BOOK REVIEW - YORUBA MUSIC IN THE TWENTIETH CENTURY: IDENTITY, AGENCY AND PERFORMANCE PRACTICE BY BODE OMOJOLA (original) (raw)

“Our tradition is a very modern tradition": popular music and pan-Yoruba identity.

Christopher Waterman

Ethnomusicology 34(3):367-79. , 1990

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“The Interrelationship of Musical and Social Structures of Yoruba Traditional Music: A Perspective on Music as an Art”. Journal of the Association of Nigerian Musicologists. 10, 190-195.

Olupemi Oludare

Journal of the Association of Nigerian Musicologists. , 2019

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Review of Yoruba Music in the Twentieth Century by Bode Omojola (2014)

Jesse D. Ruskin

Yearbook for Traditional Music 46 (2014), 2014

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Rethinking Yoruba Philosophy And Colonial Music: What Yoruba Dundun Music Is Not

Femi Abiodun

2019

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The Social Contexts of Selected Yoruba Traditional Musical Forms

Olaleye Olufemi Akanji

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My Music, My Language, My Identity; Traditional and Contemporary Music of the Dagbamba

Abdulai Asuro

Journal of Studies in Social Sciences, 2014

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Rethinking the Dynamics of Yorùbá Dùndún Music Resource Materials in the Context of Claudius Olayemi Olaniyan’s Scholarship

Kayode Samuel

African Musicology Online, 2021

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QUEST FOR IDENTITY: CHALLENGES OF THE CONTEMPORARY NIGERIAN MUSICIANS

Tosin Oje, Samuel Adejube

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Yoruba Indigenous Music as a Medium of Communication in Yoruba Traditional Religious Sacrifices

Olaleye Olufemi Akanji

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Yoruba Culture and Its Influence on The Development of Modern Popular Music in Nigeria

adewale adedeji

2010

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“Yoruba Traditional Musical Instruments and Gender Stereotyping: Forms, Functions and Factors”. Fela After 1997: Challenges, Justification and Lessons for Africa’s Development. Global Image Publishers, 181-202.

Olupemi Oludare

“Yoruba Traditional Musical Instruments and Gender StereotypFela After 1997: Challenges, Justification and Lessons for Africa’s Development. Global Image Publishers., 2018

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Traditional Music in Nigeria: Example of Ayinla Omowura’s Music

sekinat A lasisi

Developing Country Studies, 2012

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Celebrating the Past, Present, and Future: The Case of Odumu Music and Dance Among the Idoma People

Godwin Ogli

Musicologist

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Traditional Music and the Expression of Yoruba Socio-cultural Values: A Historical Analysis

Oladipo O Olubomehin

Muziki, 2018

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Decolonizing the African musical language and Identity through Onyeji’s ‘Research Approach to music composition’ in Nigeria

Ebenezer Ekpo

African Musicology Online

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Indigenous music and religion among Ilorin people of North Central Nigeria

Oluwatosin J Ibitoye

Journal of the Association of Nigerian Musicologists, 2021

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The Yorùbá Dùndún in Local and Transnational Perspective: A Cosmopolitan Tradition in the Making

Jesse D. Ruskin

2013

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Music in Nigeria: Self-Introduction of an African Musicologist

Jude Orakwe

Musicological Brainfood, 2022

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A Brief Introduction to Traditional Music in Nigeria: A Case Study of the Three Major Ethnic Groups.

Femi Kush

Academia Letters, 2021

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RECONSTRUCTION OF YORUBA INDIGENOUS MUSIC KNOWLEDGE FROM THE CONTEXT OF CHRISTIAN WORSHIP.pdf

Olusola I . Eniolawun

Abraka Humanities Review, Faculty of Arts, Delta State University, Abraka, Vol. 7: No.1., 2016

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QUASI-RELIGIOUS TRADITIONAL PERFORMANCE IN NIGERIAN POPULAR MUSIC GENRES: AN APPRAISAL OF LÁGBÁJÁ'S PERFORMANCE CONTEXT

Adeolu O Ogunsanya

AFUJMA Volume 1, 2024

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“Preserving History Through Popular Music: A Study of Ebenezer Obey’s Juju Music”. West African Journal of Musical Arts Education. 4 (1), 51-65.

Olupemi Oludare

West African Journal of Musical Arts Education., 2017

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"Preserving Indigenous Yoruba Musical Heritage: A Study of Ayinla Omo Alayan’s Apala Music". Journal of African studies. 9 (1), 214-229.

Olupemi Oludare

Journal of African studies., 2018

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THEME: FORMS IN NIGERIAN MUSIC

Ayokunmi OlaOluwa Marvelous, Ayokunmi Olaoluwa

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Yoruba Cultural Identity and Creativity in 9ICE’S Afro Hip-Pop Music

Kayode O Olusola

2020

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Playing with Identities in Contemporary Music in Africa, Mai Palmberg and Annemette Kirkegaard (Eds.) : book review

Thembela Vokwana

2005

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SOUND, STRUCTURAL PATTERNS AND ICONOGRAPHY IN THE TRADITIONAL MUSIC OF GBEDU OLÚ OF EPE , LAGOS, NIGERIA

ADEBAYO OLUDARE OGUNYEMI

IGWEBUIKE: An African Journal of Arts and Humanities (IAAJAH), 2020

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MUSIC, MASCULINITY, AND TRADITION: A MUSICAL ETHNOGRAPHY OF DAGBAMBA WARRIORS IN TAMALE, GHANA

Karl J Haas

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African Rhythmic Identity and Creativity Art in Pepeye Owubantutu: A Yoruba Folksong Arrangement By Debo Akinwumi

David Bolaji

Research on Humanities and Social Sciences, 2019

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Analysis of Musical Forms in Yorùbá court music-: A Study of Ìgà Ìdúnùngánrán of Lagos state BACKGROUND TO THE STUDY

ADEBAYO OLUDARE OGUNYEMI

Ihafa: A Journal of African Studies, Department of Linguistics, African & Asian Studies University of Lagos, Nigeria, 2018

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African Musicology: Towards Defining and Setting Parameters of the Study of the Indigenous African Music

Geoff Mapaya

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The Noise of Music or the Sound of Meaning: Nigerian Music in an Identity Crisis

Dr Tertsea J O S E P H Ikyoive

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Compilation of Some Published Articles by Professor Emurobome Idolor: (1) African Music pp. 1 – 294; Music Education pp. 295 – 492.

Idolor G Emurobome

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“Masculinity and Femininity in Yoruba Traditional Musical Instruments”. Journal of the Association of Nigerian Musicologists. 12, 98-110.

Olupemi Oludare

Journal of the Association of Nigerian Musicologists., 2018

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YORUBA VOCAL ART MUSIC OF SEUN OWOAJE IN THE CONTEXT OF SUSTAINABLE DEVELOPMENT

Kadupe Sofola

M.A Dissertation, 2023

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