Goudouna. Sozita. Keynote Lecture : Presentation of Out of The Box Intermedia (Art & Crisis Series), Art- Athina International Art Fair, Talk Programme, May 2013. (original) (raw)
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OPEN CALL FOR PARTICIPATION -SEMINARS ON HYDRA, GREECE Exhibition Histories from the 17th century to the present Athens School of Fine Arts & Hydra 21 1 ST Seminar with ASAD RAZA. Deadline for applications July 1st. For application instructions see attached cfp. Organizers: Irini Marinaki, Konstantinos Stefanis, Eva Fotiadi ASFA scientific advisors: Prof. N. Daskalothanasis, Prof. Zafos Xagoraris The seminar WHAT DO EXHIBITIONS WANTS? is part of the "Exhibition Histories from the 17th century to the present" events, which are organised under the auspices of the Athens School of Fine Arts and in collaboration with the not-for-profit association Hydra 21.
Art after Syriza?: Athens City Report
Since the start of the Greek debt crisis in 2010, austerity measures have had a profound impact on life in the country. From biennials to occupations, Ben Davis and Ara H. Merjian reflect on how the art scene in Athens has responded.
Exhibiting Art: The Case of ODTÜSanat
The history of ODTÜSanat dates back to 1990s when a public beneit association named Association for Supporting Orta Doğu Teknik Üniversitesi (ODTÜ) students was founded by ODTÜ instructors and administrative personnel. Its aim was to create funds for students who had difficulty in continuing their education due to financial problems. In a short span of time, this association expanded and also was expanded with the support of ODTÜ alumni, artists, and organizations and/or institutions. ODTÜSanat, which started in 1999, is a branch of this project that has continued with success since its beginning. ODTÜSanat is organized annually by ODTÜ in Ankara, Turkey as an art event. It brings together different areas of art including fine arts, music, theatre, and cinema and lasts for a month. The event started in 1999 as National Fine Arts Exhibition with the aim of exhibiting works of artists representing different senses of art in a 1200 m2 space. As its scope expanded, its name evolved into Art Festival in 2007 and ODTÜSanat in 2013. In this article, based on the sixteen-year professional experience in organizing the ODTÜSanat exhibitions, processes pertaining to exhibiting art, namely, planning, preparing, and implementation of the exhibition, are explained with examples of problems encountered and solutions developed.
Platforming Greek Contemporary Art Athens' art scene has been under the spotlight of late, with the opening of the Athens Biennale, as well as a wave of artists, entrepreneurs, and art spaces setting up shop in the city. Curator and professor Sozita Goudouna confirms that while many consider the city as the 'new Berlin', there is a lack of understanding around what's happening on the ground. Goudouna is looking to change this. Alongside her role as Head of Operations at Raymond Pettibon's studio, she has founded Greece in USA. Launched in 2020 during the pandemic, the platform seeks to create a dialogue with the art scene in Greece, bringing a 50/50 cohort of international and Greek artists together with a focus on commissioning works with live elements, whether through choreography or new media. With a model that is similar to Performa, a performance festival happening every other November across different venues in New York, the platform aims to liberate Greek contemporary art from the confines of 'Greekness' and its romanticisation. Armstrong in 1954. Mixing archival material from Armstrong's tour of Southern Africa in 1960 with anonymous home-movie footage, the film associates the migration of the melody with Zulu imagery, and the connections between Southern Africa and the American south. We also plan to present a new opera project composed by the young Greek artist Orestis Papaioannou with a libretto by Alekos Lountzis and co-author in English, Orfeas Apergisentitled "The Fall of the House of Commons" to be performed at the house of Poe in Philadelphia. The project connects the uniqueness of Poe's emblematic House with the commonest everyday house and aspires to combine musical idioms ranging from classic operatic melodrama to the eclectic re-assemblages typical of postmodern music. Greece in USA also intends to present American artists in Athens. This September, we're partnering with the Municipal Theater of Pireaus to present Andres Serrano project "Torture" and John Akomfrah's "The Airport," a project that was filmed at the old airport of Athens. Set in the landscape of Southern Greece and an abandoned airfield near Athens, the film recalls the work of two filmmaking greats: Stanley Kubrick and Theo Angelopoulos. Accompanied by a soundtrack composed by John Akomfrah, the film's narrative weaves together cinematic, literary, philosophical, and artistic traditions, where spaces of human ruin and natural beauty abound. Serrano's exhibition addresses the story of torture, a tale as old as the story of the world itself. While torture was declared unacceptable by the Geneva Convention in 1949 and subsequently prohibited by the United Nations Convention against Torture, the fact remains that at least 81 world governments currently practice torture illegally, but at times, openly. WM: An extensive number of artists are listed on your website. How do you plan on engaging your roster of artists? SG: We plan to engage with all these artists in our forthcoming exhibitions and live programs. We also plan to invite curators and support the production of their projects. We are currently in dialogue with institutions in New York, Boston, LA and Houston for the presentation of "Greece in USA" projects.
Looking at Greek Art (New York/Cambridge: Cambridge University Press, 2011)
Looking at Greek Art offers a practical guide to the methods for approaching, analyzing, and contextualizing an unfamiliar piece of Greek art. It demonstrates how objects are dated and assigned to an artist or region; how to interpret the subject matter and narrative; how to reconstruct the context for which an object was made, distributed, and used; and how we can explore broader cultural perspectives by looking at questions of identity, gender, and relationships to surrounding cultures. Each section focuses on different theoretical approaches, providing an overview of the theories, key terms, and required evidence. Case studies serve to demonstrate each process and some key issues to consider when using a given approach. This book explores a variety of media, including terracotta, metalwork, and jewelry, and includes examples of art found in major museum collections in the United States and Europe.