Danubian Horsemen- Ciuperceni, Romania (original) (raw)
Related papers
A Relief from Tibiscum Depicting the Danubian Riders
Tibiscum, 2013
and Border Regiment A series of small reliefs macle of stone, lead, or bronze, dedicated to the gods conventionally called the Danubian Riders, can he found in the Danubian provinces of the Roman Empire 1 • Easily identified through their typical iconography, these artifacts are mainly distributed in the provinces around the middle and lower Danube, in the Moesias, Dacia, the Pannonias, and fewer examples in Thracia, Noricum, and Dalmatia. The presence of these reliefs that illustrate a local religious iconography can he interpreted as an artistic and religious expression of indigenous, autochthonous beliefs from the areas bordering the Danube during the peak period of the Roman Empire, i.e. the second-third centuries A.D. 2 A small fragmentary relief depicting the Danubian triad was recently discovered in the civilian settlement in Tibiscum 3 (Jupa, Caraş-Severin County). It was once included in the central part of a rectangular marble relief with the iconographic scene depicted in a single row. The preserved fragment measures 13 x 6 x 0.85 cm. The item was discovered in 2012 during sys-I
Starinar
Although the artefacts belonging to the so-called Danubian Horsemen cult have been scientifically examined from various standpoints, the definitive answers to the question of their nature have not yet been reached. One of the key reasons that can be distinguished with regard to this is the lack of insight into the archaeological context since, in comparison to the total number of these artefacts, a small percentage of the samples have been found during archaeological excavations. As the more recent corpora of lead icons points to the conclusion that a significant number originates from the area of the province of Pannonia Inferior, especially its south-eastern part (today`s Srem, Macva and Posavina), in this paper we have tried to establish at least the widest context they belonged to. Thus, based on the place where they were found, and considering the basic features of the site where it was possible, we investigated whether they belonged to a settlement, necropolis or military sett...
A Sarmatian Horse-Rider at the Court of the Dacian Kings. The sign (II)
Journal of Ancient History and Archaeology (JAHA), 2022
The present article is the second part of a study dedicated to a cheek-piece discovered in the Dacian fortress from Costești-Cetățuie, in south-western Transylvania. The first paper, published in the same journal, was dedicated to the typology of horse-bits from Dacia, with a focus on the Werner’s types V (variants C-D) and VIII. This time, the spotlight is on a sign incised on the same object, namely a tamga pertaining to the Sarmatian milieu. Various aspects are discussed in this paper: the appearance and characteristics of tamga signs in the north-Pontic area, the association of these signs with certain royal figures and their use in the Dacian environment, the presence of similar horse-bits to the one from Costești in the north Pontic area and, finally, the historical observations this artefact can provide.
The article presents the reliefs of the Danubian riders as celebration of the initiation when passing from childhood to adolescence or from adolescence to adulthood, depicted as a rite of re-birth.
PETER GEORGIEV , 2018
The article presents the reliefs of the Danubian riders as celebration of the initiation when passing from childhood to adolescence or from adolescence to adulthood, depicted as a rite of re-birth.
Cattle and Sheep Herding at Cheia Romania, at the Turn of the Fifth Millennium cal BC
Defined by , when archaeological excavations were conducted at the eponymous site, the Hamangia culture in Romania and Bulgaria has seen limited archaeological research over the last half century. The particularities of the Hamangia culture, including its genesis, its periodisation, the degree of mobility of these communities and the intercultural exchange dynamics all remain to be further deepened. In this effort, a particularly important step was the work conducted at the cemetery of Durankulak, where the layout of space and the funeral inventory showed the existence of a complex social organisation . For a long time, Hamangia communities were characterised by conservatism and isolation. The intercultural relationships were considered unidirectional, from neighbouring communities to the Hamangia area, as exchanges or even displacement of communities (Boian, Precucuteni, Marica) , Slavchev 2004. However, the archaeological finds of the last two decades have revealed the presence of specific Hamangia items -clay figurines and fine pieces of Spondylus -beyond the line of the Danube in the Romanian plain, in north-east Muntenia and southern Moldova .
The article discusses a fragmentary appliqué made of gold sheet which was discovered at Veţel and was preserved in the Museum of Cluj in the 19 th century, but is lost nowadays. The artefact is only known from the archaeological notes of I. Téglas, who drew it in 1886. As for the function of this object, it has been identified as a horse forehead ornament (prometopidion). Other similar objects were probably discovered at Békéscsaba, one being still preserved in the National Hungarian Museum in Budapest, as well as another at Cugir. The inventory of tumulus # 2 from Cugir allows the dating of these decorative artefacts to the end of the 2 nd century and the first half of the 1 st century BC. The appliqué from Veţel could have come from a funerary context belonging to the Padea-Panagjurski Kolonii group.