A formal approach to the study of the evolution and commonality of patterns (original) (raw)

A Formal Approach for the Interpretation of Cultural Contents

This paper develops a formal approach to investigate theevolution of a Korean traditional pattern, Bosangwhamun. The approachemploys the structure of symbolic memes embedded in the pattern asa framework of hierarchical decomposition of a pattern to describe anevolutionary development process of a given pattern with a set of rulesin shape grammar as style changes. Further, the formal descriptions ofthe given pattern become the basis for generating its variations. Withthis process, the validity of the rules and their appropriateness in therepresentation of Bosangwhamun are examined.

ANALYSIS OF SHAPE GRAMMARS IN THE CONTEXT OF CREATIVITY

The subject of creativity in architecture; scientize architecture design efforts came with rational and irrational aspects of the field of architecture with a discussion of the case has been questioned creativity. When considered in the context of the architectural design process creativity; problems in an area that is not defined exactly and then expressed as a solution to this problem, making use of cognitive mechanisms.

Shape Grammars as the Decoder of Cultural DNA of Archaeological Artifacts

Cultural DNA workshop: computational studies on the cultural variation and heredity, KAIST, 25 June 2019, South Korea, 2019

This paper evaluates shape grammars as a methodology to decode the cultural DNA of a set of fragmentary archaeological artifacts for parallel and precedent analysis and the definition of typologies of artifacts and buildings. Three historical grammars – one symbolic and two shape grammars –and a recent shape grammar of a whole building type are reviewed. The paper draws conclusions on the contribution of shape grammars for archaeological. typologies as well as the challenges and limitations of shape grammars in archaeological research.

Expressions, Assemblages and Grammars

The use of bio-inspired computing offers a wide range of solutions and opportunities, both for scientists, who make an effort to understand and model nature, and for artists, who use nature as a source of inspiration. The use of a metaphor that is relevant for scientists and artists helps to bridge the gap between the scientific and artistic communities, and fosters the collaboration and transfer of knowledge between the two domains. This paper presents an overview of some of the Evolutionary Art projects I have been involved during the past thirteen years.

Patterns and Languages

2014

This is the author’s version of a work that was submitted/accepted for publication in the following source:

A Shape Gr A Shape Grammars Appr ammars Approach to Bvlgari’ o Bvlgari’sEmerald Necklaces ald Necklaces Design Language

Future Engineering Journal

For more than forty years now, shape grammars have been the interest of many researchers in many domains including Paintings and Arts, Architecture, and Product Design [March, 2011]. However, by tracing the time line of shape grammars under “Product Design”, it does not show any interest in “Antiques or Vintages” as such [Chau et al. 2004]. This paper addresses shape grammars as a style generator of Bulgari’s emerald necklace designs, being considered as a vintage that bears a specific style, character and importance as a cultural symbol. The paper discusses the issue of style in design. Then it presents an analysis of four of Bvlgari’s emerald necklace designs to induce the shape rules governing the style. Then it presents a shape matrix out of which a new design is developed, which is compared to another Bvlgari’s existing product to demonstrate the applicability, value and advantages of the approach.

A Specification of a New Pattern of Shape Grammar in Architecture of Today’s houses; Case study: Qajar houses in Tabriz and Tehran.pdf

Bagh-e Nazar, 2018

Statements of problem: Given the rapid changes in architecture, promoting the quality of life cannot necessarily respond to human needs. Residents of modern buildings are often dissatisfied with their living spaces; despite the development of facilities, modern buildings are not more beautiful and human-oriented than the past buildings. Architecture has been almost declined to a shelter or a demonstration of individual styles and moved away from its true status. This article tries to find out why residents of modern buildings are usually dissatisfied with their living spaces and why they have lost their natural and emotional reactions to their habitation. This article aims to define a new pattern for a contemporary house using shape grammar based on the essence of architecture of Qajar houses. Given the physical and semantic features of Qajar houses in Tehran and Tabriz, this article proposes a model for today’s houses. Hence the following objectives are addressed: • How to explain the new pattern using shape grammar • How to create sub-shapes in Qajar houses in Tabriz and Tehran • Understanding the meaning implied in various shapes of Qajar houses in Tabriz and Tehran Research method: Based on qualitative methods, this study employs shape grammar for data analysis. The shape grammar is a manufacturing system leading to a design based on a collection of shape-rules and operates by this algorithm. An algorithm is a process which has outputs derived from instructions or rules that run on a set of data. These rules are identified through phenomenological interpretation of the Qajar houses using Max Van Manen’s method. In this article, the phenomenological inquiry is based on the experience of living in 4 Qajar houses. Outputs are also newly created patterns. Conclusion: In the process of shape grammar, the data of 4 houses is analyzed. Sub-shapes are derived based on the location of spaces in these houses; the shape-rules are defined by Van Manen’s phenomenological method. The rules are made through interpretation of in-depth interviews with people who have experienced living in selected houses. Ultimately, “the link with environment, happiness and relaxation” and “separation from everyday life” are main concepts reflected in spaces such as Eyvan (semi-closed space), basement, landscape, Hashti (entrance to each building and spaces) and Shahneshin (a room usually twice as high as other rooms in the house). In fact, these spaces are the rules of shape grammar and the algorithmic process results in new patterns in the tree decision.

A Shape Grammar Study: Form Generation with Geometric Islamic Patterns

2008

The aim of this research is to present the features of geometric patterns in Islam, to use rules-sets for two and three dimensional form generation and to indicate the potential of mathematics of symmetry and geometry. The study focused on parametrically defined shape grammars of Islamic patterns to generate three dimensional forms in CAAD. The information offered in this paper can be used to generate innovative depictions and to add fresh perspective to architecture. Throughout the history, some simple repetitive patterns were used as a starting point for architectural layouts, landscape designs or urban planning. In this research, Islamic patterns are used as a basis for three dimensional form generation explorations. This study can be accepted as a preliminary step of more complicated forward studies for innovative designs with historical patterns.