Tracing the timeline of Chinese export porcelain with the help of shipwrecks (original) (raw)
Related papers
Tracing artefact trajectories: following Chinese export porcelain
The Bulletin of the Australian Institute for Maritime Archaeology, 1996
""Ceramics in general, and Chinese export porcelain in particular, have long been recognised as playing an important role not only for utilitarian purposes but also as a means to display socio-economic status (or 'class'), to demonstrate 'good taste' and to allow people to negotiate and construct their place in society. This paper examines the consumption of a particular type of material culture - Chinese export porcelain by focussing on part of the cargo of the merchant ship Sydney Cove which was wrecked on a voyage to Port Jackson in 1797. However, in order to follow the processes of consumption it is necessary to trace the trajectories of Chinese export porcelain from the sites of production through trade, transport, selection, purchase, use and disposal to its excavation from archaeological sites.""
The provenance of export porcelain from the Nan'ao One shipwreck in the South China Sea
Antiquity, 2016
A compositional study employing neutron activation analysis was performed on eleven fragments of Ming dynasty blue-and-white export porcelain recovered from the Nan'ao One shipwreck and 64 samples from three kiln sources. Examination of the compositional data was successful in determining the provenance of the porcelain fragments from the shipwreck.
The Provenance of Export Porcelain Recovered from the Nan'ao One: A Shipwreck in the South China Sea
A compositional study employing neutron activation analysis was performed on eleven fragments of Ming dynasty blue-and-white export porcelain recovered from the Nan'ao One shipwreck and 64 samples from three kiln sources. Examination of the compositional data was successful in determining the provenance of the porcelain fragments from the shipwreck. The results indicate that the blue-and-white export porcelain recovered from the Nan'ao One came from two sources: the Jingdezhen and Zhangzhou kilns.
Dating 18th Century Chinese Export Porcelain Teapots
American Ceramic Circle Journal , 2005
Chinese export teapot size, shape, utilitarian characteristics and style of decoration provide clues to their dates. Here, guidelines for more precise and accurate dating of eighteenth century Chinese export teapots are provided.
Policies and Leitmotif of Porcelain Productions in the Transitional Period of Ming and Qing Dynasty
Charles Wong, 2024
The article then focuses on the transition from the Ming to Qing Dynasty, highlighting the effects of policies on porcelain production. It discusses how the collapse of the Ming Dynasty's centralized porcelain production system led to a shift towards private kilns and a diversification of porcelain styles and techniques. Additionally, it explores the impact of political changes on the depiction of themes in porcelain production, with a particular focus on the portrayal of the "Seven Sages of the Bamboo Grove" during this period. Overall, the article provides insights into the complex interplay between political policies, trade dynamics, and cultural influences on porcelain production during the transitional period from the Ming to Qing Dynasty.
Parallel developments in Chinese porcelain technologyin the 13th -14th centuries AD
2014
By the 14 th century AD, Jingdezhen in Jiangxi province and the Longquan region of Zhejiang province were China's main centres for the manufacture of porcellaneous wares. Jingdezhen specialised in blue and white porcelain, while the Longquan kilns typically used opaque porcellanous bodies, and smooth and thick, greenish celadon glazes. A pattern of parallel technological development is evident at Jingdezhen and Longquan in the 13 th -14 th centuries, but probably driven by rather different causes. Jingdezhen is representative of a simpler and more local technological history that seems entirely southern. Longquan however adopted a glaze-type that had already seen many prestigious applications in north China. Unlike the white-bodied Jingdezhen wares, the Longquan bodies were sometimes deliberately discoloured with red clays, perhaps to harmonise with their jade-like greenish glazes.
A history of the porcelain industry in Jingdezhen
1976
This study examines the history of the porcelain industry in Jingdezhen from the I-ling dynasty to the present day, but with special emphasis on the Ming and Qing periods. After a chronological survey oi-the town's history from earliest times to 1949, various aspects of the production and distribution of porcelain are considered: the raw materials used and their manufacture, transport and marketing, management and labour,, finance and overseas tradeq and their significance in the industryts development is assessed. Among the problems that are examined throughout the study and in the conclusion are the reasons for the establishment of the industry in Jingdezhen in the first place, its great progress during the Ming dynasty and failure to modernise in the late nineteenth and early twentieth centuries, and the connections between economic development, state involvement and technologioal progress.
Ceramics International, 2020
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