Arhitektura u službi segregacije (original) (raw)

Utjecaj Bauhausa I Elemenata Arhitekture Na Modu

2018

Bauhaus school (from 1919 to 1933) and its design will be an inspiration for creating artwork in the experimental part of this research. The schools history, its way of creating works of art and designs, led by Walter Gropius, leads to a conclusion of importance of knowing art theory and its link to crafsmanship. Research of several Bauhaus representatives, and their work on fields of design and architecture, led to a conclusion about a universal connection between knowledge and technique and its connection to 20th and 21st century fashion.

Duhovni modul' arhitekte Nikole Dobrovića - analiza modularne koordinacije na primeru dva projekta iz dubrovačkog perioda

2005

The specific intent of this paper is to set up the research of modular coordination in the work of Nikola Dobrović. It is focused on two villas that were built by Dobrović during the prewar period: villa Vesna (1939) and villa Svid (1940), both placed in the region of Dubrovnik. In order to gain a closer insight into the design process of modern architects, these houses are subjected to structural and dimensional analyses. The investigation shows that the classical principles of proportion are not abandoned, as suggested in the later explications of the author, but that they were put in the mode of crisis. This aberration has been interpreted in this work as a distinctive "opening to the future", inherent "will to change".Tema ovog rada je istraživanje problema modularne koordinacije u radu Nikole Dobrovića. Predmet istraživanja su dve vile koje je Dobrović projektovao i sagradio na području Dubrovnika pred početak Drugog svetskog rata: vila Vesna iz 1939. i vila...

Bernardo Bernardi; The Design Work of an Architect 1951-1985; Iva Ceraj

2016

The scientific monograph covering the most significant work of architect Bernardo Bernardi, the pioneer of Croatian design, is based on the doctoral dissertation and curatorial work of Iva Ceraj within the Croatian Museum od Architecture. It follows the didactic, theoretical, architectural and, foremost, design ouvre of the most prominent Croatian industrial designer of the 20th century. The book sheds light on a previously unpublished selection of drawings and photographs, offering new insights into the surprising parallels with, and the creative influences of Scandinavian organic modernism, indicating Bernardi’s strong affiliation to the democratic ideas of Scandinavian design. A lifelong promotor of humanizing the physical environment, Bernardi can be credited with establishing the design profession in the Croatian context as well as initiating the establishment of the School of Design in Zagreb