Restraining the Song of her Mistress and Saving the Oikos? Nurses in Euripides’ Medea, Hippolytus and Andromache (original) (raw)

Female Characters, Female Sympathetic Choruses, and the ‘‘Suppression’’ of Antiphonal Lament at the Openings of Euripides’ Phaethon, Andromeda, and Hypsipyle

Vasiliki Kousoulini

Frammenti sulla Scena, 2020

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Euripides Medea the theatricality of madness

Iakovos Menelaou

Research and Humanities in Medical Education, 2021

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Notes on a Minor Character in Attic Tragedy: The Nurse of Phaedra. A Study on Subordinate Characters in Tragic Plots (57-86)

David Ordozgoiti, Eleonora Falini

Sapiens Ubique Civis, 2022

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Dancing in Delphi, dancing in Thebes: the lyric chorus in Euripides' Phoenician Women

Enrico Emanuele Prodi

R. Andújar, T.R.P. Coward, and T. Hadjimichael (eds), Paths of Song: The Lyric Dimension of Greek Tragedy (Trends in Classics suppl. 58), Berlin/New York 2018: 291-313.

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Politic Silence: Female Choruses in Lochhead's Medea and Wertenbaker's The Love of the Nightingale

Lydia Craig

Text & Presentation, 2015

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Narrating Nothingness: Women and the Absent Body in Euripides' Medea

Tuhin Bhattacharjee

The Body Speaketh: Interrogating Cultural Constructions of the Body, 2017

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Suffering Women and their Skin(s): Representations of Female Bodies in Pain in Euripides Las Mujeres sufrientes y su(s) piel(es): Representaciones de los cuerpos femeninos dolientes en Eurípides

Vasiliki Kousoulini

Synthesis, 2024

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The Doleful Airs of Euripides

blair hoxby

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MUSIC IN EURIPIDES. (N.A.) Weiss The Music of Tragedy. Performance and Imagination in Euripidean Theater. Pp. xiv + 284, ill. Oakland, CA: University of California Press, 2018. Cased, £80, US$95. ISBN: 978-0-520-29590-2

Matthew Shipton

The Classical Review, 2018

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'Epinician and Paeanic Healing in Euripides' Alcestis'. In Rosenbloom, David and Davidson, John (eds) Greek Drama IV: Texts, Contexts, Performance. Oxbow Books (2012): 149–168.

Laura Swift

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Greece & Rome CHORAL PROJECTIONS AND EMBOLIMA IN EURIPIDES' TRAGEDIES

Smaro Nikolaidou-Arabatzi (/Arampatzi)

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The Breakdown:Euripides’ Medea and Ayckbourn’s Mother FIGURE1

Kagan Kaya

International journal of interdisciplinary and intercultural art, 2017

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Medea’ s sacrifice and the unsatisfied director: Euripides’ Medea by Anatoli Vassiliev

Natasha Merkouri

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Hippolytus’ Neglect of Eros: A Dialogue between Euripides’ Drama and Sarah Kane’s Phaedra’s Love, NEW VOICES IN CLASSICAL RECEPTION STUDIES 12 (2018)

Anastasia-Stavroula Valtadorou

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Instructive Sententiae from Euripides's Phoenician Women: The Case of Polyneices (387-406)

Alba Boscà Cuquerella

Paideia on stage, 2023

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Protofeminist or Misogynist Medea as a case study of gendered discourse in Euripidean drama

Silvino Nyx

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Can a Woman Speak … or The Voices of the “Other” in Greek Tragedy

Irina Strout

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Grieving Alone? Representation of Women in Grief in Euripides' Alcestis

Chandima Wickramasinghe

2021

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What melos for Troy? Blending of Lyric Genres in the First Stasimon of Euripides Trojan Women

Giovanni Fanfani

Rosa Andújar, Thomas R. P. Coward, Theodora A. Hadjimichael (Eds.), Paths of Song: The Lyric Dimension of Greek Tragedy (pp. 239–264). Berlin, Boston: De Gruyter. , 2018

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Betraying the Bond of Philia: The Causes of Conflict, Destruction and Self-Destruction in the Plays of Euripides

Nikos Konstandaras

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Smaro Nikolaidou Arabatzi Choral Projections and Embolima in Euripides Tragedies

Smaro Nikolaidou-Arampatzi

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Hopman, M. “Revenge and Mythopoiesis in Euripides’ Medea.” Transactions of the American Philological Association 38.1 (2008) 155-83.

Marianne Hopman

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Constructions of Motherhood in Euripides’ Medea

John Given

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“’A Song to Match my Song’: Lyric Doubling in Euripides’ Helen.”

Andrew Ford

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MIGHTY MOTHERS. Female political theorists in Euripides’ Suppliant Women and Phoenician Women", Alison Keith and Alison Sharrock eds., Maternal Conceptions in Classical Literature and Philosophy, Toronto University Press, 2020, pp. 193-223.

Giulia Sissa

Alison Keith and Alison Sharrock eds., Maternal Conceptions in Classical Literature and Philosophy, Toronto University Press, , 2020

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Music, ritual, and self-referentiality in the second stasimon of Euripides’ Helen: the Dionysian Necessity

Barbara Castiglioni

10th Moisa Meeting, ‘The Revolution of the New Music’, Jesus College, Oxford, 28th-30th July 2017

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"The Worst Husband": Discourses of Praise and Blame in Euripides' Medea

Laura McClure

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The Opsis of Helen: Performative Intertextuality in Euripides

Aspasia Skouroumouni Stavrinou

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A Competition of choregoi in Euripides' Trojan Women. Dramatic Structure and Intertextuality

Pascale Brillet-Dubois

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Euripides’ New Song: The First Stasimon of Trojan Women

David Sansone

J. R. C. Cousland and J. R. Hume (eds.), The Play of Texts and Fragments: Essays in Honour of Martin Cropp, Mnemosyne Supplement 314, 2009

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THE ‘LESBIAN’ MUSE IN TRAGEDY: EURIPIDES MEΛ O∏ OIOΣ IN ARISTOPH. RA. 1301–28

Mariella De Simone

Classical Quarterly, 2008

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Choral Mirroring in Euripides' Phaethon, in Greek Drama V: Studies in the Theatre of the Fifth and Fourth Centuries BCE, eds. H. Marshall and C. W. Marshall (Bloomsbury, 2020), 101-114

Rosa Andújar

Greek Drama V, 2020

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Music, Ritual, and Self-Referentiality in the Second Stasimon of Euripides’ Helen

Barbara Castiglioni

Greek and Roman Musical Studies, 2018

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Seduce Abduct or Marry? The Many Faces of Rape in Euripidean Tragedy (Masters Thesis)

Kirsty Harrod

Unpublished Thesis, 2016

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Medea - Failure and the Queer Escape

Sarah Nooter

Queer Euripides: Re-readings in Greek Tragedy, 2022

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