The Malay Identity in Malaysian Women's Paintings (original) (raw)
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In order to appreciate an artwork, beauty is not the main issue to be studied, but instead, it is the elements that make up the beauty. Therefore, to investigate the elements, subjects, forms and meanings are the three aspects in the study of art that are used for such purposes. All these elements are interconnected and cannot be separated because of the unity of an artwork is formed from these elements, and further explained the ideas of artists. Thus, in defining the elements of artwork, it is important to study physical data that function by connecting the context of an artwork. The aim of this study is to examine the symbol of Malay cultural traditions in the context of visual art in Malaysia embodied by local artists as the expression of their cultural ideas. Accordingly, a qualitative descriptive study method has been adopted to identify the forms and meanings of the symbols of Malay cultural traditions in Malaysian visual arts,. Two painting artworks from the 1980s and 1990s have been chosen in order to investigate their forms and meanings. After the independence, the symbols of Malay cultural traditions have been embodied by the artists in the search for artistic identity. The results of this study are expected to expose the public generally and art enthusiasts particularly, to appreciate the artworks. Hence, the Malay culture can be well preserved as today's young artists tend to choose the modern universal symbols rather than the symbols of community culture.
Culture and Identity in Selected New Media Artworks in Malaysia 1993-2007
Journal of Visual Art and Design, 2019
Contextual analysis studies based on cultural and identity aspects of fine art practice are still limited in Malaysia, especially concerning new media art, although new media as an artistic tool was introduced as early as the 1990s. Since the seminal exhibition on E-art was in 1997, since then systematic examination of new media artworks and their role in the Malaysian art history has only been limitedly done. The early approaches of new media art were varied, yet the subject matter, as discussed in this paper, was still mostly informed by the general proclivities of Malaysia artists at that time. Thus, it can be seen that despite the new technology used and explored, the subject matter of these works is still aligned with similar concerns and contents as can be found in contemporaneous works using traditional media. Thus, as this paper demonstrates, the themes of cultural identity and culture related issues and concerns still persisted as the main subject matter of early Malaysian new media artworks, as can be seen in the oeuvres of Hasnul Jamal Saidon, Liew Kungyu, Niranjan Rajah, Yee I-Lann and T.C. Liew.