Invention and Authorship in Early Modern Italian Visual Culture (original) (raw)
DePaul Law Review 52 (2002/3): 1093-1119
AI-generated Abstract
The paper discusses the intersection of invention and authorship within early modern Italian visual culture, focusing on the artistic practices of prominent figures like Andrea Mantegna and Fra Filippo Lippi. Through specific case studies, including Mantegna's fresco of the Assumption of the Virgin and Lippi's Coronation of the Virgin, the analysis highlights how the discrepancy between artistic intent, patron expectations, and societal norms shaped the perception of artists during the Renaissance. It examines how these historical contexts influenced modern ideas of artistic creativity and ownership.
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