Welcome to the Sitcom School: A Globalized Outlook for the Study of Television History (original) (raw)

[FORTHCOMING] Decentring Formula Art Innovation: Israeli TV Industry and the transnational turn in content development. In, A. Moran, P. Jensen and K. Aveyard [Eds.] Global Television Formats: State of the Art. London: Intelect (forthcoming 2015).

Historical Journal of Film, Radio and Television, 2019

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Prime Time Postzionism: Negotiating Israeliness Through Global Television Formats

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’Quality Television’ in the Making: The Cases of Flanders and Israel.

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Israeli drama: constructing the Israeli ‘quality’ television series as an art form

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The Globalization Debate and the Limitations of the Localization of TV Formats: A Cross-Cultural Comparative Case Study

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Intermediality in the Visions of ‘World Television’ in the 1970s: A Cultural Historical Approach

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Global Maladies, Local In Treatment: " Quality " TV Fiction Formats, Glocal Forms of Prestige, and Cumulative Cross-Cultural Dialogues

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TRANSNATIONAL TELEVISION HISTORY: A COMPARATIVE APPROACH

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Reflection iii: Transnationalisation, Television Formats and the Universal

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2013

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Global Television Formats. Understanding Television Across Borders

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2013

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Frum with Benefits: Israeli Television, Globalization, and Srugim’s American Appeal

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Brennan, E. 2012. ‘A Political Economy of Formatted Pleasures’, pp. 72–89 in Oren, T and S. Shahaf (eds), 2012. Global Television Formats Circulating Culture, Producing Identity. London: Routledge.

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A Touch Away from Cultural Others: Negotiating Israeli Jewish Identity on Television

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Shofar: An Interdisciplinary Journal of Jewish Studies, 2013

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Jinna Tay, Liew Kai Khiun

International Journal of Cultural Studies, 2011

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Global and Local Viewing Experiences in the Age of Multichannel Television: The Israeli Experience

Jonathan Cohen

Communication Theory, 2005

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Together, nevertheless? Television memories in mainstream Jewish Israel

Jerome Bourdon, Neta Kligler-Vilenchik

2011

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Regional Variations on a Global Theme: Formatting Television for the Middle East and Beyond

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Television for children: problems of national specificity and globalisation

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What is the ‘Television’ of the European Journal of Cultural Studies? Reflections on 20 years of the study of television in the Journal

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Transnational Television Remakes, co-authored with Claire Perkins

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Continuum 29.5, 2015

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Selling The Slap: Television Studies and the Transnational Remake (Honours thesis, 2016)

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Introduction: Comparative European Perspectives on Television History

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Israeli TV creators social justifications

Yuval Gozansky

Popular Communication, 2022

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Eva Pjajčíková, Petr Szczepanik, Group Writing for Post-socialist Television. In: Vicki Mayer, Miranda Banks, and Bridget Conor (eds.), Production Studies, The Sequel!: Cultural Studies of Global Media Industries. New York ‒ London: Routledge 2015, pp. 105‒120.

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The Postcolonial Function of Television's Virtual Space in '90s Israeli Cinema

Yael Munk

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High five: The local, the global, the American and the Israeli sport on Television

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2008

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“Flushing Out the Soviet: Common Places, Global Genres and Modernization in Russian Television Serial Productions”

Elena Prokhorova

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‘Reality’ Television Critique in Israel: How ‘Quality’ Became ‘Morality’

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Cultural Sociology, 2016

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“Television’s First Seventy-Five Years: The Interpretive Flexibility of a Medium in Transition,” The Oxford Handbook of Film and Media Studies (Oxford: Oxford University Press, 2008): 286–305

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Global Television: Co-Producing Culture (review)

Kevin Sanson

2011

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A Conceptual Perspective to Media: Cultural Globalization, Clash of Civilizations

Yesim Kaptan

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Television audiences and transnational nostalgia: Mad Men in Israel

Paul Frosh

Media, Culture and Society, 2015

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Welcome to the Sitcom School: A Globalized Outlook for the Study of Television History (original) (raw)

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