some analysts, the rich seam of horror running through contemporary children's fiction is a continuation of the fairy-tale tradition, updated to fit the standards of modern societies. In this context, macabre stories serve as a metaphor to express universal fears and desires which are hidden in the darker and deeper parts of the human soul. For others, the macabre fantasy novel is a revolutionary genre, that liberates children's literature from didacticism and compensates for all the stories which had been censored for centuries by adults. Institutions connected with the clergy and formal education see a potential threat in this type of fiction, warning about its negative effects on the psychology of the child-reader. Indeed, some of the most popular, award winning fantasy novels are so explicit and shocking that defy many of the "rules" that traditionally apply to books addressing children. These developments make us wonder about the function of children's literature in the contemporary world. The hereby paper selectively presents some of the most successful fantasy books for children. By drawing a historical connection between the traditional fairy tale and the fantasy novel, we provide a platform for thought on the evolution of children's literature and the actual needs of the contemporary child-reader.
A Revolution in Horror Literature: Frankenstein and The Vampyre
Dil ve Edebiyat Araştırmaları (DEA), Bahar, 2020; (21) 295-315 ISSN: 1308-5069 - E-ISSN: 2149-0651, 2020
Horror has always been an outstanding theme that authors use in their literary works for centuries. Over time, these horror themes have been changed and developed based on societies' fears and needs. Especially the 19th century is considered to be a turning point for the evolution of horror as a reflector of human's fears and preoccupations. Meanwhile, monsters that acquire extraordinary features have made a breakthrough in horror literature.