BULLETIN of the INTERNATIONAL COUNCIL for TRADITIONAL MUSIC (original) (raw)
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Music and Dance in Southeastern Europe. Migrations, Carnival, Sustainable Development. Sixth Symposium of the ICTM Study Group on Music and Dance in Southeastern Europe. Held in Sinj, Croatia, 15 April – 21 April 2018. ISBN 978-953-8089-61-9, 2020
Scholars from fourteen countries presented their work at the sixth symposium of the ICTM Study Group on Music and Dance in Southeastern Europe that took place in the town of Sinj in Croatia in April 2018. This publication presents a full record of that Study Group’s biennial symposium. Twelve presenters did not submit their articles; their participation in the event is recognised by the inclusion of their original abstracts. Two panels are documented by three articles and one abstract, while the remaining abstracts are grouped at the end of this volume. Editors are Liz Mellish, Nick Green and Tvrtko Zebec.
6 th Symposium of the ICTM Study Group on Music and Dance in Southeastern Europe, 15 – 21 April, 2018, Sinj, Croatia, Migrations, Carnival, Sustainable Development, Programme and Abstract Booklet, 2018
Programme and abstract book contains 6th ICTM Study Group on Music and Dance in Southeastern Europe Symposium programme, three panel abstracts with eleven papers and twenty nine individual papers that cover three main Symposium themes – Carnival, migrations and sustainable development. Symposium has been held from April 15-21, 2018 in Sinj, Croatia.
6 th Symposium of the ICTM Study Group on Music and Dance in Southeastern Europe
Daniela Ivanova-Nyberg, Muzaffer SÜMBÜL, Lampros Efthymiou, Cicika 89, Gökçe Asena ALTINBAY-ERDEM, Dilyana Kurdova, Oliver Gerlach, Belma Ogul, Mahir Mak, Liz Mellish, Ivo Strahilov
Musicological Annual, 2016
With this issue of the Musicological Annual, we celebrate the 70th anniversary of the International Council for Traditional Music (ICTM, founded in 1947 in London) as well as the 20th anniversary of the Cultural and Ethnomusicological Society Folk Slovenia (founded in 1996 in Piran). At the time of publishing of the current issue, the headquarters of both societies are located at the Department of Musicology, Faculty of Arts of the University of Ljubljana. ICTM is the leading international association of ethnomusicologists and has its office in Ljubljana from 2011 until 2017, while CES Folk Slovenia is a professional Slovenian association as well as the national branch of the ICTM. During the aforementioned period, I – the guest editor of this Musicological Annual – am serving as Secretary General of ICTM and President of CES Folk Slovenia.
Dance, Narratives, Heritage. 28th Symposium of the ICTM Study Group on Ethnochoreology, 7-17 July 2014, Korčula, Croatia. Elsie Ivancich Dunin (ed)., 2015
The questions of professional responsibility revolve around the role of experts involved in creating cultural policy. A re-thinking of the ambivalence of the researcher's position – as participant, evaluator, and/or critic – and the ethical principles of the relationship between the researcher and the researched are presented here based on several case studies. Some of them are about ethnographic observation with participation in the communities whose music and dances are included in Croatia's or UNESCO's lists of intangible heritage; some of the cases are still in the process of being categorized as parts of a national or possibly global intangible heritage list. The intertwining and inseparability between the tangible and intangible significance of music and dance will be shown, as well as the relations between global and local, national and multinational, virtual or digital and real, and clear and hybrid forms. We also discuss the situation of tango in Croatia concerning UNESCO's inscriptions. And how we represent ourselves to others on the example of the ceremonial celebration of the accession of Croatia to the European Union, one year ago. We have presented our Croatian perspective and experiences here. Through applied work with people and with technology, we have raised certain questions about what dance and music can mean as intangible but also tangible heritage, and how the global can become local, or the contrary; how it can change through time travelling up and down, forward and backwards, embraced strongly or more relaxed, how many strong borders we have and how many of them we have to cross during these processes – questions that we are raising to ourselves all the time without clear and exact answers, because of many paradoxical situations and conditions, politics, policies, narratives, so…..context in general.
INTRODUCTION MUSIC AND ETHNOMUSICOLOGY – ENCOUNTERS IN THE BALKANS
This paper presents an overview of the latest experiences in ethnomusicological research based on the texts incorporated in this collection of works. These experiences emanate primarily from the local researchers' works on music of the Balkans, with a heightened theoretical and methodological dimension. The distinctive Balkan musical practices, created through the amalgamation of elements from different cultures, ethnicities, and religions, made this geo-cultural space intriguing not only to researchers from this very region but also to those from other cultural communities. A theoretical framework for interpreting these practices together with the contemporary research methods stem from interactions of local scientific communities' experiences, sources and practices they deal with, circumstances, ideologies and politics, including the influences of the world's dominant ethnomusicological communities as well as researchers' individual affinities and choices. A comparison with the research strategies applied in similar, transitory geo-cultural spaces contributes to a more complex exploration of the Balkan ethnomusicologists' experiences.