« Defining a Space for New Art Genealogies – North-African and Middle-Eastern Modernities and Critical Legacies », Critique d’art, 51 | 2018, 57-69. (original ) (raw )Parameters of 'Modern' and 'Contemporary' Art from the Middle East: An Alternative Art Historical Account
Hamid Keshmirshekan
” Global Art History“ Transkulturelle Verortungen von Kunst und Kunstwissenschaft, 2017
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Contemporary Iranian Art: New Perspectives
Hamid Keshmirshekan
Saqi Books, 2013
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Contemporary or Specific: the Dichotomous Desires in the Art of Early Twenty-first Century Iran
Hamid Keshmirshekan
Middle East Journal of Art and Communication, 2011
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Art of the Middle East: Modern and Contemporary Art of the Arab World and Iran
Helia Darabi
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Review of the book: Amidst Shadow and Light: Contemporary Iranian Art and Artists (by Erik Nakjavani)
Hamid Keshmirshekan
Iranian Studies, Volume 45, 2012 - Issue 6, 2012
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Exhibiting and Writing on Art from the Middle East – Some Recent European and North American Exhibitions and their Catalogues.pdf
Silvia Naef
RACAR/Canadian Art Review-Revue d'art canadienne, 2017
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Review of the book: Contemporary Iranian Art: New Perspectives (by Kirstie Imber)
Hamid Keshmirshekan
Iranian Studies, Volume 49, 2016 - Issue 1, 2015
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Contemporary Iranian Art: The Emergence of New Artistic Discourses
Hamid Keshmirshekan
Iranian Studies, 2007
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The Formation of Modern Iranian Art: From Kamal-al-Molk to Zenderoudi
Layla Diba
Iran Modern, 2013
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DISCOURSES ON POST-REVOLUTIONARY IRANIAN ART: NEO-TRADITIONALISM DURING THE 1990s
Hamid Keshmirshekan
Muqarnas, Brill, 2006
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Amidst Shadow and Light: Contemporary Iranian Art and Artists
Hamid Keshmirshekan
Liaoning Creative Press Ltd, 2011
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Reproducing Modernity: Post-Revolutionary Art in Iran Since The Late 1990s
Hamid Keshmirshekan
Liaoning Creative Press, 2011
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A commentary on Fatemeh Takht Keshian's Thesis on Iranian cultural identity as reflected in artworks exhibited in the Tehran Biennials (1958-1966) and in a particular individual practice.
George Sfougaras , Fatemeh Takht Keshian
2018
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History or Project? The Double Life of Islamic Art Since the 1970s
Hamed Yousefi
REGARDS, la revue des arts du spectacle (no. 28), 2022
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History Haunting the Present: Re-Interpreting the Truth in Contemporary Art of Iran
Hamid Keshmirshekan
Arts
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Iran Is Not As It Is Told:Contemporary Persian Art and Culture_American Comparative Literature Association Conference: Harvard University
Azra Ghandeharion
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The Concept of Islamic Art: Inherited Discourses and New Approaches
Gülru Necipoğlu
The Journal of Art Historiography June 1, 2012, vol. 6 (Special Issue on the Historiography of Islamic Art and Architecture, guest-edited by Moya Carey and Margaret S. Graves), 2012
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Exhibiting and Writing on Art from the Middle East — Some Recent European and North American Exhibitions and their Catalogues. 25 ans de créativité arabe, Paris/Cinisello Balsamo (Milan) : Institut du Monde Arabe/Silvana Editoriale, 2012, 215 pp. b/w and col. ill., $ 32.95 paper Isbn 978883662431...
Silvia Naef
RACAR : Revue d'art canadienne
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Iran. Five Millennia of Art and Culture
Ute Franke
Iran. Five Millennia of Art and Culture. Exhibition Catalogue, ed. by U. Franke, I. Sarikhani Sandmann and S. Weber, 2021
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“Reframing the Rise of Modernism in Iran,” in Modernism beyond the West: A History of Art from Emerging Markets, ed. Majella Munro (London: Enzo Arts and Publishing, 2012), 11-32.
Staci Scheiwiller
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Review of the book: Contemporary Art from the Middle East: Regional Interactions with Global Art Discourses (by Pamela Karimi)
Hamid Keshmirshekan
London Middle East Institute, SOAS, University of London, 2015
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Between Exoticism and Culturalism Contemporary Art in the Middle East
Ali Şahan KURU
DergiPark (Istanbul University), 2017
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Representation of Islamic-Iranian Identity in Contemporary Iranian Art
Journal of Art and Civilization of Orient (JACO)
journal of art & civilization of the orient, 2018
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The Question of Identity vis-a-vis Exoticism in Contemporary Iranian Art
Hamid Keshmirshekan
Iranian Studies, 2010
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Sign, Symbol, Letter: Tracing Abstraction in Arab and Amazigh Aesthetic Modernism(s). In 2024 BRISMES Conference
Sheyda Aisha Khaymaz
The British Society for Middle Eastern Studies Annual Conference, 2024
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David J. Roxburgh (ed.). An Album of Artists’ Drawings from Qajar Iran
Iván Szántó
Abstracta iranica, 2019
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Who, by Whom, and for Whom: Presentation of Contemporary Art in Iran and Representations of the Art of Iran Elsewhere
SANDRA SKURVIDA
2013
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"Reexploring Islamic Art: Modern and Contemporary Creation in the Arab World and Its Relation to the Artistic Past"
Silvia Naef
2003
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The Development of Modern Iranian Visual Art: A Struggle for Identity and Authenticity
Rachel Keane
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"A twenty-year retrospect on 'The Mirage of Islamic Art': polarising Islamic art, consolidating Persian art", Journal of Art Historiography, Number 28 (June 2023): A Historiography of Persian Art, pp. 1-9.
Yuka Kadoi
Journal of Art Historiography, 2023
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Iranian Contemporary Art - Searching for Identity?
Elahe Helbig
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Reframing Islamic Art for the 21st Century
Carol Bier
Horizons in Humanities and Social Sciences: An International Refereed Journal, 2017
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Asiatische Studien, Volume 70 , Issue 4, 2016 – Visual Modernity in the Arab World, Turkey and Iran: Reintroducing the “Missing Modern”, eds. by Silvia Naef and Elahe Helbig
Elahe Helbig
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What do we mean when we say 'Islamic art'? A plea for a critical rewriting of the history of the arts of Islam
Avinoam Shalem
The Journal of Art Historiography, 2012
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“Miyan-e Mahdoudiat-ha ya Marz-ha? Contested Agency in Contemporary Iranian Art,” in We are Standing outside of Time: An Ongoing Artistic Collaboration between: Shahram Entekhabi, Behrang Samadzadegan, ed. Shahram Entekhabi (Linz: Atelierhaus Salzamat, 2012), 8-11
Staci Scheiwiller
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