A FAKE OR GENUINE ARTEFACT? THE PARIAN CHRONICLE AND PERCEPTIONS OF AUTHENTICITY IN EIGHTEENTH-CENTURY BRITAIN, The Antiquaries Journal, , 1, pp – (original) (raw)

A Clash of Harmony: Forgery as Politics in the Work of Thomas Chatterton

Ivan Phillips

Critical Survey, 2012

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‘Our Annius’: antiquaries and fraud in the eighteenth century

Paul Baines

Journal for Eighteenth-century Studies, 2008

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Romanticism and Forgery

Nick Groom

Literature Compass, 2007

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Forgery in Nineteenth-Century Literature and Culture

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Palgrave Macmillan US eBooks, 2009

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Forgery in Nineteenth-Century Literature and Culture: Fictions of Finance from Dickens to Wilde

Sara Malton

2009

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Review- Bristow, Mitchell "Oscar Wilde's Chatterton: Literary History, Romanticism, and the Art of Forgery

Anhiti Patnaik

Victorian Network , 2018

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New Light on George Catcott’s ‘Obstinate Arguments’: Thomas Chatterton’s ‘Rowley Poems’ Revisited.

John Goodridge

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Illicit Inscriptions: Reframing Forgery in Elizabeth Gaskell'Sruth

Sara Malton

Victorian literature and culture, 2005

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“Visiting Strawberry Hill: Horace Walpole’s Gothic Historiography.” Eighteenth-Century Fiction 21.4 (2009): 535-564.

Sean Silver

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Manley's "Feigned Scene": The Fictions of Law at Westminster Hall

Kathryn D Temple

Eighteenth-century fiction, 2010

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John Payne Collier, the scholar forger (E in C, Oct 2007)

Jim McCue

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'Pierced and Perforated Carving, as Fine as the Best Cathedral Screen Work': Antiquarianism and Faking Tudor Furniture in the 1840s

Peter N Lindfield

Journal of the British Archaeological Association, 2022

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Criminal Skill: The Counterfeiter's Craft in the Long Eighteenth Century

Robert Rock

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A forger’s folly?* The productions of George Shaw (1810–76) for Chetham’s Library, Manchester

Peter N Lindfield

British Art Journal, 2020

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Horace Walpole and the Objects of Literary History

Ruth Mack

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William Blackstone: Law and Letters in the Eighteenth Century [Book Review]

Kylie Day

Bar News: The Journal of the NSW Bar Association, 2009

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Who was "A. Moore"?: The Attribution of Eighteenth-Century Publications with False and Misleading Imprints

Andrew Benjamin Bricker

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A Most Learned, Conscientious and Devout Exercise: anti-Cromwellian satire in 1649

Nicholas Poyntz

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Authors and other Criminals: Authorship in Eighteenth-Century Britain

Kathryn D Temple

Literature Compass, 2004

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Studies in Uniquity: Horace Walpole’s Singular Collection

James D Lilley

ELH, 2013

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Sir Charles Frederick and the forgery of ancient

Jonathan Kagan

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The romantic Robert Burton or the art of forgery

Ana Saez-Hidalgo

Sederi Yearbook of the Spanish and Portuguese Society For English Renaissance Studies, 1998

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Pamela in the Marketplace: Literary Controversy and Print Culture in Eighteenth‐Century Britain and Ireland. Thomas Keymer and Peter Sabor. Cambridge: Cambridge University Press, 2005. Pp. iv+295

Janine Barchas

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The Literary Culture of Early Stuart Libeling

Andrew McRae

Modern Philology, 2000

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John Payne Collier, the Scholar Forger

Jim McCue

Essays in Criticism, 2007

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Foreword from Fakes and Forgers of Classical Literature · Ergo decipiatur! [2014]

Javier Martinez

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Frederick, Prince of Wales, the ‘Court’ of Leicester House and the ‘Patriot’ Opposition to Walpole, c.1733–1742

Robin Eagles

The Court Historian, 2016

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The panelled heraldic apartment of Horace Walpole (1717–1797) at Strawberry Hill, British Art Journal XVIII, 3 (2018).

Peter N Lindfield

2018

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Reading Gossip in Early Eighteenth-Century England

Claudine van Hensbergen

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“The Dean of St Asaph's trial: libel and politics in the 1780s”, Journal for Eighteenth-Century Studies, 32:1 (2009), pp. 21-35

Page Anthony

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“Choking the Channel of Public Information”: Re-Examination of an Eighteenth-Century Warning about Copyright and Free Speech

Ed Carter

2012

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`Insular history? Forgery and the English past in the tenth century', in England and the Continent in the Tenth Century: Studies in Honour of Wilhelm Levison (1876-1947), ed. D. Rollason, C. Leyser, H. Williams (Turnhout: Brepols, 2011), pp. 515-544.

Julia Crick

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Bureaucratic Verse: William Lyndwood, the Privy Seal, and the Form of The Libelle of Englyshe Polycye

Sebastian Sobecki

New Medieval Literatures, 2010

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Review of M. Doherty, Engraving Accuracy in Early Modern England, and M. Lo, Skepticism's Pictures. The Art Bulletin 106, 2 (2024): 137-42.

Ruth Sargent Noyes

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Heraldic Forgery: The Case of George Shaw, The Coat of Arms (2021), 177–204

Peter N Lindfield

Coat of Arms, 2021

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