Mutual Images (Issue 6, Spring 2019) - Mediatised Images of Japan in Europe: Through the Media Kaleidoscope (original) (raw)
Related papers
Editorial - A Few Remarks on the Notions of Japan and Japanese Culture in Europe
Mutual images, 2016
Mutual Images is a semiannual, double-blind peer-reviewed and transcultural research journal established in 2016 by the scholarly, non-profit and independent Mutual Images Research Association, officially registered under French law (Loi 1901). Mutual Images' field of interest is the analysis and discussion of the everchanging, multifaceted relations between Europe and Asia, and between specific European countries or regions and specific Asian countries or regions. A privileged area of investigation concerns the mutual cultural influences between Japan and other national or regional contexts, with a special emphasis on visual domains, media studies, the cultural and creative industries, and popular imagination at large.
Research materials from fieldwork in Japan, 2013
Mutual images, 2019
Mutual Images is a semiannual, double-blind peer-reviewed and transcultural research journal established in 2016 by the scholarly, non-profit and independent Mutual Images Research Association, officially registered under French law (Loi 1901). Mutual Images' field of interest is the analysis and discussion of the everchanging, multifaceted relations between Europe and Asia, and between specific European countries or regions and specific Asian countries or regions. A privileged area of investigation concerns the mutual cultural influences between Japan and other national or regional contexts, with a special emphasis on visual domains, media studies, the cultural and creative industries, and popular imagination at large.
Mutual Images Journal, 2017
Mutual Images is a semiannual, double-blind peer-reviewed and transcultural research journal established in 2016 by the scholarly, non-profit and independent Mutual Images Research Association, officially registered under French law (Loi 1901). Mutual Images' field of interest is the analysis and discussion of the everchanging, multifaceted relations between Europe and Asia, and between specific European countries or regions and specific Asian countries or regions. A privileged area of investigation concerns the mutual cultural influences between Japan and other national or regional contexts, with a special emphasis on visual domains, media studies, the cultural and creative industries, and popular imagination at large.
Research materials from qualitative fieldwork in Japan, 2013 – Vol. 2
Mutual images, 2020
Mutual Images is a semiannual, double-blind peer-reviewed and transcultural research journal established in 2016 by the scholarly, non-profit and independent Mutual Images Research Association, officially registered under French law (Loi 1901). Mutual Images' field of interest is the analysis and discussion of the everchanging, multifaceted relations between Europe and Asia, and between specific European countries or regions and specific Asian countries or regions. A privileged area of investigation concerns the mutual cultural influences between Japan and other national or regional contexts, with a special emphasis on visual domains, media studies, the cultural and creative industries, and popular imagination at large.
Maps, martyrs, embassies and exoticism: the image of Japan in European visual culture
KAWAMURA, Yayoi (ed.), Namban lacquer remained in Spain. 400 years after the Keichô Embassy, Madrid, Ministerio de Cultura y Deporte y Japan Foundation, pp. 29-31, CD versión., 2013
Este trabajo se centra en como a través de los elementos mencionados en el título, se configuró la imagen de Japón en los primeros momentos de contacto que desde Portugal y España tuvieron con el archipiélago. This research focuses on how, through the elements mentioned in the title, the image of Japan was configured in the first moments of contact that Portugal and Spain had with the archipelago. The English version is not as extensive as the one published in Spanish.
Japan beyond its borders: transnational approaches to film and media
Seibunsha, 2020
or/ and the second symposium with the same name in July 2019 at Waseda University giving speakers valuable comments and advices. We are grateful to DAIWA Anglo-Japanese Foundation and Great Britain Sasakawa Foundation and Birkbeck School of Arts and Waseda University for their support to these events. The editors would also like to thank Dean of International Culture and Communication Studies of Waseda University, Prof. Mitsuhiro Yoshimoto, for his opening remarks and also his own presentation at the Waseda Symposium as well as GSICCS administration team who dealt with all the paperwork. The last but not the least, the publication of this anthology became possible only with the funding by Waseda University and