“We Act As One Lest We Perish Alone”: A Case Study in Mediated White Nationalist Activism (original) (raw)
Related papers
Documenting (White) Nationalism: Golden Dubs and Subs as a Documentary Practice for Social Change
In late 2013, Golden Dawn New York (GDNY), a branch of the Greek white nationalist party Popular Association—Golden Dawn, launched a YouTube channel aimed at promoting its mother party to an English-speaking audience by subtitling Greeklanguage content produced by Golden Dawn. Naming it Golden Dubs and Subs (GDS), GDNY posits the channel's purpose as a corrective for 'misinformation' spread about the party by mainstream media outlets. To date, the channel has uploaded hundreds of videos and attracted hundreds of thousands of views, all in the name of 'informing' viewers about Golden Dawn. In light of this self-declared informative role, this article contends that GDS functions as a documentary practice for social change. While its format—a collection of short individual videos produced by a variety of different people and organizations—may not necessarily fit the traditional image of the documentary, this article takes the position that GDS nevertheless embodies the same general ethos of documentary and that its formal departures from the documentary genre have to do with the affordances of digital media platforms like YouTube, affordances which may point the way to interesting new strategies for the genre as a whole.
Humanities and Social Sciences Communications
The rise of the far right is threatening the antifascist consensus that helped rebuild Europe and the world following World War II. Discourse studies have done much to further the understanding of the success as well as the fallacies of the discourses of far-right movements and have provided the means by which to comprehend right-wing communicative strategies. However, it has also been said that the reactions of the democratic majority and the mainstream media have contributed—mainly involuntarily—to the success of right-wing politics. The role of the reactions of society, the democratic majority and the mainstream media in trying to counter right-wing discourses is widely underexplored. The aim of this contribution is to understand the diverse material and symbolic effects of certain practices of political contestation. It aims to help elaborate counterstrategies against the threat of the far right and to present communicative strategies against hate. With the help of such diverse ...
Shifting Formations, Formative Infrastructures: Nationalisms and Racisms in Media Circulation
Television and New Media, 2021
This introduction to the special issue departs from elaborating on the issues explored in a project examining right-wing politics and "debates" about racism in Finland. It situates the research gathered in the collection in terms of a shared focus on the disparate networks of organised and opportunistic cultural producers that invest time and labour in the production of racialising and othering discourse and aesthetics, and on the modes and forms of cultural and media production that have, in a relatively short space of time, come to be distributed and adapted across divergent socio-political contexts, and integrated to the situated forms of racism and nationalism given exclusionary force across and within them. It underlines the need to understand the motivated circulation of racializing discourse in the wider context of forms of "postracialism," and the need for research to move past the paradigm of "hate speech" to get to grips with the significance and impacts of intensively circulated racist "noise."
A published version of this paper is now available from the Open Library of the Humanities here: https://olh.openlibhums.org/articles/10.16995/olh.370/. As white nationalists have come to increasing prominence in recent decades, their presence presents a significant challenge to democratic societies. Motivated by a sense of racial imperilment, and opposed, sometimes violently, to core democratic ideals, white nationalists cannot be meaningfully incorporated into the political life of societies which promote inclusiveness and pluralism without threatening those values. Yet democratic theory, which seeks to offer ideal visions of what democratic societies could look like, provides no means for contending with the active presence of white nationalism in contemporary democratic societies. This article uses the concept of voice to explore these shortcomings in several theories of democracy, including deliberative, agonistic, and empowerment theories. In doing so, it draws on a wealth of white nationalist media, both physical and digital, to demonstrate how attitudes regarding racial imperilment, often articulated in terms of a ‘white genocide’, foreclose on any possibility of incorporating white nationalist voices into democratic societies. Moreover, an examination of white nationalists’ ongoing project to shift the boundaries of what is permissible in popular discourse, a process which is amplified by digital media technologies, suggests that they are nevertheless a pressing problem for democratic societies which should be addressed. In doing so, it is important to move beyond the focus on voice which underlays much democratic theory, exploring instead the experiences of social life to which white nationalist voices speak so that we might gain a better understanding of what motivates white nationalist voice and, potentially, how it might be addressed.
Although racism remains an issue for social media sites such as YouTube, this focus often overshadows the site’s productive capacity to generate ‘agonistic publics’ from which expressions of cultural citizenship and solidarity might emerge. This paper examines these issues through two case studies: the recent proliferation of mobile phone video recordings of racist rants on public transport, and racist interactions surrounding the performance of a Maori ‘flash mob’ haka in New Zealand that was recorded and uploaded to YouTube. We contrast these incidents as they are played out primarily through social media, with the case of Australian Football League player Adam Goodes and the broadcast media reaction to a racial slur aimed against him by a crowd member during the AFL’s Indigenous Round. We discuss the prevalence of vitriolic exchange and racial bigotry, but also, and more importantly, the productive and equally aggressive defence of more inclusive and tolerant forms of cultural identification that play out across these different media forms. Drawing on theories of cultural citizenship along with the political theory of Chantal Mouffe, we point to the capacities of YouTube as ‘platform’, and to social media practices, in facilitating ground-up antiracism and generating dynamic, contested and confronting micropublics.