تنادي النصوص وتنافذها في أعمال زكريا تامر (original) (raw)

سيمياء الزمن في نصوص الزيدي المسرحية

لارك, 2019

The theater offers its own time according to the levels of literacy, as it is distinguished from the rest of the other works of art of different kinds, such as the time of the novelist, mythical, epic and literary as a literary genre, where the level of analysis of the time is based on the semiautomatic approach of the critical approaches to reading, The problem of research was determined by studying the semiotic function of time as part of the elements of formation in the structure of the contemporary Iraqi theater text, What is the semiotic function of time in the text texts Ali Zaidi contemporary Iraqi play? The research is divided into four chapters. The first chapter deals with the methodological framework and identifies the problem of research. The purpose of the research is to (Identifying the Role of Time Simi in the Composition of the Textual Texts of the Author Ali Abdul Nabi Al-Zaidi as a Mirror Reflecting the Real Impact of the Life of the Individual in Society), And the definition of the most prominent terms of the research, while the second chapter (theoretical framework) on two topics, the first section addresses the researcher to establish the concept of time cymbals, while the second study of the study of time Simi in the text of theater. The third chapter included the research procedures of the research community. The researchers chose a sample of the play (O God) the writer Ali Abdul Nabi al-Zaidi. The sample chose the method of intent because they found that the sample achieved the goal of the research. The fourth chapter included the results of the research, Sources and references. The most prominent results reached by the researchers are as follows: 1-The characters play a key role in moving the unity of time. The author is able to explain the unity of the reactionary time by the personality of the prophet Moses. This character has a unique time sign that has the dominant influence through the semantic formation between real time as meaning, Dala. 2-The author used semantic significance in order to shorten the time interval between the two elements in the definition of significance, as one of the types of time according to the semiotic concept of external retrieval time, using the stick of the Prophet Moses to return to the time of Pharaoh and remind her of the punishment of God.

ديانة المحتل في شعر مفدي زكرياء

حوليات الآداب واللغات, 2018

Il s'agit dans cet essai d'etudier le regard du resistant - en general et en particulier le poete resistant - envers la religion de l'occupant. Si la colonisation francaise a adopte les citations du discours des croisades, le revolutionnaire algerien a lui aussi tire la credibilite de sa resistance d'un fond religieux. De ce fait, il est legitime de chercher si l'elite a fait la distinction entre la vraie religion autant que difference evidente, et son utilisation dans la tentative de l'occupant pour la justification, la mobilisation et la dissimulation des vrais objectifs de la colonisation.

فنية كسر النظام القواعدي النحوي عند الشاعر حازم رشك التميمي (دراسة في ثلاثة أساليب نحوية)

Journal of Arts, Literature, Humanities and Social Sciences, 2020

نعني بكسر النظام القواعدي، ما يطرأ على الجملة من تغيير في النمط على فرضية أنه لم يأت من فراغ، وانما جاء لتحقيق غايات بلاغية، ونحوية، ويضفي صفة جمالية ترتقي بالنص الأدبي لتوثيق الصلة بين النحو والبلاغة، وهذا الترابط يعد عنصرا اساسيا من عناصر مكونات النص الشعري، عند الشاعر حازم رشك التميمي، فكان أثر تلك التراكيب واضحا في بيان الحالة النفسية، وما آلت اليه ظروف الشاعر وحياته، الأمر الذي أدى إلى انعكاس هذه الحالة ، وتضمينها في العديد من نصوصه الشعرية مجسدا الواقع الذي يمر به وطنه ، وأبناء مدينته، وقد جاء هذا العدول في ثلاثة أساليب نحوية تناولها البحث: التقديم والتأخير، والحذف، والتكرار، متوزعة على أبوابها النحوية التي وردت عند النحويين، في المسند، والمسند إليه، وغيرهما، وأثرها في البناء الفني.