Staging pilgrimage on skopelos after mamma mia! (2008) Digital and terrestrial hospitality in cinematic tourism (original) (raw)
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Journal of Mediterranean Studies, 2020
This article examines how four Greek films of the 1950s and early 1960s, set in different islands, presented island life: Stelios Tatasopoulos's Black Earth (1952), Michael Cacoyannis's The Girl in Black (1956), Roviros Manthoulis's Lefkada (1958), and Takis Kanellopoulos's Thasos (1961). These films were made at a period when wanderlust tourism predominated in Greece, as tourists' curiosity about unfamiliar places and their desire to learn about existing traditions and past cultures were stronger than their desire for relaxation. The article argues that despite their differences, these films reflected an understanding of Greek island life parallel to the culturally explorative experience of wanderlust tourism, while their directors borrowed from and adapted foreign film methods to serve their explorative concerns. As a result, these films produced images of Greek islands which would largely disappear from the screens and popular discourse—a difficult life, financial hardship, paganism, and folk traditions—thus challenging us to reconceptualize Mediterranean life as more multifaceted than the one we imagine in this era of mass tourism.
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Tourism Critiques, 2021
Drawing on the discursive properties of placemaking theory, this paper discusses the development of film tourism in Crete from the release of the award-winning Zorba the Greek (dir. Michael Cacoyannis, ZG) to date. The approach is “genealogical,” seeking to explain how ZG-inspired tourism on Crete ended up being more than about the film itself owing to historical contingency. CITATION Tzanelli, R. and Koutoulas, D. (2021), "Zorba the Greek’s tourism worldmaking: gendering Cretan place identity and Greek memory through film", Tourism Critiques, Vol. 2 No. 2, pp. 170-194. https://doi.org/10.1108/TRC-02-2021-0003
THE SACRED AND THE PROFANE A Tourist Typology
Much writing treats the tourist as a unitary type, confined to a touristic bubble. Attempts have been made to subdivide the tourist by developing various typologies. These approaches neglect the tourists' voice. By contrast, this paper's case study from Chalkidiki, Greece, indicates that different tourist types experience the same host community in different ways. Analysis of qualitative data from 86 British holidaymakers has led to the identification of five micro-types. Each is characterized by the dominant themes identified for their choice of holiday, types of activities, and views about the host community.
The Impact of Information Society and Cyber-Culture in Greek Tourism Phenomenon
Maria Manola, 2019
First, in this paper we will investigates the influence of one of the most important Greek film directors, Angelopoulos, in all national, European and worldwide tourism thru the eyes of cinema camera and Greek cyber-culture. Initially, his award-winning action and the content of his most important work, has always been united with Greece promotion and touristic development. The paper traces how, in the context of information society, his filmography can be an example of good practice for touristic promotion and development and how this kind of cinematography can be a more dynamic section of Greek touristic economy. Second, this paper aims to investigate how ancient drama which flourished in Greek antiquity still represents a portal of touristic attraction and development. Ancient Greek tragedians as well as Aristophanes' comedies magnetize and attract tourists and students from Europe and the whole world. In addition, touristic destinations where tragedy flourished have a huge number of views from tourists. Finally, we present a case study that analyzes the meaning of literary tourism and examines the prospects of its development in Greece. Through conceptual analyzes in two examples it attempts to present the wealth of literature in regard to the style of writing, values and meanings. The aim of the study is to examine the ways that will help the development of tourism through literature as well as to attract potential tourists to these island destinations.
The Routledge Companion to Media and Tourism, 2020
The chapter reviews the field of what I call ‘cinema-tourism studies’ – an umbrella term that covers different (inter)disciplinary research on tourism and film – by discussing two key theoretical concepts: the tourist gaze and virtual tourism. These concepts have failed to engage with the particulars of visuality and their relationship with broader and increasingly mediatised contexts. Working from a cultural studies and visual anthropology perspective, I stress the need to consider research alternatives that engage with a different kind of objects and require innovative theories and methodologies, such as media archaeology, more-than-representational theories and the concept of mediatization.
Tourism Social Science Series, 2000
The term ''social media'' generally refers to the multi-point creation and distribution of electronic communication. It is understood in opposition to broadcasting. This chapter explains the history of media studies as a means of comprehending these newer media in the context of tourism. They need to be studied in the light of existing media, even as we seek a new form of truly interdisciplinary work that brings existing approaches together. Taking its agenda from social movements as well as intellectual ones, and its methods from social sciences and humanities, Media Studies 3.0 should focus on gender, race, class, sexuality, sustainability, and pleasure across national lines-an apt setting for those working on tourism.