Schloss Trautmannsdorf and the Problematic of Gardens for Lovers (original) (raw)
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Arboretum Trsteno – the Gardens of a Renaissance Villa
The gardens of the summer villa of the old and renowned Dubrovnik noble family of Gučetić-Gozze in Trsteno, 25 kilometres west of Dubrovnik, was built between 1494 and 1502 in the Renaissance spirit. Throughout the following five centuries, it developed spatially, formally, and stylistically with recognizable concepts of the early and late Renaissance, Baroque, Romanticism, and Historicism. The single-axis composition of the garden has been preserved throughout all of these periods, which points to a detachment from the usual layout of Dubrovnik Renaissance gardens in the form of an irregular grid. The single-axis composition singles out Trsteno as a typological idiosyncrasy in Dubrovnik’s Renaissance garden architecture.
Pierre Grimal’s 1943 thesis on Roman gardens, the birth of archaeology of gardens and the recent opening of museum spaces dedicated to Roman gardens are three founding moments of the modern history of gardens. Since the Renaissance period, however, successive readings of archaeological remains, and Latin and Greek texts have fed the history of Roman gardens, overlays of interpretations, intellectual disputes, opposing and enriching points of views. “Roman Gardens”, as researchers comprehend the subject today, are the results of this history. The object of this chapter is to question the construction of the history of gardens, what we would otherwise call “historiography of Roman gardens”, by bringing to light the more or less visible presuppositions which define gardens, at a specific moment of the history of research.
The Vatican gardens: an architectural and horticultural history
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One day, you will discover a new adventure and knowledge by spending more money. But when? Do you think that you need to obtain those all requirements when having much money? Why don't you try to get something simple at first? That's something that will lead you to know more about the world, adventure, some places, history, entertainment, and more? It is your own time to continue reading habit. One of the books you can enjoy now is the vatican gardens an architectural and horticultural history here.
Whether connected to grandiose villas or common kitchens, gardens in the Renaissance (about 1400–1600) were planted and treasured by people in all levels of society. Some cultivated gardens for the display and study of beautiful and rare plants, while others did so for sustenance. Manuscript artists depicted gardens in a variety of texts, and their illustrations attest to the Renaissance spirit for the careful study of the natural world. In a society then dominated by the church, gardens were also integral to a Christian visual tradition, from the paradise of Eden to the enclosed green spaces associated with Mary and Christ. Gardens are cyclical and impermanent; most planted during the Renaissance have changed or been lost. The objects in this exhibition offer a glimpse into how people at the time pictured, used, and enjoyed these idyllic green spaces. The exhibition features over 20 manuscript illuminations, a painting, a drawing and a photograph from the Getty Museum's permanent collection, as well as loaned works from the Getty Research Institute and private collectors James E. and Elizabeth J. Ferrell.
2024
The proposal focuses on the history of a relevant place of Rome (Italy), in the heart of the Rione Trastevere, at the foot of the Janiculum Hill, even though never systematically studied: the creation of the Botanical Garden of Sapienza University of Rome in the 18th-century Villa Corsini from 1883. Among the first and more important urban public works in the city to become the capital of the new Italian State is the acquisition of the historical 12-ha park to build an updated botanical garden comparable with those of other European capitals. Protagonists of this ambitious operation were politicians such as Quintino Sella (1827–1884), the botanist Pietro Romualdo Pirotta (1853–1936), in collaboration with the architect Giulio Podesti (1842–1909). Based on an accurate and vast archival research in the Central Archive of the State and in the Historical Municipal Archive, the paper will illustrate this fascinating history as part of a complex program of a profound renewal of the city that has become the capital of Italy. The paper will highlight at the same time the special interweaving of nature, history, architecture, science of this place, result of a complex stratification, which makes this historical botanical garden entirely a cultural heritage.