Angheben - Sacred Scripture.pdf (original ) (raw )T. Frese, W. E. Keil, K. Krüger (eds.), Sacred Scripture / Sacred Space. The Interlacing of Real Places and Conceptual Spaces in Medieval Art and Architecture (Materiale Textkulturen 23), Berlin/Boston 2019 (Open Access)
Wilfried E. Keil
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Clothing Sacred Scripture. Materiality and Aesthetics in Medieval Book Religions (2018)
David Ganz
David Ganz, Barbara Schellewald (eds.), Clothing Sacred Scriptures. Book Art and Book Religion in Christian, Islamic, and Jewish Cultures, Berlin/Boston: De Gruyter, 2018
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Ornament and Abstraction: A New Approach to Understanding Ornamented Writing in the Making of Illuminated Manuscripts around 1000, in: Beyond the Ornament: Abstraction in Medieval Art, ed. by Elina Gertsman, Amsterdam 2021, 191-212.
Gia Toussaint
2021
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Panel on The Context of Church Decoration in the Middle Ages
Kirsten Ataoguz
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Planting Letters and Weaving Lines: Calligraphy, The Song of Songs, and The Saint John’s Bible (Liturgical Press, 2022)
Joanna Homrighausen
2022
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The Routledge Handbook of Early Christian Art
Robin Jensen
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Illustrated Incunabula as Material Objects: The Case of the Devout Hours on the Life and Passion of Jesus Christ. (Preview)
Anna Dlabačová
In: Hofman R.H.F., Caspers C.M.A., Nissen P., van Dijk M., Oosterman J. (Eds.) Inwardness, Individualization, and Religious Agency in the Late Medieval Low Countries. Studies in the Devotio Moderna and its Contexts. Medieval Church Studies no. 43 Turnhout: Brepols. 181-221., 2020
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Material Object and Immaterial Imagination Expressions of »Self« and »Other« in a Fifteenth-Century Hebrew Illuminated Prayer Book
Suzanne Wijsman
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[Open access] "Religious Practice and Experimental Book Production: Text and Image in an Alternative Layman’s “Book of Hours” in Print and Manuscript," Journal of Historians of Netherlandish Art 9:2 (Summer 2017) DOI: 10.5092/jhna.2017.9.2.2
Anna Dlabačová
Journal of Historians of Netherlandish Art, 2017
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Loic, Erika. “Creativity at the End(s) of an Empire: Biblical Compilation and Illustration at the Monastery of Ripoll.” In After the Carolingians: Re-defining Manuscript Illumination in the 10th and 11th Centuries, edited by Beatrice Kitzinger and Joshua O'Driscoll, 161–82. Berlin: De Gruyter, 2019.
Erika Loic
After the Carolingians: Re-defining Manuscript Illumination in the 10th and 11th Centuries, 2019
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The Texture of Images: The Relic Book in Late-Medieval Religiosity and Early Modern Aesthetics, Leiden 2020
Livia Cárdenas
2020
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Art and the Christian Apocrypha (review)
Robin Jensen
Journal of Early Christian Studies, 2003
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The Power and Display of Writing: From Damasus to the Early Medieval Popes
Erik Thuno
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Bodies of Parchment: Representing the Passion and Reading Manuscripts in Late Medieval England
Sarah Noonan
2010
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Art in Monastic Churches of Western Europe from the Twelfth to the Fourteenth Century
Stefanie Seeberg , Alexandra Gajewski
Cambridge History of Medieval Western Monasticism, (Series: Cambridge New History), Alison Beach, Isabelle Cochelin (ed.), 2020
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Tributes to Jonathan J.G. Alexander: the Making and Meaning of Illuminated Medieval & Renaissance Manuscripts, Art & Architecture (review)
Susan L'Engle
Parergon, 2008
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Memory, Performance, and Change: The Psalms’ Layout in Late Medieval and Early Modern Bibles
Eyal Poleg
From Scrolls to Scrolling
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Devotion and Dissent in Late-Medieval Illuminated World Chronicles, Art History 41, no. 1 (2018): 12-41.
Nina Rowe
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Kufa and Kells: The Illuminated Word as Sign and Presence in the Seventh–Ninth Centuries
Umberto Bongianino , Benjamin C Tilghman
Imagining the Divine: Art in Religions of Late Antiquity Across Eurasia, 2021
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Co-curated with David Jordan, "Scripting the Sacred: Medieval Latin Manuscripts," exhibition overview / Stanford Libraries and Special Collections
Kathryn Dickason
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COLOUR, PAINT AND GOLD: THE MATERIALITY OF ENGLISH MANUSCRIPT ILLUMINATION IN THE TWELFTH CENTURY – Illustrations
Harry Stirrup
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Scripture as Artefact
Lincoln H. Blumell
The Oxford Handbook of Early Christian Biblical Interpretation, 2019
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Marc Michael Epstein (ed.), Skies of Parchment, Seas of Ink. Jewish Illuminated Manuscripts, Princeton-Oxford, Princeton University Press 2015, pp. 288.
Wojciech Kosior
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The Colours of the Ritual. Description and Inscription of Church Dedication in Liturgical Manuscripts (10th-11 Centuries)
Didier Méhu
Sign and Design. Script as Image in Cross-Cultural Perspective (300-1600 CE), ed. Brigitte Bedos-Rezak and Jeffrey Hamburger, 2016
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« A Graphic Koiné for a New Religious Value. The Visual Translatability of the Evangelicae Historiae Imagines », dans Netherlands Yearbook for History of Art, 64 (2014), p. 235-258.
Ralph Dekoninck
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SACRED GEOMETRY AND THE ART OF SCRIPTURAL WRITING
William John Meegan
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The Sign within the Form, the Form without the Sign: Abstraction in Early Medieval Manuscript Painting”
Benjamin C Tilghman
Abstraction in Medieval Art: Beyond the Ornament, 2021
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Compiling Narratives: The Visual Strategies of Early Christian Art, JECS 23 (2015)
Robin Jensen
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The Verse Inscription from the Deposition Relief at Santo Domingo de Silos: Word, Image, and Act in Medieval Art
P. Scott Brown
Journal of Medieval Iberian Studies, 2009
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M.A. Bilotta, G. del Monaco, Imago, ius, religio. Religious Images in Medieval Legal Manuscripts: An Overview, in M.A. Bilotta, G. del Monaco, edited by, Imago, ius, religio. Religious Iconographies in Illustrated Legal Manuscripts and Printed Books (9th-20th c.), Eikón/Imago,12(2023), pp. 1-10
Maria Alessandra Bilotta
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(ed. with Agnès Guiderdoni), Rethinking the Dialogue between the Verbal and the Visual. Methodological Approaches to the Relationship Between Religious Art and Literature (1400–1700)
Ingrid Falque , Agnès Guiderdoni
Rethinking the Dialogue between the Verbal and the Visual, 2023
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What the Book Arts Can Teach Us About Sacred Texts: The Aesthetic Dimension of Scripture
S B Rodriguez-Plate
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“Mapping the Heavens, Treading the Earth,” introductory essay in Negotiating Secular and Sacred in Medieval Art: Christian, Islamic, and Buddhist. Co-author with Alicia Walker. Ashgate, 2009: 1-16.
Amanda Luyster
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Elizabeth Morrison and Thomas Kren, eds, Flemish Manuscript Painting in Context Recent Research. Los Angeles: The J. Paul Getty Museum, 2006 – published in The Sixteenth Century Journal, 39. 3 (2008), 844-845
Nicole Hochner
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Modes of Scriptural Illustration: The Beatitudes in the Late Sixteenth Century
James Clifton
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