Acoustic Space, Community and Virtual Soundscapes (original) (raw)
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The data behind the sound - Technical and aesthetical issues in sonification demonstrated by analysis of case studies, 2021
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This paper illustrates the significance of the concept of information as a tool to expound sonification design. Previous works approached the concept of information systematically. However, its structural characteristics during the process of sonification have not been thoroughly discussed. In order to address the above, this paper presents a framework based on the definition of information from the fields of physics, communication engineering, cybernetics, and systems theory. According to this framework, the representation of a phenomenon into organized sound becomes possible by the propagation of organization within the components of the sonification communication model. Moreover, a distinction between the terms data and information is proposed and related to well-established sonification techniques (Audification, PMSon, MBS). The structural characteristics of the phenomenon (described in terms of entropy) are linked with sonification functions leading to new perspectives of sonif...
Data and Information Transmission in the Context of Sonfication
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This paper illustrates the significance of the concept of information as a tool to expound sonification design. Previous works approached the concept of information systematically. However, its structural characteristics during the process of sonification have not been thoroughly discussed. In order to address the above, this paper presents a framework based on the definition of information from the fields of physics, communication engineering, cybernetics, and systems theory. According to this framework, the representation of a phenomenon into organized sound becomes possible by the propagation of organization within the components of the sonification communication model. Moreover, a distinction between the terms data and information is proposed and related to well-established sonification techniques (Audification, PMSon, MBS). The structural characteristics of the phenomenon (described in terms of entropy) are linked with sonification functions leading to new perspectives of sonif...
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Sounds are the products of a vibrating body, often happening outside of ourselves and entering the body not only through the ears. Sound is a carrier of information and plays an essential role in language and spoken communication. This object of hearing touches various fields: environmental sciences, engineering, physiology, psychoacoustics and the arts. Until recently, a new philosophy on sound and perception emerged with the intention to investigate the nature of sound and the auditory experience. Are sounds happening outside of the sounding object, are they an event, a secondary object or an event? To analyze the nature of sound, one must look for similarities and differences between sounds by using, for example, a sound classification system. Before the invention of the electronic medium it was difficult to research the materialities, propagation because of its temporal character. Although there have been many advancements, the essential problem in analyzing sound is that there is a gap between theory and practice, between sounds measures and sounds perceived.
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One of Pierre Schaeffer’s achievements in his musical research was his proposal of the sound object as a basic unit of musical experience and his insistence on listening as a main focus of research. Out of this research grew a radical new music theory of sound-based composition. This article will draw on this extensive research to explore the spaces where this music is heard and present the claim that the space in which music is experienced is as much a part of the music as the timbral material itself. The key question here is the changes made to timbral material through acousmatic spatial listening and the subjective analysis affordance of the listeners’ placement and perspective. These consequences are studied from a phenomenological and psychoacoustic perspective and it is suggested that Schaeffer’s research on timbral and musical concepts can be extended to include spatial features.