Following the yellow brick road: Yellow slip clays and the production of Rio Grande Glaze Ware in north central New Mexico (original) (raw)
Related papers
Journal of Anthropological Archaeology
The advent of glaze-painted ceramics by Ancestral Pueblo peoples in the US Southwest occurred during an important period of cultural change. In east-central Arizona, potters used glaze-paints to decorate a striking, representational-style pottery during the early fourteenth-century AD. We evaluate the possibility that these vessels were manufactured by emergent specialists who possessed crafting-knowledge that was not widely shared with others in their communities. Time of flight-laser ablation-inductively coupled plasma-mass spectrometry (TOF-LA-ICP-MS) was used to characterize the composition of a large sample of red ware sherds from sites in the Silver Creek area. This analytical approach precisely measures the chemical composition of paints, which can then be used to model ancient technological ‘‘recipes.’’ Our study highlights the complexities of craft production in small-scale societies and the utility of practice-based versus typological approaches to specialization.
reflects diverse analytical approaches and methodological strategies for examining the role of glaze \vare pottery in the social lives of the late precontact and early contact Pueblos. By tracing the circulation of spe cialized knowledge, raw materials, and the glaze-painted pots themselves, through interactive networks of varying sizes and scales, these researchers reveal how glaze ware production, distribution, and use articulated with a variety of dynamic historical and social processes, including migration, community formation, constructions of local and regional identity, inter comlTIunity interaction and alliance, organization of production, and the proliferation of new religious systems and ritual practices. What is emerg ing from these studies is a diverse and complementary series of local "so cial histories" of the glaze \vares that allow us to track both similarities and differences in how these articulations played out in different times, places, and contexts across the late precontact and early contact South west. Finally, by comparing and contrasting these diverse social histories, we hope to move toward a more synthetic understanding of the mutually constitutive relationships that linked material culture, technological prac tice, and the complex processes of social formation and culture change.
American Antiquity
The concept of coalescent communities has been widely used by North American archaeologists as a framework for understanding cultural responses to social upheaval. In this article we explore how the concept of coalescence helps us understand the processes that led to the emergence of aggregated settlements in the Albuquerque district of the central Rio Grande Valley around the turn of the fourteenth century. We argue that such communities emerged as strategic local responses to disruptive social and demographic trends on a macroregional scale. Specifically, we use NAA and petrographic sourcing of Western Pueblo- and Rio Grande-style glaze-painted pottery in conjunction with settlement data from the site of Tijeras Pueblo (LA581) to explore how the amalgamation of immigrant and autochthonous people, technology, knowledge, and ritual creatively and radically transformed local and regional practices of community and identity formation.
The peoples of the American Southwest during the 13th through the 17th centuries witnessed dramatic changes in settlement size, exchange relationships, ideology, social organization, and migrations that included those of the first European settlers. Concomitant with these world-shaking events, communities of potters began producing new kinds of wares—particularly polychrome and glaze-paint decorated pottery—that entailed new technologies and new materials. The contributors to this volume present results of their collaborative research into the production and distribution of these new wares, including cutting-edge chemical and petrographic analyses. They use the insights gained to reflect on the changing nature of communities of potters as they participated in the dynamic social conditions of their world.
Excavations at La Villa: Continuity and Change at an Agricultural Village, 2015
This is the first of two chapters that discuss the pottery recovered during recent excavations at La Villa, AZ T:12:148 (ASM). This collection was recovered from features in Madison Street and 13th Avenue, Phoenix, Arizona. A total of 14,103 sherds, representing a minimum of 3,819 vessels, were recovered from features located in five spatially demarcated areas. Painted Hohokam ceramic types comprise 25.1 percent of the sherds, red ware 1.4 percent, extrabasinal painted types 0.03 percent, plain ware 73.2 percent, and sherds of indeterminate ware 0.3 percent. The earliest painted Hohokam type present is Estrella Red-on-gray, the latest is Late Sacaton Red-on-buff, and, with the exception of Middle Sacaton 2 Red-on-buff, every intervening ceramic type is represented in the collection; all are well-illustrated. Limited use of the project area during the Classic period was documented in the current collection by the recovery of one Pinto, Gila, or Cliff Polychrome sherd. Interaction with people living in other portions of the Southwest is documented by the recovery of four extrabasinal ceramic types: Deadmans Black-on-red Ware from the San Juan River region of southeastern Utah/southwestern Colorado; Kiatuthlanna Black-on-white Ware from east-central Arizona/west-central New Mexico; Black Mesa or Sosi black-on-white Ware from northeastern Arizona; and Mogollon Red Ware from the mountain valleys and uplands on either side of the Arizona-New Mexico border. The polychrome sherd mentioned previously may also have been made elsewhere. The La Villa ceramic analysis focused on three issues: (1) feature and context dating; (2) change through time; and (3) evidence of ceramic production or exchange. The second and third issues are closely related and make extensive use of temper provenance and related data. Subsistence practices, as reflected in the metric and morphological vessel function data, primarily relate to the second research issue. The final portion of the chapter examines ceramic variability related to clay type, temper source, presence/absence of calcium carbonate, firing temperature and atmosphere, as well as the concentration and intensity of Middle Sacaton buff ware production.
The Social Life of Pots: Glaze Wares and Cultural Transformation in the Late Precontact Southwest edited by J. A. Habicht-Mauche, S. L. Eckert and D. Huntley, 2006
The demographic upheavals that altered the social landscape of the Southwest from the thirteenth through the seventeenth centuries forced peoples from diverse backgrounds to literally remake their worlds—transformations in community, identity, and power that are only beginning to be understood through innovations in decorated ceramics. In addition to aesthetic changes that included new color schemes, new painting techniques, alterations in design, and a greater emphasis on iconographic imagery, some of the wares reflect a new production efficiency resulting from more specialized household and community-based industries. Also, they were traded over longer distances and were used more often in public ceremonies than earlier ceramic types. Through the study of glaze-painted pottery, archaeologists are beginning to understand that pots had “social lives” in this changing world and that careful reconstruction of the social lives of pots can help us understand the social lives of Puebloan peoples. In this book, fifteen contributors apply a wide range of technological and stylistic analysis techniques to pottery of the Rio Grande and Western Pueblo areas to show what it reveals about inter- and intra-community dynamics, work groups, migration, trade, and ideology in the precontact and early postcontact Puebloan world. Through material evidence, the contributors reveal that technological and aesthetic innovations were deliberately manipulated and disseminated to actively construct “communities of practice” that cut across language and settlement groups. The Social Life of Pots offers a wealth of new data from this crucial period of prehistory and is an important baseline for future work in this area.
2015
The research presented here focuses on Santa Fe Black-on-white pottery produced during the Late Coalition/Early Classic Transition (AD 1250e1350) in the northern Rio Grande region, New Mexico. We combine design data with compositional analyses to gain a greater understanding of ceramic production and circulation in this region and to evaluate the communities of practice and communities of identity reflected in pottery.We combine mineralogical and INAA chemical compositional datasets to argue for at least three production provenances; we further argue that nine potential petrofacies represent different resource procurement zones within the production provenances. We argue that these data, combined, represent a minimum of three different communities of practice. Despite multiple communities of practice, similar designs were being used as decoration that reflects a single community of identity. We argue that during this transitional time period examined here, producers of Santa Fe Black-on-white were intentionally practicing a form of identity maintenance across all of the villages in which it was produced.
Magdalena Black-on-white ceramics from two sites (Gallinas Springs and Pinnacle Ruin) in west-central and southwestern New Mexico have been interpreted as evidence of a migration of Northern Pueblo groups from the Four Corners region into southwestern New Mexico during the thirteenth century. They also appear to be linked to sites with similar carbon-painted ceramics on the Rio Puerco of the east and beyond. An additional site (Roadmap Village) reveals import of Magdalena Black-on-white ceramics produced at Gallinas Springs as well as possible local production. Limited quantities of carbon paint ceramics have been found on El Paso Phase sites in south-central New Mexico that have previously been attributed to contemporaneous carbon painted pottery produced at communities in the Galisteo Basin and the upper Rio Grande. Recent compositional analysis of carbon-painted ceramics from the Gallinas Springs, Pinnacle, and Roadmap sites has identified characteristic chemical signatures that suggest local production of carbon paint ceramics at all three sites and distribution of carbon paint ceramics from Gallinas Springs to Pinnacle and Roadmap in the eastern Black Range of southwestern New Mexico. Analysis of carbon paint ceramics from Madera Quemada, an El Paso Phase site in the Tularosa Basin indicates that the carbon paint wares found in El Paso Phase sites were acquired through trade connections from the Black Range rather than from more northern sources. The overall Magdalena Black-on-white production patterns are contrasted with the obsidian procurement data from the same sites to reveal a complex and divergent pattern.