A Cluster of Loom Weights as Evidence of Domestic Textile Production at Açik Suhat-Caraburun (Baia, Tulcea County, Romania)_2nd International Conference Dynamics and Organisation of Textile Production in Past Societies, Poland, Torun June 2019 (original) (raw)

Textile materials and techniques in Central Europe in the 2nd and 1st millennium BC (2014). Textile Society of America Symposium Proceedings. Paper 914. http://digitalcommons.unl.edu/tsaconf/914

The 2nd and 1st millennia BC (roughly the Bronze and Iron Ages) represent a period, when many textile inventions can be recognized and developments in textile craft can be studied in Central Europe. One of our key sites to explore innovations in textile technology is the salt mine of Hallstatt in Austria. Bronze Age textile art clearly represents an invention phase, to give the textiles an attractive appearance, e.g. weaving twill, fine quality textiles and dyeing. The production of textiles has reached a high level of technical and aesthetic achievement during the Iron Age, with advanced methods of wool preparation, artfully used dyes, diverse patterning techniques. Textile craft even influenced the social organisation, ideology and economy, especially of the representation culture of the higher strata of Hallstatt Period and Early La Tène Period society. The inventions and innovations made in textile techniques during the Bronze and Iron Ages in Central Europe go hand in hand with the development of sheep types during the 2nd and 1st millennia BC. Textile quality, appearance and performance depend on the raw material.

A. Ulanowska, K. Grömer, I. Vanden Berghe & M. Öhrman, Introduction, in: Ancient Textile Production from an Interdisciplinary Perspective, 2022, pp 3–17

2022

Following the growth in textile studies over the past decade, we aim to present a comprehensive update of the state-of-the-art summarised in the seminal 2010 paper “Old Textiles – New Possibilities” by E. Andersson Strand, K. M. Frei, M. Gleba, U. Mannering, M.-L. Nosch and I. Skals. The diverse developments of the last decade, along with the increased recognition of the importance of textile studies in adjacent fields, now merit a dedicated, full-length publication entitled “Ancient Textile Production from an Interdisciplinary Perspective: Humanities and Natural Sciences Interwoven for our Understanding of Textiles”. With this volume, we also wish to illustrate the current impact of textile archaeology on the scholarly perception of the past (not limited to archaeology alone). The volume presents new insights into the consumption, meaning, use and re-use of textiles and dyes, all of which are topics of growing importance in textile research. As indicated by the title, we demonstrate the continued importance of interdisciplinarity by showcasing several ‘interwoven’ approaches to environmental and archaeological remains, textual and iconographic sources, archaeological experiments and ethnographic data, from a large area covering Europe and the Mediterranean, Near East, Africa and Asia. The chronological span is deliberately wide, including materials dating from c. 6th millennium BCE to c. mid-14th century CE.

Archaeological Textile Research: Technical, economic and social aspects of textile production and clothing from Neolithic to the Early Modern Era

2019

This Habilitationsschrift (University Vienna) “Archaeological Textile Research: Technical, economic and social aspects of textile production and clothing from Neolithic to the Early Modern Era” reflects two decades of applied research on archaeological textiles and related sources. The motivation is to improve understanding of the role of textile production and textile products in the history of humankind. Embedding finds and their context information into socio-economical and cultural discourse contributes to a cultural anthropology of textile use. For pre- and protohistory in the region of Central Europe, it is a challenge that textiles are among those organic materials that are rarely preserved under the prevailing climatic conditions. Despite the scarcity of organic finds, nevertheless, for the studies of the author the analysis of actual textiles from archaeological contexts serves as main source of knowledge. This are mainly textiles from grave contexts that survived attached to metal artefacts, as well as textiles from saltmines. Minor importance for my research play waterlogged and dry conditions. Textile finds, together with tools, pictorial and written sources, yield information on the chaîne opératoire of textile production. Thus one of the research foci is to help identify different production processes and sequences such as preparing raw materials, making threads, weaving (and other methods of constructing fabrics), patterning and sewing techniques. Textile techniques and their uses in different periods of time are studied to gain information about developments in techniques such as inventions, innovations, traditions, and the various modes of production. This research about the technological aspects of textile craft is also set in context with the social and economic background of innovation in Central European Prehistory. The period from the 3rd to 1st millennium BC is specifically the focus of studies on textile technology. Besides textile technology, the most important research undertaken by the author are about functions, resource management, dress and identity, as well as creativity and design. The function of textiles in Prehistory and Antiquity is identified from context information and the properties of the textiles. Finds consist of clothing, soft furnishings, textiles used for technical purposes (e.g. linings of scabbards), including grave goods or textiles as tools (e.g. carry sacks in mines). Research about resource management, use, reuse and “recycling” addresses questions which are also important today. The same applies to the field of dress and identity and the social value of clothing and textiles from the Bronze Age to the Medieval era. The material can also be studied in terms of representation and appearance of textile surfaces and patterns, visual codes, creativity and design – such as the relevance for non-verbal communication.

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