MOTHERING CELEBRITIES Feminine/Feminist Agency and Subjectivity in the Auto/Biographies of an Indonesian Female Celebrity (original) (raw)

Bukan Perempuan Biasa (Not Ordinary Women): The Identity Construction of Female Celebrity in Indonesian Media

Masyarakat, Kebudayaan dan Politik, 2008

Celebrities’ gossips and their social life has long been a commodity of the Indonesian capitalist media. Since gossips and the female celebrity’s stories are the product of those strong groups (i.e. capitalist media) in the society, so their figures that have been constructed by the media have influenced the views of society to the ideological interests of the media and their apparatuses. The images of female celebrities in this case can be seen as exemplifying figures of diverse, confident and liberated women as public figures which in turn could help to legitimate resistant to the concept of the ‘autonomous women.’ This text-based work focuses on stories and coverage of the top-rated high-earning female celebrities during 2001 to 2004. The paper looks at how social class and gender are involved and rearticulated in the formation of the celebrity personality in post-authoritarian Indonesia.

AQUARINI, Negotiating Celebrity Femininity.pdf

Abstract Through their auto/biographies, Indonesian female celebrities Krisdayanti, Yuni Shara and Tiara Lestari, present femininities that are both global and local, revealing complex negotiations of local imperatives of modesty, maternity and normality and global imperatives towards sexuality, celebrity and universality. Femininity is performed both as normative and disruptive, extending and altering the space of what it means “to be a woman”, within the intersecting contexts of local Indonesian culture, celebrity culture and globalization. This paper contributes to understandings of globalization and its gendered processes, effects and impacts through the particular phenomenon of the auto/biographies of Indonesian female celebrities. Particularly, this paper argues that auto/biography has become an important space to understand how media is used and an integral part of the construction of female celebrity’s image and representation within a certain local and at the same time with the more global context. Keywords: celebrity, femininity, auto/biographies, locality, globality

Fragments and Coherence: Celebrity Femininities in Cover Story of Kartini Magazine

This paper discusses the notion of femininity values assigned to women and considered to be the sign of womanhood. More specifically, it discusses the representation of female celebrity femininity as staged in their auto/biographical practice in women's magazines Kartini. The paper also analyses how celebrity auto/biographical practices constitute what can be considered as feminine narrative [structure] that is fragmented yet coherent. Focusing on the issues of time and space, I argue that autobiographical practice in print media such as women's magazines, despite its popular terrain, displays a complex structure of fragments and coherence in representing female celebrities as both public persona and private persons. Likewise, the alternative form of auto/biographical practices appearing in women's magazines suggest that more embracing critical accounts of contemporary auto/biographical practices are necessary.

‘Miss World’ meets ‘Dutiful Daughter-in-Law’: Modernity, marriage, motherhood and the Bollywood female star

In this paper, I analyse how the star text of popular Bollywood actress Aishwarya Rai underlines the female star’s attempt to navigate the chasm between the divergent realms of tradition and modernity, the private and the public. Employing a detailed analysis of Aishwarya Rai’s star image, particularly extra-textual material such as media interviews and features, I examine how the two seemingly contradictory aspects of tradition and modernity, and consequently, the private and the public, have been employed to facilitate the construction of her star persona and celebrity stature. In doing so, I look at the crucial role essayed by the female star’s off-screen narrative, particularly her personal life, in the mediation of her star image. Focusing primarily on the multiple, and often oppositional, narratives that structure Aishwarya Rai’s star persona – as a former beauty queen, a Bollywood actress, a global brand endorser, and more recently, as a wife, daughter-in-law, and mother – I examine how these diverse narratives function to render her star image more stable and authentic. In the context of the Bollywood stars’ iconic cultural currency and social relevance, Rai’s mediation of her star image and her assimilation of her private/off-screen and public/on-screen avatars are particularly significant.

Comparative Reading of Motherhood Identities in East African and Indonesian Literature

Jurnal Humaniora

The study comparatively examines the representation of motherhood identities and the trauma of being childless to women in African and Indonesian literary texts namely Ngugi wa Thiong’o’s Secret Lives and other Stories, Elieshi Lema’s Parched Earth, Ratih Kumala’s Genesis and Iwan Setyawan’s Ibuk. Central to the analysis of this study is the argument that the existing cultural and religious discourses significantly contribute to the ways motherhood identities are construed in the society. Of a particular note, motherhood is argued to be a desired position that every woman wants most and is ready to sacrifice for it. Importantly, marriage, religious orientations and orders of the patriarchy certify motherhood and its related identities in the society. On the other hand, childlessness or failure to bear a male child circumscribe women in reduced forms of their identities and so subjects them to psychological and physical trauma and of course a social stigma.

“A portray of Indonesian Women in Media”

Whitworth University, 2016

There are two main problems of gender bias which lead to women’s image in mass media: First, lack of women’s role in journalism, which relate to women position on top management level or editorial management and how women journalist explores an unexposed issue. Second is stereotype about women’s roles in society as a mother and housekeep, which is the root of women’s image in advertisement.

The Construction of Feminism in Indonesian Film: Arisan 2!

Feminism in Indonesian society is related to the emancipation term that women nowadays have still been bringing up this issue. However, Arisan 2! film showed a shift in film discourse regarding the representation of cosmopolitan women in Indonesia. This research examines on how Arisan 2! film as a media portrays feminism in the society of Jakarta. Feminism in Arisan 2! film was likely to expose the liberal feminism in nowadays modern society through several issues of women’s emancipation, specifically in the areas of marriage, job, and social life.

"A Maternal Heart" Angelina Jolie, choices of maternity, and hegemonic femininity in People magazine." Feminist Media Studies, 15:4 (2015): 626-642.

In the last decade practices of celebrity transnational adoption have garnered a significant amount of media attention. Through an analysis of transnational adoption as a site of morality where ideals of femininity are enacted and embodied, this paper brings together celebrity studies, theories of maternity, and literature on adoption in pursuit of studying hegemonic femininity as a social phenomenon spread by media discourses. Focusing on Angelina Jolie as an epistemic individual, this paper draws on concepts of female moral authority, global motherhood, and successful femininity to explore the ways transnational adoption adheres to norms of femininity and norms of racial hierarchy in an era of autonomy and choice. In a critical discourse analysis of articles covering Jolie's transnational adoptions from People magazine, narratives of choice, individualism, and mobility emerge. Such narratives contribute to Jolie's hegemonic position as a globe-trotting, mobile figure of successful femininity made possible by her position in gendered, raced, and classed hierarchies. Jolie's presence in the mediascape continues to signal boundaries of femininity through choices enabled and constrained by historical ideals of motherhood, global dynamics of transnational adoption, and expectations of female moral authority.

The Issue of Teenage Girl Marriage in Indonesian Films: Analysis of the "Yuni" Film Reception

LONTAR: Jurnal Ilmu Komunikasi

The film titled “Yuni” talks about a young girl named Yuni who experiences pressure from her society to get married. Despite gaining international recognition through awards at prestigious events, this film has attracted various discourses on social media. This research aims to examine the audience’s meaning of the film “Yuni”, especially for women who have married in their teens. This is phenomenological research that focuses on the experience of the audience as individuals. The research method uses Stuart Hall’s reception analysis with the concept of encoding and decoding and uses the stereotype concept of Richard Dyer as an analytical tool. This research uses in-depth interviews, observations, and literature studies. The results show that the audience’s meaning is in a position of dominance and negotiation. A dominant position occurs through scenes that show that married teenage girls are victims of a still-strong cycle of patriarchal systems and we will limit the options to deve...