The Creation of Monsters: A Brief Perspective (original) (raw)
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This article attempts to delineate the history of the monstruos by recognizing inside it the manifestation of severance between the contingent and the trascendent world. The monster embodies the boundary of the everlasting paradox of human existence, in the balance between the desire of knowing and the impossibility of drawing completely on knowledge.
Editorial: Making Monsters, Building Terror
Journal of Adaptation in Film & Performance
This is the editorial for the Special Issue Making Monsters. The Special Issues comes out of my own academic interest and a two-day symposium. This editorial outlines the need for research around the practice of making monsters, placing the production processes needed to make the creatures in horror media as central to the adaptation of monsters into various media forms. It also will introduce the contributors to the Special Issue and briefly lay out their specific approach to this broad and engaging topic, whether that be looking at the practical effects used to bring monsters to the stage and screen or new ways we conceptualize the monstrous in the digital forms.
Monsters: Classic to Contemporary Symbols
Culture, Society and Praxis, 2008
This paper reviews different literatures that use Monster's as methods to strike fear within the reader, and the characters in the story itself. Popular childhood monster stories are explored in terms of the monsters role in the story, and the monsters method of engaging fear into certain characters. The author poses personal questions for our readers; such as: what if you engaged in thoughts that could potentially deem you as a monster?
Mapping the Potentials of Monster Studies
Hungarian journal of English and American studies /, 2021
Weinstock, Jeffrey Andrew, ed. The Monster Theory Reader. University of Minnesota Press, 2020. ix + 560 pages + 33 b&w photos. ISBN 978-1-5179-0525-5. $35.00. Pbk. Jeffery Jerome Cohen's 1996 seminal essay, "Monster Culture," marks the beginning of modern monster studies as a separate sub-discipline, which since then has produced an immense amount of valuable material in the form of journal articles, monographs, and anthologies specialized in a segment of teratology. Therefore, compiling an anthology of essential theoretical texts for those who study the field is a welcome addition. Jeffrey Andrew Weinstock undertook this task of no little importance and difficulty, and the result is "monstrously" impressive: the nearly 600-page-long collection of theory may look
Monsters: interdisciplinary explorations in monstrosity
Palgrave Communications, 2020
There is a continued fascination with all things monster. This is partly due to the popular reception of Mary Shelley’s Monster, termed a ‘new species’ by its overreaching but admiringly determined maker Victor Frankenstein in the eponymous novel first published in 1818. The enduring impact of Shelley’s novel, which spans a plethora of subjects and genres in imagery and themes, raises questions of origin and identity, death, birth and family relationships, as well as the contradictory qualities of the monster. Monsters serve as metaphors for anxieties of aberration and innovation (Punter and Byron, 2004). Stephen Asma (2009) notes that monsters represent evil or moral transgression and each epoch, to speak with Michel Foucault (Abnormal: lectures at the Collège de France, 1975–75, 2003, p. 66), evidences a ‘particular type of monster’. Academic debates tend to explore how social and cultural threats come to be embodied in the figure of a monster and their actions literalise our deep...