Beyond the Iconic protest images.docx (original) (raw)
Related papers
Social Movement Studies, 2019
Using the Gezi Park protests as a case study this article considers the performative component of protest movements including how and why protestors actively produce protest activity ‘on the ground’ and how this is expressed through visual images. It looks beyond iconic images which appear as emblematic of the protest and instead shifts our focus to consider the more ‘everyday’ or mundane activities which occur during a protest occupation, and explores how social media allows these images to have expressive and communicative dimensions. In this respect, protests can be performed through humdrum activities and this signifies a political voice which is communicated visually. The research is based on visual analysis of Twitter data and reveals methodological innovation in understanding how protestors communicate.
The symbol of social media in contemporary protest: Twitter and the Gezi Park movement
Convergence: The International Journal of Research into New Media Technologies
This article explores how Twitter has emerged as a signifier of contemporary protest. Using the concept of ‘social media imaginaries’, a derivative of the broader field of ‘media imaginaries’, our analysis seeks to offer new insights into activists’ relation to and conceptualisation of social media and how it shapes their digital media practices. Extending the concept of media imaginaries to include analysis of protestors’ use of aesthetics, it aims to unpick how a particular ‘social media imaginary’ is constructed and informs their collective identity. Using the Gezi Park protest of 2013 as a case study, it illustrates how social media became a symbolic part of the protest movement by providing the visualised possibility of imagining the movement. In previous research, the main emphasis has been given to the functionality of social media as a means of information sharing and a tool for protest organisation. This article seeks to redress this by directing our attention to the role o...
Introduction: The Aesthetics of Global Protest : Visual Culture and Communication
The Aesthetics of Global Protest, 2019
Protest movements are struggles to be seen and to be heard. In the last 60 years protest movements around the world have mobilized against injustices and inequalities to bring about substantial sociocultural, sociopolitical, and socioeconomic changes. Whilst familiar repertoires of action persist, such as strikes, demonstrations, and occupations of public space, the landscape is very different from 60 years ago when the so-called 'new social movements' emerged. We need to take stock of the terrain of protest movements, including dramatic developments in digital technologies and communication, the use of visual culture by protestors, and the expression of democracy. This chapter introduces the volume and explains how aesthetics of protest are performative and communicative, constituting a movement through the performance of politics.
“A Clear Message?” Aesthetic Practices of Protest, On-Site and Online
Acta Universitatis Carolinae. Studia territorialia, 2022
This paper explores how the performance and aesthetics of contemporary protest are shaped by social media networks and audiences from a theatre and cultural studies perspective. It analyzes the tactics used by protesters during and after on-site protests to disseminate their messages and to actively influence and control the interpretations of their protest that are distributed online by others. Based on observation of three European protest events in January and February of 2019 (in London, Budapest, and Dresden) this paper presents the characteristic tactics of protesters in light of specific dynamics between on-site and online protests. It discusses the aesthetics of protest in the context of the ambiguousness of on-site protests, which is reinforced by social media.
The Aesthetics of Global Protest
2019
Protestors across the world use aesthetics in order to communicate their ideas and ensure their voices are heard. This book looks at protest aesthetics, which we consider to be the visual and performative elements of protest, such as images, symbols, graffiti, art, as well as the choreography of protest actions in public spaces. Through the use of social media, protestors have been able to create an alternative space for people to engage with politics that is more inclusive and participatory than traditional politics. This volume focuses on the role of visual culture in a highly mediated environment and draws on case studies from Europe, Thailand, South Africa, USA, Argentina, and the Middle East in order to demonstrate how protestors use aesthetics to communicate their demands and ideas. It examines how digital media is harnessed by protestors and argues that all protest aesthetics are performative and communicative.
Information, Communication & Society, 2019
This article addresses the following general question: how do movement cultures of participation shape activists' communication strategies in the construction of visibility for their protests? While other scholars have tackled this issue at the theoretical level, in this article I address this enquiry through a concrete case study-the Greek Indignants (Aγανακτισμένοι) and, more specifically, the occupation of Syntagma square-and employing the lens of culture at the analytical level. Overall, the main theoretical claim behind this article is that we cannot consider movement cultures as a monolithic construct transversally affecting activists' usages of both digital media and non-digital media. First, there is the need to understand social movements' cultures as embedded into their broader context. Second, as the empirical analysis shows, movement cultures related to a specific type of practice-i.e. the one of participation-hold more explanatory power when we split them into different subdimensions to then understand how each of them intertwines with a specific aspect of activists' communication strategies.
Special Issue on Methods in Visual Politics and Protest
Journal of digital social research, 2024
This special issue draws together five articles in the arena of methods in visual politics and protest. It addresses three core methodological challenges across the research process (data access, collection, analysis, visualisation): the proliferation of visual social media, the emergence of novel visual practices, and the increasing application of digital methods. Their key contributions lie in the development of mixed visual methods approaches, new techniques for constructing and curating visual datasets, and methodological explorations of visual anti-publics.
2020
Protest movements have been galvanized recently by social media and are commonly, and somewhat hyperbolically, referred to by mainstream media as “Twitter revolutions.” This article identifies social media as a battleground for disseminating contending versions of reality, not only during Twitter revolutions, but also in their aftermath. Articulating the enduring impact of popular social movements and examining how protestors and governmental supporters contest their meaning over time, the article studies the digital traces of the Gezi Park protests in Turkey (2013) after the mobilization dissipated. The digital traces of protests act as critical digital artifacts of contestation with actors on both sides (pro- and anti-AKP [Justice and Development Party] government in Turkey). These digital traces are reanimated by both actors to build support, assert truth claims, foster identity/community, and/or demand recognition. The article deploys content and multimodal analyses of texts and images on Twitter, shared through hashtags on the protests when the protests’ alleged leaders faced trials (2018‒2019).
Music Videos as Protest Communication: The Gezi Park Protest on YouTube
Amsterdam University Press eBooks, 2019
Recent years have seen an explosion of protest movements around the world, and academic theories are racing to catch up with them. This series aims to further our understanding of the origins, dealings, decisions, and outcomes of social movements by fostering dialogue among many traditions of thought, across European nations and across continents. All theoretical perspectives are welcome. Books in the series typically combine theory with empirical research, dealing with various types of mobilization, from neighborhood groups to revolutions. We especially welcome work that synthesizes or compares different approaches to social movements, such as cultural and structural traditions, micro-and macro-social, economic and ideal, or qualitative and quantitative. Books in the series will be published in English. One goal is to encourage nonnative speakers to introduce their work to Anglophone audiences. Another is to maximize accessibility: all books will be available in open access within a year after printed publication.