Excavations at the Jahan nama complex: urban archaeology at Isfahan, Iran (original) (raw)
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View, plan and generally form of an architectural structure is born of mentality that in the complex network of relationships, needs, relationships, goals and objectives has created, grown and developed. We consider the most important factors that form functionally and determine the architectural form of the Safavi palaces, the social and political organizations of the era and discuss conformity of the geometry and the placement of the building in Square. Iranian architecture always accent on the beauty and Iranians have tried to employ coordination in dimensions of building that reflect the golden ratio and cosmic relationships. Ali Qapu House is the mansion is located in the West of the Naghsh Jahan Square, and in front of the Sheikh Lotfollah Mosque, and as one of the most important architectural masterpieces of early eleventh century AD has a universal reputation. The palace was the central gate and entrance of all the mansions that in the Safavi era in the area of Naghsh Jahan Square was built. Ali Qapu is composed of two words, Ali and Qapu, which together mean "head high" or "high port". Geometric analysis the building of Ali Qapu reveals some belief that is effective on design of the important building, such as the golden ratio. The mansion on the west side of Naghsh Jahan square is established based on the golden ratio. In this paper, based on the hypothesis, that there is a definite geometric relationship between the placement and geometry of the plane, first plan the geometric model, and then with adapt it to the building construction plan prove the hypothesis, and apparent part of a logical development of the effect. Methods In this paper is analytical-descriptive, and with the geometric structure analysis, the conclusion is reached. First images, plan and location of building has presented and with its geometric analysis, the hypothesis has been proved. INTRODUCTION Palaces architecture of the Safavi period is considered generally from an aesthetic perspective (Rafiei et al., 1973), and less space analysis and form of architecture are discussed. In analysis the form of a work of architecture, the characteristics including the plan, facade and different spaces are studied, and to find the relationship between these elements, the speculation will be discussed. For example, the construction of the mosque than the building such as a hospital far deeper accept impact of belief, or impact of political organization on the physical form of governmental structure, such as the Citadel is greater than the impact of economic organization to form the structure. Understanding proportions inevitably reach to period far and even before that date. Islamic art in terms of its history has been extensive studies, but in the study of its art methods, which involve scientific research and technical mastery, except for the few, not taken into consideration. Bastani et al., (1988) in the regulate space of geometry which everything including parts of a house, and even a city can walk into circle of world, and in the space of plurality and variety find their own identity. Fundamental factor in creating unity among the components of the universe and including in body parts, each of architecture cultures, could not be anything except geometry. Parman et al., (2010) geometric analysis of many of the monuments of Iran, proved that in Persian architecture, thorough knowledge of fitness, particularly golden ratio is widely used, and the aesthetics of Iran. In many buildings in Iran, plan and vertical section, in the framework of squares and Equilateral triangles was designed, which hit their dungeons determine all major fixed points, such as the width and height of doors, width, length and height of the buildings, the inscriptions, etc. Therefore, the size of each item by a
Understanding a New Combination of Technology and Art in Historic AbbasAbadGarden-Behshahr, Iran
Advances in Environmental Biology, 2012
A garden with exotic elements with a four-arched building among seemingly stagnant pool water which appears two different figures in hot and cold seasons; such a way that during pool dewatering; it completely submerges and is seen as an island in the middle of water and at other times appears as a two-storey building with a quiet and sedate appearance. This weird building that had been as the resort of Safavid Kings has had an interesting application in maintaining and activating the pool set, a logical application with precision and calculative engineering. Form and function beauty with stunning geometry in the middle of the pool, is associate with engineering application in the field of dam and its protection, and accurate calculation of water motion and flow penetration. What is discussed in this paper with descriptive and analytical method based on field data according to archaeological excavation and library is coordination and cooperation of form with function and dam engineering operations and water circulation system in this garden.
An Achaemenid Pavilion at Tang-e Bulaghi, Close to Pasargadae
FOR SHAPUR, WHOSE LINEAGE WAS FROM THE GODS: Proceeding of the Memorial to Alireza Shapur Shahbazi, 2023
In the most narrow part of Tang-i Bolaghi, on the east bank of the river, sits a small Achaemenid site. Parts of this site were demolished as construction work began on the Sivand dam. In 2006, a joint Iranian-French team began excavations at the site. Over the course of two seasons, the entire site was excavated. It turned out to be a small pavilion of Achaemenid date. This pavilion consists of two porticoes on the sides and rooms in the middle. Three distinct types of column bases have been disovered in this building: Two square two-stepped column bases of black limestone were discovered on the east portico. In the west portico we also see four foundation slabs. Based on the square marke on the foundation slabs, a square column base could be set on each slabs. Non of coulumn bases were found, but fragment of square base of light and black coloured limestone, showed the type of the missed bases. The walls are made from 33×33×10 cm mudbricks. The walls and floors are covered with mud plaster. All interior surfaces and floor are also covered with a thin greenish plaster. Although the western part of the building has been largely demolished, thanks to differences in the color of mudbricks we can discern the brownish mudbricks of the wall from yellowish mudbricks from the floor. In the eastern portico a bench extends the entie length of the wall. We also found remains of a wooden beam from the roof of this portico. The ground plan of this pavilion largely resembles Building A at the south district of Persepolis. To the east of the eastern portico remains of a fairly deep canal was discovered. After abandonment this building seems to have been occupied by squatters. Therefore, the date of the building cannot be determined from the large amount of pottery sherds. However, traces of edged chisel mark with floral decoration suggest a construction date during the early years of Darius the Great’ reign.