Implementation of algorithms in designing modern Islamic Geometric Patterns in Architecture (original) (raw)
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International Journal of Architectural Computing
This research challenges the long-standing paradigm that considers compositional analysis to be the key to researching historical Islamic geometric patterns. Adopting a mathematical description shows that the historical focus on existing forms has left the relevant structural similarities between historical Islamic geometric patterns understudied. The research focused on the hexagonal-based Islamic geometric patterns and found that historical designs correlate to each other beyond just the formal dimension and that deep, morphological connections exist in the structures of historical singularities. Using historical evidence, this article identifies these connections and presents a categorization system that groups designs together based on their “morphogenetic” characteristics.
Evolution of Islamic Geometrical Patterns
Global Journal Al Thaqafah, 2012
Although Islam gives function and not form, Islam as a context has affects on forms and ornaments in somewhat. The great role of geometry in Islamic architecture due to restriction of using natural figures is an example. In this research, the application of Islamic geometrical patterns (IGPs), and suitability of their usage over architectural elements in terms of timescale accuracy and architectural-style matching is studied. A detailed survey of hundred wellsurviving buildings throughout the Muslim world of architecture has been conducted for this purpose and as a result, not only origin of patterns identified, but also radical artistic movements throughout the history of Islamic geometric ornaments revealed. Finally, this study sketches the evolution of IGPs through history, while regional diversities are also taken into account.
Evolution of Islamic geometric patterns
Frontiers of Architectural Research, 2013
This research demonstrates the suitability of applying Islamic geometrical patterns (IGPs) to architectural elements in terms of time scale accuracy and style matching. To this end, a detailed survey is conducted on the decorative patterns of 100 surviving buildings in the Muslim architectural world. The patterns are analyzed and chronologically organized to determine the earliest surviving examples of these adorable ornaments. The origins and radical artistic movements throughout the history of IGPs are identified. With consideration for regional impact, this study depicts the evolution of IGPs, from the early stages to the late 18th century.
Computer-aided Moorish geometric design and patterns
European Scientific e-Journal
Humans have been striving to decorate their surroundings with various visual elements, such as shapes, textures, and symbols, since ancient times. A lot of times the inspiration for these patterns and textures came from nature, which has always motivated people to create aesthetically pleasing patterns. Geometry assists us to comprehend and reproduce numerous patterns found in nature. Hence, producing geometric patterns has been an integral part of art and ornamental interior design. Exploring a design process for recreating ornamental patterns has led to the development of software for generating Moorish patterns using computer-aided tools. The generated geometric patterns are two-dimensional elements, and could be transformed into three-dimensional objects before they can be used in numerous aspects in interior and architectural design. Thus, combining a two-dimensional pattern with a three-dimensional graphical software, adding extra features and functions to it, provides a powerful tool for artists and designers. The Moorish geometric patterns, renowned for their intricate interlacing and strongly geometric designs, have a long history embedded in multiple cultures. Nevertheless, modern-day computer software has been utilized to incorporate Moorish geometric design into the process of creating interior design-furniture and even in architecture planning and building structures. Computer-aided Moorish geometric design and patterns can influence the manner in which designers and architects create their work. This research traces some of the historical backdrop of Moorish style, the posthumous dynamic of the development of geometric patterns, the advances in PC programming that empower its utilization, and the potential applications of this correlation. The study object was geometric patterns as a form of decoration in architecture and design in the context of geometry and form creating with the purpose of aesthetic search. The study subject was the creation of geometric patterns and the ways possible to make this process faster and more efficient in the work of today's designer and architects. The study purpose was to investigate the source of making geometric design patterns, in terms of employing them in decorating interior spaces and in architecture in general by a brief exploration in historical samples. By inspecting an example of how PC helped Moorish geometric designs can be used in the process of designing interior places or in architecture planning, this exploration will show how innovation can be utilized to produce works of art and design. The last section concludes by summarizing the main aspects of this work and explaining points for further improvements.
Morphological Code of Historical Geometric Patterns - The Digital Age of Islamic Architecture
2016
This study intervenes in the long-standing paradigm that considers compositional analysis as the key to researching the Islamic Geometric Patterns (IGP). The research argues that the compositional analysis of the geometry is not solely sufficient to investigate the design characteristics of the IGP, and the better way of achieving this emerges through a consideration of the design formalism.
New Approach to Construct a New Islamic Geometric Patterns Using the Hasba Method
2021
By its beauty and the symmetry of its patterns, Islamic geometric Pattern (IGP) art has always attracted the interest of scientists. These methods to make geometric patterns were analyzed and proposed by several author scientists. In this paper, we present a new method called the ‘Âark method’ to construct new geometric patterns by using the method called “Hasba” (measurement). That is widely adopted by Moroccan artisans. This proposed method, based on the concept of symmetry, allows building numerous patterns by systematic and dynamic processes. Symmetrical patterns are constructed from an asymmetric element called the ‘fundamental region’ by applying reflections and rotations. Compared to the classical ‘Ribbon method’ which will be explained later on, the proposed method is tolerant to construct more than 200 patterns with different visuals. This demonstrates the ability of the proposed method to construct various motifs and can easily be used in a softwere program, for an automat...
2021
There is a lack of knowledge that is required for using computer programs (parametric computing) to generate and derive new Islamic geometric patterns locally. This study focuses on the application of parametric modeling using the Rhinoceros 6 Grasshopper program on an Islamic geometric historical pattern, which decorated the gate of the School in Wasit, where the search imposes a spatial approach. This program is applied with the help of the algorithmic parameters used by the parametric design technique to generate and derive new Islamic geometric patterns from an extinct reference pattern used in contemporary urbanism. The goal is to enhance and impart an attribute of cultural inclusion and architectural originality to the local architecture of cities. The results demonstrate that the program was able to generate a new Islamic geometric pattern that did not previously exist, by finding the associative relationships and a hidden network between the tessellations of the Islamic geometric pattern, through algorithmic relationships, which was not visible. Therefore, the Rhinoceros 6 Grasshopper program can be used by architects and urbanites to devise distinctive design alternatives based on historical patterns and heritage models that can be applied in the future design of urban areas and cities that belong to the Islamic civilization.
Retrieving the Design Method of the Islamic Decagonal Girih Patterns
Peter J. Lu, et al, in their recent report in Science magazine, suggest that the decago-nal girih patterns on the Darb-i Imam shrine, Isfahan, Iran, 1453G, are quasi-periodic and were constructed by tessellation, using a set of five tile types, which they called girih tiles. They doubted the architectonic ability of the medieval designers and accordingly they devaluated both the processes and the outputs of their creativity. Contrary to what they have suggested, this paper shows the manual and swift technique to design and implement the decagonal patterns, based on drawing three types of overlapped but hidden grids of equal intervals (two of them are tilted on both sides by 72° and 36°), using only a T-square and two triangles: 18°/72° and 54°/36°. Besides, it shows a simple method that the students of the 1 st and 2 nd years of architecture can use in order to draw any decagonal pattern found in Egypt or other countries; as well as to create new patterns using repeated modular-units, and to retrieve the authentic motifs and visual-identity in new local architectures.