《我愛Art Basel──論盡藝術與資本》I love Art Basel: On Art and Captial (original) (raw)
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色幻悟道與平等新生：溥緒《摩登伽女曲本》與泰戈爾《昌達爾姑娘歌舞劇》人物形象及主題寓意研究
《玄奘佛學研究》25期, 2016
摩登伽女的故事歷來都是漢傳佛教警戒男修行者遠離美色誘惑的 典型，她也成為情欲魔女的象徵。民國16 年溥緒（1882－1933）（清逸 居士）創作《摩登伽女曲本》，由京劇名伶尚小雲於北京新明戲院演出， 引起轟動。民國22 年，這個印度來的故事被印度泰戈爾（1861－1941） 創作成歌舞劇《昌達爾姑娘》，再改編為《昌達爾姑娘歌舞劇》搬上劇 場公演，至今仍表演不輟。同時代的二個劇本都能移動傳統視角，正視 摩登伽女自身，卸去僵化的魔女形象，但又各自呼應著自己的文化土壤 與時代關懷，呈現不同主題寓意：一者關注她的情愛與修悟，以色幻悟 道為精神；一者關注她的啟蒙與平等，以實踐平等新生為精神。 在溥緒筆下，摩登伽女具有端莊美麗，專情高潔的形象，有傳統文 學的杜麗娘之傷春幽情、賈寶玉之色空悟道，又有《西遊記》魔考誘惑 的情節。故事關注情愛與修悟，在情愛美色的貪執中，徹悟不淨與如幻， 並輔以平等慈悲之懷。 而泰戈爾的歌舞劇，藉此抒發對印度種姓不平等制度的批判。他筆 下的摩登伽女言語靈動，活潑熱情，從不平等的種姓思惟中被啟蒙新生 後，自我作主，勇敢追愛，這份蘊含「愛」的新生，歸向阿難與佛陀所 象徵的平等慈悲，隱含泰戈爾「在愛中徹悟」的梵愛合一路徑。 就女性視角詮釋的二個路徑「情欲主動」、「速證果位」觀察，溥緒 以專情高潔之主動來詮釋其「情欲主動」，並以消融情欲而得悟，雖然 能呈現她因情而悟，但並無深刻描寫其「速證果位」。泰戈爾則完全沒 有著墨「速證果位」，主力全在「情欲主動」上，這份主動來自平等的 啟蒙，情欲化為自主勇敢去愛，與泰戈爾「梵愛合一」的宗教哲學呼應。 關鍵詞：摩登伽女、阿難、溥緒、泰戈爾、昌達爾姑娘 In Chinese Buddhism, the story of Matangi's daughter has been taken as a warning for male Buddhists to keep away from the temptation of lust, and Matangi's daughter has become a representative of femme fatale. In 1927, Pu Xu (1882-1933, art name Qing Yi Ju Shi) composed a tune of ＂Matangi's daughter＂, starred by Shang Xiao-yun and caused a sensation in the Xinming Theater in Beijing. Then in 1933, this Indian story was written as a musical drama ＂Chandalika＂ by the respected Indian writer Rabindranath Tagore, and be readapted and played in theaters until now. These two scripts of the same era both change the point of view toward female by facing up to this character and getting rid of the stereotype as a femme fatale. What's more, they reflect to their own cultural soil and contemporary concern, and present two different theme implications: the former focuses on her love and enlightenment, taking enlightenment from form & vision as the essence; the later focuses on h...
文化創意產業研究學報, 2015
The primary step of navigating film theme is to excavate the ideographic composition of the film, to clarify the structural context, to indicate the entire film scaffold interwoven, and then from the whole context to explore deeper signification. This article first based on the concept of narrative analysis of the structuralism dissects the interaction between different approaches in the narrative process of the movie "3-Iron", how the narrative fabrics through the view point screen and compose the story, and its different connotation in the text structure. Then, according to the concept of freedom of existentialism and the decentralization of post modernism, this research probes into the text which reflects the crisis of modern family, the eagerness and escape of people for home, the dependence and exclusion of social norms, and the concept of freedom of people who live in the social space as the reference of discourse.
Art group to art exhibition : personal stories of people with psychosocial disability
精神障礙者的服務深受現代精神醫學的影響，「診斷」會先於「人」作為看待精神障礙者的框架。隨著對精神疾病的詮釋更加多元，開始出現一些以重視精神障礙者主體性、社會結構取向、優勢正向思考為特點的另類工作方法。本研究所探討的繪畫團體和展覽行動也是基於以上理念的工作方法。 本研究透過與五位精神障礙者的深度訪談，以及對他們繪畫作品的視覺評估，來瞭解他們參與繪畫團體和展覽行動中的轉化歷程。本研究以精神障礙者的生命故事和作品作為開啟，去走進每一個人的生命經驗，去瞭解每一個人的個性、想法，藉此放下視他們為精神障礙者的視框，逐漸展現每一個獨特的個體。基於對每一個個體的深入理解，從而瞭解到他們如何在繪畫團體中感受當下的平靜專注、運用創作練習自我表達、透過自我覺察促成改變的契機、彼此被看見、被傾聽，並獲得人對人之影響力的過程。繪畫也成為了一種非結構化的工作方式，去幫助工作者更貼近每個精神障礙者的內心世界。隨著繪畫團體的「自我探索」面向不斷加深，個人生命背後共有的社會處境被看見，該團體開始有意識地以展覽行動來朝向「社會參與」的面向發展。該團體運用展覽為精神障礙者建立一個真實社會互動的空間、獲得新的身份以及人際磨合和情緒控制的學習，並透過情感共鳴的方式達到去污名的效果。The service for people with psychosocial disability is deeply influenced by the modern psychiatry, which tends to see the person as a diagnosis rather than a man / women. As the interpretation of mental illness is becoming more diverse, there comes some alternative treatment methods, which emphasize the individuality of people with psychosocial disability, using social structure orientation and strength-based thinking. The art group and art exhibition studied in th...
2010
The purpose of this study is to examine information seeking behavior of visually impaired people using the library. This study also seeks to discover how visually impaired people use libraries whilst analyzing the barriers and problems they experience, and whether libraries actually meet their needs. The Research framework of this study followed the Sense-Making theory, which is problemsolving oriented. Subjects for this research were chosen from the visually impaired users of the National Taiwan Library (NTL). This study used semistructured interviews and questionnaires to collect data, including 23 individual interviewees (15 were blind, 8 were partially sighted, aged from 24 to 83) and 280 participants for the survey study (210 were blind, 70 were partially sighted, aged from 9 to 67). Based on the results, the authors of this paper offered some practical suggestions to NTL for the quality and service of collections, librarians, services, and equipments and environments. The authors also offered some suggestions to visual disability service units and government departments in order to serve as references for improving services for visually impaired people.
Journal of Educational Media & Library Sciences, 2012
Research is the important process of knowledge exploration. Domain knowledge development can be improved by using research design and proper statistical methods meticulously as well as clearly and systematically displaying research results. In order to find out the evolving trend of Library and Information Science, its research design and statistical method is a topic worth exploring. By applying bibliometric and content analysis, this study investigates the 1,540 research papers published in the Journal of Educational Media & Library Sciences (JoEMLS) in the last 40 years. According to its history and mission statement, the researchers separate time span from 1970 to 2010 into four period, exploring the features of those published papers, including the type of articles, article languages, topics, structures, research designs and statistical methods. The results show as follow. During period 1, the type of articles are diversities. In addition , Chinese papers are dominate. Moreover, the top 3 categories of research papers are the study of "Library and Information Science"(66%), follows by the "Education"(15%). As for the paper structure, there are 2.73% papers applying ILMRAD and only 8 papers of them applying IMRAD. The most commonly adopted research design is Survey Method, among them, the study of "Library and Information Science" used more often (46.63%). As to the most commonly used statistical method is Descriptive Statistics (60.11%), secondly the T-Test (9.27%).
2018
This dissertation begins with Michael Foucault's classic explanation of "biopower". For Foucault, the reason why life asserted itself as the ultimate point of reference in the modern age is that the operations of power increasingly abandon the mode of sovereignty whose rationality consists in "power against power", performed in spectacular rituals with the right to take life as ultimate reference. Instead, the mode of biopower maintains itself by the productive effects of powers circulated in different partial mechanisms, the processes of materialization from partial mechanisms to global strategy and the economy and transfer between power technologies within the whole dispositif. According to the three highly theoretical methods of genealogy, the dissertation reconstructs the discourse of war in Foucault: war as the principle of social organization, the mutual deciphering among patterns of war in discrete discourses, and lastly, the displacement from war to government. From the threads of genealogy to the clarification of discourses of war, the correspondence in empirical reality is a new political domain to which Jean-Jacques Rousseau attempted to bind by sovereign and law. In this new political domain which was named "the police" in 18 th and later Foucault referred to as "the government". In this new domain, there are multiple objects for government, which could be generalized as "population", there is no single principle for effective government, only the general term "governmentality", and "dispositif of security" in this new domain avoids the conflicts and depletion between governmental mechanisms. In the replacement of raison d'etat with the liberal creeds in rationality of government, there emerged new objects as population, new principles as governmentality and new political rationality as security. In Foucault's highly experimental exploration of the implication of biopolitics, the physical bodies gradually recede, or, in the networks of dispositif, which perfectly achieve the exchange of life and death, they could come on the biopolitical scene in new forms, that is why "neoliberalism as the birth of biopolitics". This dissertation responds to Esposito's interrogation of Foucault if the distinction between sovereign and biopower with discrete effects of death and life would be conceptually inaccurate. However, in the elaboration of biopolitical antagonism between Empire and Multitude
契丹蔵が基づいた『一切経源品次録』ー高麗初雕蔵本の再発見とその意義―
2021
The catalogue of Buddhist texts in China started with the Zongli zhongjing mulu 綜 理眾經目錄 by Daoan 道安 (314-385). Following the appearance of the Chu sanzang jiji 出 三藏記集 in the early six century and other catalogues in the Sui and early Tang dynasties, in Kaiyuan 18 of the Tang (730) the Kaiyuan sijiao lu 開元釋教録 of twenty fascicles was compiled by Zhisheng 智昇 (d.u.) at Xichongfu si 西崇福寺, and has since become the standard of later catalogues of Buddhist texts. During the reigns of Xuanzong (r. 712-756), Suzong (r. 756-762), Daizong (r. 762-779), and Dezong (r. 779-805) of the mid-Tang, Buddhist texts translated by Amoghavajra (705-774) and others were newly added to the Buddhist canon. In Zhenyuan 11 (755), Yuanzhao 圓照 (718?-799?) at Ximing si 西明寺 completed the Zhenyuan xu Kaiyuan sijiao lu 貞元續開元釋教録 of three fascicles, and then in Zhenyuan 16 (800) he submitted (to the court) the Zhenyuan xinding sijiao mulu 貞元新 定釋教目録 of thirty fascicles. Afterwards, from Dazhong 9 (855) to Xiantong 1 (860), based on the "Ruzang lu 入藏錄" (Register of the texts actually taken in the canon) of the Zhenyuan lu, Vanaya master Congfan 從梵 (d. u.) in Zhaojun 趙郡 compiled the Yiqiejing yuan pinci lu 一切経源品次録 of thirty fascicles. People have come to know in recent years that there is the twentieth fascicle of the Xinzuan Yiqiejing yuan pinci lu 新纘一切經源品次録 of the first Korean canon edition in the National Museum of Korea, and that it is the only extant text of the Pinci lu. This paper first re-examines early studies of the jinglu 經錄 (the catalogue of Buddhist texts), a genre to which the Yiqiejing yuan pinci lu belongs. Then it turns attention to the twentieth fascicle of the Xinzuan Yiqiejing yuan pinci lu of the first Korean canon edition and, through the analysis of its contents, reveals the relationship of the Pinci lu with the Khitan canon and its influence on the Korea canon via the Korean canon.