Carla M. Bino, Memory, community and encounter. Sacred theatre in Italy (1998-2018), in F. Colombo (Ed.), MEDIA AND COMMUNICATION IN ITALY: HISTORICAL AND THEORETICAL PERSPECTIVES, Milan 2019, pp. 149-163. (original) (raw)

This work explores the concept of sacred theatre in Italy from 1998 to 2018, discussing its ambiguous definitions and interpretations that oscillate between traditional Christian representations and contemporary secular performances. The analysis highlights significant events around the year 2000, particularly the Holy Year declared by the Pope, which catalyzed numerous theatrical projects reflecting a blend of denominational and secular spirituality. Critiques point to a missed opportunity for deeper engagement with the sacred, leading to a hyper-production of performances predominantly focused on biblical narratives, saints, and spirituality without addressing the contemporary significance and potential roles of theatre within communities.