Reinventing Film Composition as Personal Identity (original) (raw)
The «Musicalisezd Image»: A Joint Aesthetic of Music and Image in Film
Josephine Swarbrick
2019
View PDFchevron_right
Summary: Film music in SFRY: Between Politics and Poetics
Maja Vasiljevic
Filmska muzika u SFRJ: Između politike i poetike, 2016
View PDFchevron_right
The «Musicalised Image»: A Joint Aesthetic of Music and Image in Film
Josep Torelló, Josephine Swarbrick
Aisthesis. Pratiche, linguaggi e saperi dell’estetico, 2019
View PDFchevron_right
Between two worlds : approaching Balkan oral music tradition through the use of technology as a compositional and performing medium
Jovana Backovic
2014
View PDFchevron_right
Echoes of Folk Music in Roman Vlad’s Documentary Soundtracks: Intersections between Cinema, Ethnomusicology and Exoticism
Giuliano Danieli
Archival Notes, 2021
View PDFchevron_right
Mediating the ‘idea of One’: Arvo Pärt’s pre-existing music in film
Kaire Maimets-Volt
Estonian Academy of Music and Theatre Dissertations 4, 2009
View PDFchevron_right
International Scholarly Conference Jugoslovenska ideja u/o muzici [The Yugoslav Idea in/of Music], Novi Sad, Matica srpska, 25–26 May 2019
Marijana Kokanovic Markovic
New Sound, 54 – II/2019, 2019
View PDFchevron_right
Transgressing boundaries between film and music videos: Smarzowski, Kolski, and music videos in Poland
Paulina Duda
Studies in Eastern European Cinema, 2019
View PDFchevron_right
The Dancing Camera: Towards a theory of musical movement in film practice
Kati Jägel-Paal
View PDFchevron_right
Making Movies with Song: Movement, Style, and the Invitations of Music
Thomas Rickert
Philosophy & Rhetoric 54.1, 2021
View PDFchevron_right
Ukrainian Film Music: History and Modernity
Nataliia Riabukha
Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production
View PDFchevron_right
Film Music between Interdisciplinarity and Multidisciplinarity
Francesco Finocchiaro
«Lithuanian Musicology», XXIV, pp. 70-80, 2023
View PDFchevron_right
Between autonomy of music and the composer's autonomy. Notes on modernisms and traditionalisms in Slovenian music of the 20th century
Leon Stefanija
Muzikologija
View PDFchevron_right
Texture, time, and meaning: composing music for animation film and television through an improviser's perspective
Jose Dias
Jazz-Hitz, 2020
View PDFchevron_right
The Case of Milan Adamčiak. Visual Music between the Acoustic Process, Performance, and the Autonomous Sphere of Writing. In: Extending the Dialogue. Berlin-Ljubljana-Vienna, Archive Books Igor Zabel Association for Culture and Theory ERSTE Foundation, 2016
Daniel Grúň
View PDFchevron_right
Tim Shepard and Anne Leonard eds., The Routledge Companion to Music and Visual Culture. New York, London: Routledge, 2014. 391 pp
Sanela Nikolic
AM Journal of Art and Media Studies
View PDFchevron_right
On the Aesthetics of Contemporary Visual Music
Holger Lund
Tanzende Bilder. Interaktionen von Musik und Film, 2008
View PDFchevron_right
The Mediterranean Circumscribed: Identity Dynamics In A Neoklapa Music Video
Eni Buljubasic
2018
View PDFchevron_right
The Not-so-fantastical Gap Between Music Studies and Film Studies
Emilio Audissino
2017
View PDFchevron_right
Review of Powrie, Phil and Robynn Stilwell, eds. 2006. Changing Tunes: The Use of Pre-existing Music in Film. Ashgate Popular and Folk Music Series
giorgio biancorosso
Current Musicology, 2007
View PDFchevron_right
Introduction: Music/Video: Histories, Aesthetics, Media
Michael Goddard, Gina Arnold, Kirsty Fairclough
View PDFchevron_right
What a sound! Diegetic and non-diegetic music in the films of Túndé Kèlání
Kayode Samuel
EJOTMAS: Ekpoma Journal of Theatre and Media Arts, 2022
View PDFchevron_right
"The Oxford Handbook of New Audiovisual Aesthetics; The Routledge Companion to Music and Visual Culture; Representation in Western Music"
Robert Belton
View PDFchevron_right
Katerina Levidou, ‘Rethinking “Greekness” in Art Music’, in Evi Nika-Samson et al (eds.), Crossroads: Greece as an International Pole of Musical Thought and Creativity. Conference Proceedings (Thessaloniki: Aristotle University, 2013), 503-13.
Katerina Levidou
View PDFchevron_right
Film Music: Interdisciplinary Scholarship, Analysis, Criticism, and Theory
Melissa Ursula Dawn Goldsmith
Choice Reviews Online, 2006
View PDFchevron_right
Forming a musical language: Compositional research on notions of structure and material and on associations between music, poetry and film
Panos Ghikas
2004
View PDFchevron_right
The Journal of Film Music
William Rosar
2015
View PDFchevron_right
Beyond the Soundtrack: representing music in cinema
Annette Davison
Historical Journal of Film, Radio and Television, 2010
View PDFchevron_right
Cultural Representation Versus Exoticism in Animation Film Music
Ramesh Sital
UU20174, 2017
View PDFchevron_right
Music Theory Through the Lens of Film
Frank Lehman
Music Theory Through the Lens of Film, 2013
View PDFchevron_right
Melodies of Desire and Darkness: Personifying Eros and Thanatos Through Film Music in Morte a Venezia and La Pianiste
fatma betül ataş
Türkiye Film Araştırmaları Dergisi, 2023
View PDFchevron_right
David Neumeyer (with contributions by James Buhler), Meaning and Interpretation of Music in Cinema. Bloomington and Indianapolis: Indiana University Press, 2015. xv + 319 pp. ISBN 978‐0‐253‐01651‐5. £29.99 (pb)
Annette Davison
Music Analysis
View PDFchevron_right
Criticality and Film Music
Richard Stopford
Music, Sound, and the Moving Image, 2022
View PDFchevron_right
Beyond the Soundtrack: Representing Music in Cinema (review)
Annette Davison
Music and Letters, 2009
View PDFchevron_right
Short review of the relationship between videomusic and art
Maria Donata Napoli
Journal of Science and Technology of the Arts, 2012
View PDFchevron_right