Syllabus: Anthropology of the Mediterranean (original) (raw)

2019

This graduate seminar offers an overview of some of the ways that “the Mediterranean”—as well as the people, places, and cultural processes associated with it—has been rendered as an object of inquiry. In the first unit, “Critical Foundations,” we begin by considering influential strains of scholarship that have understood the Mediterranean as a region and culture area fundamentally shaped by geography, climate, and human movement. Alongside several canonical works in history and anthropology, we will read critiques of this earlier work and debates about how best to study the cultures in and of the “sea in the middle of the earth.” Next, we review some of the principal theoretical concerns that have animated scholarship in and on the Mediterranean in recent decades, including colonialism and empire, the space and time of modernity, race and religion, and various ways that power and human difference are interwoven. Readings in the second unit, “Exile, Diaspora, Return,” range across historical and contemporary examples of the politics of origins, ownership, and belonging in the Mediterranean world. In particular, we will address some of the modern political dilemmas raised by the exiles and returns of Jews and Muslims—two quintessentially “Mediterranean” collectives whose fates and self-understandings have varied wildly across time and space. The third unit, “Senses, Materialities, Subjectivities,” tracks how people and objects marked as “Mediterranean” have remade and continue to remake each other. The final unit, “Mediterranean Crises: Austerity, Insurrection, Migration,” asks how narratives of “crisis”—and their embedded assumptions about the past, present, and future—have enabled and constrained what is politically thinkable and doable in recent years. This resolutely interdisciplinary course will draw on scholarship within and across the fields of history, anthropology, political theory, and literary theory. This will be supplemented by various forms of media, including film and music, as well as the unpredictable unfolding of events related to the modern and contemporary Mediterranean in journalism and cultural criticism (for this, we will especially rely on your sense of what is relevant in your weekly presentations and commentaries). While we cannot, in fifteen weeks or ever, hope to fully do justice to the complexity of the Mediterranean and the peoples and places associated with it, the readings are arranged to offer both breadth and depth. In terms of geography, our itineraries both reflect and transcend what has been humanly possible (points of departure, arrival, and detention include Spain, Morocco, Tunisia, France, Syria, Italy, Algeria, Egypt, Greece, Turkey, Albania, and Israel/Palestine). Although our focus is on the modern and the contemporary, we will frequently attend to the ways that deeper histories inform and are produced in the present.