EKA CHABASHVILI’S WORKS THROUGH SOME ASPECTS OF MUSICAL IDENTITY (original) (raw)

MUSICAL IDENTITY IN NEW GEORGIAN MUSIC: NATELA SVANIDZE -EKA CHABASHVILI

Marika Nadareishvili

2015

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The Issue of Spiritual Revival in Post-Soviet Georgian Music (Drawing on the Example of Eka Chabashvili and Maka Virsaladze)

Gvantsa Ghvinjilia

Musica Iagellonica, vol. 14. , 2023

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Georgian Musical Criticism of the Soviet and Post-Soviet Eras

Nana Sharikadze

Lietuvos muzikologija, t. 20, , 2019

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Multiculturalism and National Identity in the 20 th Century Georgian Musical Space

marina kavtaradze

2017

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Throwing off the Russian Lenses from Soviet Music: The Colonization and Decolonization of Georgian and Ukrainian Music by Nana Sharikadze, Maia Sigua, Peter J Schmelz

Nana Sharikadze

Journal of the American Musicological Society Journal of the American Musicological Society This journal doesn’t have a profile on ResearchGate yet. Interested in this journal? Get notified when it activates its profile, and start getting updates. 77(2):389-445, 2024

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Global Music processes: About the influences and analogues in the Georgian music of the 60s of the last century

Nana Sharikadze

GESJ: Musicology and Cultural Science, 2019

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Throwing off the Russian Lenses from Soviet Music: The Colonization and Decolonization of Georgian and Ukrainian Music

Maia Sigua

Journal of the American Musicological Society , 2024

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Nana SHARIKADZE Georgian Musical criticism of Soviet and Post Soviet era

Nana Sharikadze

Lithuanian musicology, 2019

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Russian double annexation and the issue of religious consciousness in post‑soviet Georgian music

Gvantsa Ghvinjilia

Aspekti ìstoričnogo muzikoznavstva, 2023

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TWO INDEPENDENCES OF GEORGIAN MUSIC (1918/21 -1991

marina kavtaradze

GESJ: Musicology and Cultural Science. , 2021

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The 24th International Music Theory Conference, Principles of Music Composing: Ethno- In Contempo, 13–15, 11, 2024, Vilnius, 2024; "Synthesis of Ethnic Rituals and European Traditions in Sulkhan Nasidze’s Symphonic Triptych: A Study of National Identity and Universal Themes"

Gvantsa Ghvinjilia

The 24th International Music Theory Conference, Principles of Music Composing: Ethno- In Contempo, 13–15, 11, 2024, Vilnius , 2024

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Anzor Erkomaishvili and Contemporary Trends in the Study of Traditional and Sacred Georgian Music

Izaly Zemtsovsky

Oxford Scholars Publishing, 2023

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Georgian Author’s folk Song of Soviet Epoch, as a Victim of “Authenticism”

Tamaz Gabisonia

Musicologist, 2019

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Georgian People on the Boundries via Music and Dance Artvin Maçahel

Özlem DOĞUŞ VARLI

Timbres of Identity: Ethnomusicological Approaches to Music-Dance and Identity, 2021

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Nodar Mamisashvili ’ s Passion as an example of mixing old and new elements in 20 th-century Georgian sacred music

Maka Virsaladze

2018

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Ethnomusicology Forum Music and Identity in Central Asia: Introduction Razia Sultanova

Razia Sultanova

Ethnomusicology Forum Vol. 14, No. 2, November pp. 131 /142, 2005

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The Impact of the Individual on Georgian Musical Tradition

Tamaz Gabisonia

2015

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Ermeni müziği tarih yazımında ‘milli kimlik’ kurgusu / Construction of 'national identity' in Armenian music historiography

Burcu YILDIZ

International Journal of Human Sciences, 2013

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POSTMODERNISM REFLEXES IN NEW GEORGIAN MUSIC

marina kavtaradze

GESJ: Musicology and Cultural Science No.1(2) [2006.06.30] GESJ: Musicology and Cultural Science, 2006

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The Phenomenon of “Georgian Polyphony” in Axiological Aspect of Ethnic Music

Tamaz Gabisonia

2018

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Social and Political Constructions of Nation-Making in Relation to the Musical Styles and Discourses of Georgian Duduki Ensembles

Nino Tsitsishvili

Journal of Musicological Research, 2007

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Bulgarian Chalga: Forming a Post-Communist Identity through Music

Megan Drevits

2012

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Timbres of Identity: Ethnomusicological Approaches to Music-Dance and Identity

David 'Daithí' Kearney, saman panapitiya, Helen Myers, Özlem DOĞUŞ VARLI, Özgecan Karadağlı, Shan Du

Timbres of Identity: Ethnomusicologsical Approaches to Music-Dance and Music, 2021

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Music and Identity in Central Asia: Introduction

Razia Sultanova

Ethnomusicology Forum, 2005

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Brigitta Davidjants: Armenian National Identity Construction: From Diaspora to Music

Tessa Hofmann

Res Musica, 2017

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Levon Hakobian. Music of the Soviet Age.; Allan B. Ho and Dmitry Feofanov, eds. Shostakovich Reconsidered.; David Haas. Leningrad's Modernists: Studies in Composition and Musical Thought

Stephen Blum

Current Musicology, 1998

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The National Music Identity in the Global Cultural Crossroad. Some Still Topical Local Problems in the Latvian Music History Writing

Jānis Kudiņš

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The Implications of a Union of Bulgarian Composers in a Socio-Political Context over Three Transitional Periods

Anton Kuznetsov

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Music and Identity in Central Asia: Introduction in Music and Identity in Central Asia

Razia Sultanova

2005

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The Gurian Trio Song: Memory, Media, and Improvisation in a Georgian Folk Genre

Brian Fairley

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A Discourse on Belarusian Music and its Role in the Construction of Identities in Belarus

Anastasia Wakengut

Musicologica Olomucensia, 2015

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On Some Parallels between Georgian and North Caucasian (Chechen and Daghestani) Traditional Music (Attempt for the comparative study of expedition audio recordings)

Ketevan Matiashvili

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Not Suitable for Kazakhs? Authenticity and National Identity in Contemporary Kazakhstani Music

Merey Otan

Not Suitable for Kazakhs? Authenticity and National Identity in Contemporary Kazakhstani Music

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Music as a Vital Factor for the Continuity of the Cultural Identity

Stefanija Leskova Zelenkovska

Review of European Studies, 2015

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The Karabax Victory in the works of Azerbaijani composers

Ulkar Talibzade

Problems of Arts and Culture , 2024

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