original ) (raw )The Inbetweeners: Placing The Macaroni Within 18th Century Conceptions of Masculinity
Alex Daish
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Review, David R. Smith (éd.), Parody and festivity, in Early Modern Art, Essays on Comedy as Social Vision (Burlington and Farnham: Ashgate, 2012).
Francesca ALBERTI
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Kritikon Litterarum, June 2017: Review of Janes, Dominic. Oscar Wilde Prefigured: Queer Fashioning and British Caricature, 1750-1900. Chicago and London: The U of Chicago Press, 2016.
Helena Gurfinkel
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Repeat Offenders: Reprinting Visual Satire Across France's Long Eighteenth Century
Kathryn Desplanque
RACAR, 2015
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Cruelty and Laughter: Forgotten Comic Literature and the Unsentimental Eighteenth Century. By SIMON DICKIE. Chicago, IL, and London: University of Chicago Press. 2011. xvii + 362 p. £29 (hb). ISBN 978-0-226-14618-8
Jennifer Chenkin
Journal for Eighteenth-Century Studies, 2013
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In the margins: children and graphic satire in the eighteenth century and early nineteenth century
Sebastian Mitchell
2018
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Katrina O’Loughlin, ‘‘‘Strolling Roxanas”: Sexual Transgression and Social Satire in the Eighteenth Century’ in Susan Broomhall (ed) Spaces for Feeling: Emotion and Sociabilities in Britain, 1650-1850 (Routledge, 2015).
Katrina O'Loughlin
Spaces for Feeling: Emotion and Sociabilities in Britain, 1650-1850
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The Satirical Gaze: Prints of Women in Late Eighteenth-Century England
Cindy McCreery
2004
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'A company of artists watching a mountebank show': studies in seventeenth-century caricature
Katarzyna Murawska-Muthesius
Journal of Art Historiography, 2020
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Comedy, Caricature and the Social Order, 1820–50
brian maidment
Journal of Victorian Culture, 2014
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Editorial Introduction Humour in the Visual Arts and Visual Culture: Practices, Theories, and Histories
Dominic Hardy
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L'image satirique en France et en Angleterre au XIXe siècle: parodie, citation, pastiche, IAWIS / AIERTI, Lausanne, juillet 2017.
Peggy Davis
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Amorous Encounters in the Satirical Print Culture of the Eighteenth-Century London Masquerade
Sandra Gómez Todó
Espacio, Tiempo y Forma, Serie VI. Historia Moderna, 2023
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“High and Low Before their Time: Bernini and the Art of Social Satire”
Irving Lavin
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Aesthetic Modernism and Masculinity in Fascist Italy, page proofs, intro
John Champagne
2012
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"The Precariousness of Things" in The Saint-Aubin Livre de caricatures: Drawing Satire in Eighteenth-Century Paris, eds. Colin Jones, Juliet Carey and Emily Richardson (Oxford: Voltaire Foundation, 2012), 327-347.
Richard Taws
The Saint-Aubin Livre de caricatures: Drawing Satire in Eighteenth-Century Paris, eds. Colin Jones, Juliet Carey and Emily Richardson (Oxford: Voltaire Foundation, 2012)
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“Needling: Embroidery and Art in the Hands of the Saint-Aubin,” in Seeing Satire, eds. Elisabeth Mansfield and Kelly Malone, Studies in Voltaire and the Eighteenth Century (SVEC) (Oxford: Voltaire Foundation, 2013): 107-130
Melissa Lee Hyde
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The One about Michelangelo and the Onions: Jokes and Cultural Anxiety in the Early Sixteenth Century
Jill Burke
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'Low Life in High Society: a Group of Comic-Grotesque Drawings by Verrocchio'
Paula Nuttall
Renaissance Studies, 2021
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« Connoisseurship. Art and antiquities », The Saint-Aubin Livre de caricatures: Drawing Satire in eighteenth-century Paris, Colin Jones, Juliet Carey et Emily Richardson (dir.), Oxford, Studies on Voltaire and the Eighteenth Century, 2012, p. 283-300.
Charlotte Guichard
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From humour to fine arts and vice versa: Atlántida in the twenties
Talía Bermejo
Journal of Latin American Cultural Studies, Vol. 26, No. 1, 2017
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Caricature, Salon criticism, laughter and modernity
Katarzyna Murawska-Muthesius
Journal of Art Historiography 27, December, 2022
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"Indecent Bodies in Early Modern Visual Culture: An Introduction", in: Indecent Bodies in Early Modern Visual Culture. Amsterdam: Amsterdam University Press 2023, pp. 15‒37 (Fabian Jonietz, Mandy Richter & Alison G. Stewart)
Mandy Richter , Fabian Jonietz
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Jessica Milner Davis. “Pictorial Irony, Parody, and Pastiche: Comic Interpictoria", by M. Rose (Review). The British Journal of Aesthetics (2013) 53 (3): 365-367. doi: 10.1093/aesthj/ays050v1
Jessica Milner Davis
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The Legacy of 1917 in Graphic Satire
John Etty
Slavic Review
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“Bernini and the Art of Social Satire”
Irving Lavin
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Jessica Maratsos, Review of The Grotesque in Western Art and Culture: The Image at Play, by Frances S. Connelly
Frances S Connelly
Renaissance and Reformation , 2014
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Des marchés à la métafiction : satires du marché littéraire à l’aube de deux nouveaux siècles
Hywel Dix
Textes et contextes
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Multisensuality in the Satirical Prints of the Georgian Era in England
Natalia Giza
Avant, 2024
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"Laughing a Folly out of Countenance": Laughter and the Limits of Reform in Eighteenth-Century Satire
Andrew Benjamin Bricker
The Power of Laughter and Satire in Early Modern Britain: Political and Religious Culture, 1500-1820, 2017
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The Intersection of the Verbal and the Visual. The Apple Woman in Hoffmann’s the Golden Pot (1814) and its Representation in Book Illustrations
Sahib Kapoor
Anandam, 2022
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Sketches from an Unquiet Country: Canadian Graphic Satire 1840-1940
Julia Skelly
RACAR, 2019
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Caricature Before Caricature An archaeology of visual humour since Prehistory
MANUEL ALVAREZ JUNCO
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'To make love to a Deformity': praising ugliness in early modern England [Awarded the Society for Renaissance Studies Essay Prize]
Naomi Baker
Renaissance Studies, 2008
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Illustration, Performativity and the Explicit Body of Marie-Antoinette in 18-century French Pornographic Pamphlets
Carolyn Shapiro
2017
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