Nuno Senos. “The classical ideal in Portugal and the Portuguese world” in The Companions to the History of Architecture. Vol. I. Renaissance and Baroque Architecture, Alina Payne, ed. New York: Blackwell, 2017, 624-652 (original) (raw)
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Portuguese Art History: A View from North America
The Journal of Art Historiography, 2017
IntroductionAnglophone scholars and students of the arts of the Iberian Peninsula had a wellrecognized manual of information available to them during the 1960s, 70s and 80s. The survey book entitled Art and Architecture in Spain and Portugal and Their American Dominions, 1500 to 1800 by George Kubler and Martin Soria appeared in 1959 as part of the wide-ranging Pelican History of Art series.1 Although there were other texts in English that dealt with Spanish art of the Renaissance and Early Modern eras, there was no other book that also covered Portugal (as well as the colonial Lusophone and Hispanophone Americas). The Pelican History series was (and still is) a principal tool for wide dissemination of information, although the Kubler/Soria volume is long out of print and, at least in so far as Spanish painting is concerned, it was surpassed in 1998 by Jonathan Brown's volume on that subject. 2 Within the context of the subject at hand, however, and examining the 1959 book for t...
Coexistence and Cooperation in The Middel Ages. , 2014
This paper results from a communication that I presented to the Congresso Europeo di Studi Medievali «Coesistenza e cooperazione nel Medioevo», which took place in Palermo (Italy) from 23 to 27 July 2009. In it, I tried to show part of the work I was developing at the moment for my doctoral thesis which I have recently presented to the Humanistics Faculty of Porto University (FLUP), under Professor Lúcia Cardoso Rosas’s guidance, entitled The Historiography of the Romanesque Period of Architecture in Portugal (1870-2010); M. L. BOTELHO, A Historiografia da Arquitectura da Época Românica em Portugal (1870-2010), Faculdade de Letras da Universidade do Porto 2010 (Tese de Doutoramento em História da Arte Portuguesa, 2 volumes e página Web) - Publ. 2013 In Textos Universitários de Ciências Sociais e Humanas - FCG e FCT, 2013.
Blending Myth and Reality: Maritime Portugal and Renaissance Portraits of the Royal Court
2016
An incalculable loss of art was suffered by Portugal on November 1, 1755, when Lisbon was essentially leveled by a 9.0 earthquake that lasted six minutes and was followed by an immense tsunami. All the churches in Lisbon were destroyed either by the massive tremor or subsequent fires. All the courtly castles of the city were obliterated too, including the lofty medieval fortress-citadel of St. George, the late-Gothic princely Palace of St. Martin, the Renaissance Bragança Palace, the Manueline Riverbank Palace, and the Estaus Palace on the north side of the Rossio municipal square, which had been frequented by visiting diplomats and dignitaries since the mid-15th century (Smith, 1968; Fonseca, 2004; Kendrick, 1957; Paice, 2008). The 1755 devastation of Lisbon’s cultural monuments has resulted in an incomplete picture of the country’s art history—imagine a catastrophic loss of art from a comparable cataclysm in Paris, Rome, or London. So then, this essay concentrates upon select exam...
Portugal in the Sixteenth and Seventeenth Centuries
e-Journal of Portuguese History, 2010
The historiography written about Portugal has been particularly productive over the last three decades. There has also been no shortage of histories of Portugal attempting to produce syntheses, some more analytical, others less so, and almost all of them published in ...
On Belatedness. The Shaping of Portuguese Art History in Modern Times
Artium Quaestiones, 2019
Portuguese art history experienced remarkable development after World War II, especially with the work of José-Augusto França, who was responsible for establishing a historiographic canon for nineteenth- and twentieth-century Portuguese art that still endures. José-Augusto França developed a narrative that held Paris up as an artistic and cultural role model in relation to which he diagnosed a permanent delay in Portuguese art. This essay analyses França’s idea of belatedness in the context of Portuguese art historiography and political history and how it is part of a genealogy of intellectual thought produced in an imperial context, revisiting previous art historians and important authors, such as Antero de Quental and António Sérgio. Moreover, it aims to address how the concept of belatedness was associated with the idea of “civilisation” and the idea of “art as civilisation.” Belatedness also has implications in the constraints and specificities of writing a master narrative in a...
Introductory note—the emergence of Portuguese modernism: contributions to its cultural history
Pessoa Plural―A Journal of Fernando Pessoa Studies, 2017
DIX, Steffen; SILVA, Patrícia, "Introductory note—the emergence of Portuguese modernism: contributions to its cultural history" (2017). Pessoa Plural―A Journal of Fernando Pessoa Studies, No. 11, Spring, pp. 1-8. Brown Digital Repository. Brown University Library. https://doi.org/10.7301/Z0GT5KCJ Is Part of: Pessoa Plural―A Journal of Fernando Pessoa Studies, Issue 11 Introductory Note [Nota Introdutória] https://doi.org/10.7301/Z0GT5KCJ BIBLIOGRAPHY Bibliography / 1 BENJAMIN, Walter (1963). Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit. Frankfurt am Main: Edition Suhrkamp. BROOKER, Peter and Andrew THACKER (2005) (eds.). Geographies of Modernism: Literature, Culture, Spaces. Abingdon; New York: Routledge. DIX, Steffen and Jerónimo PIZARRO (2011). Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts. Oxford: Legenda. FRIEDMAN, Susan Stanford (2015). Planetary Modernisms: Provocations on Modernity Across Time. N.Y.; Chischester, West Sussex: Columbia UP. _____ (2010). “Planetarity: Musing Modernist Studies”, in Modernism/modernity, vol. 17, n.º 3, September, pp. 471-‐‑499. _____ (2008). “One Hand Clapping: Colonialism, Postcolonialism, and the Spatio/Temporal Boundaries of Modernism”, in Translocal Modernisms: International Perspectives. Edited by Maria Irene Ramalho and António Sousa Ribeiro. Bern; New York; Oxford; and others: Peter Lang, pp. 11-‐‑40. _____ (2006). “Periodizing Modernism: Postcolonial Modernities and the Space/Time Borders of Modernist Studies”, in Modernism/modernity, vol. 13, n.º 3, special issue, “Modernism and Transnationalisms”, pp. 425–443. HOBSBAWM, Eric (1995). The Age of Extremes: The Short Twentieth Century, 1914–1991. London: Abacus. LAWRENCE, D. H. (1923; rpt. 1960). Kangaroo. New York: Viking. ROCHA, Clara (2013). “Modernist Magazines in Portugal: Orpheu and its Legacy: Orpheu (1915); Exílio (1916); Centauro (1916); Portugal Futurista (1917); Contemporânea (1915, 1922-‐‑6); Athena (1924-‐‑5); Sudoeste (1935); Presença (1927–38, 1939-‐‑40 [1977]“, in The Oxford Critical and Cultural History of Modernist Magazines. Edited by Peter Brooker, Andrew Thacker, Sascha Bru, and Christian Weikop. Oxford: Oxford UP, vol. III, “Europe 1880-‐‑1940“, pp. 413-‐‑435. STEINMETZ, Sebald Rudolf (1912/1913). “Die Stellung der Soziographie in der Reihe der Geisteswissenschaften“, in Archiv für Rechts-‐‑ und Wirtschaftsphilosophie, vol. 6, n.º 3, pp. 492-‐‑ 501. WOOLF, Virginia (1966). Collected Essays. London: The Hogarth Press, vol. I. Bibliography / 2 Most recent publications about Orpheu CARDIELLO, Antonio, Jeronimo PIZARRO, and Sílvia Laureano COSTA (2015) (eds.). Nós, os de "ʺOrpheu"ʺ | We, the "ʺOpheu"ʺ lot. Lisboa: Boca – Palavras que Alimentam. DIX, Steffen (2015) (ed.). 1915: o ano do Orpheu. Lisboa: Tinta-‐‑de-‐‑china. JÚDICE, Nuno (2015) (ed.). Colóquio/Letras, n.º 190, Setembro-‐‑Dezembro, “À Volta de Orpheu”. MAIOR, Dionísio Vila and Annabela RITA (2016) (eds.). 100 Orpheu. Viseu: Edições Esgotadas. MATANGRANO, Bruno Anselmi et.al (2015) (eds.). 100 Anos da Revista Orpheu. São Paulo: Revista Desassossego 14. MOISÉS, Carlos Felipe (ed.) (2015). Orpheu 1915-‐‑2015. Campinas: Unicamp. ORPHEU (2015). Fac-‐‑simile edition. Edited by Steffen Dix. Lisboa: Tinta-‐‑de-‐‑china. ORPHEU (2015). Fac-‐‑simile edition. Público. Lisboa. ORPHEU: revista de literatura (2015). Translated and edited by Ana Lucía De Bastos. Caracas: Bid & Co Editor. ORPHEU: revue trimestrielle de littérature (2015). Translated and edited by Patrick Quillier. Paris: Ypsilon Éditeur. PESSOA, Fernando (2015). Orpheu. Schriften zur Literatur: Ästhetik und Kunst. Translated and edited by Steffen Dix. Frankfurt am Main: Fischer-‐‑Verlage. _____ (2015). Sobre Orpheu e o Sensacionismo. Edited by Richard Zenith and Fernando Cabral Martins. Lisboa: Assírio & Alvim. _____ (2009). Sensacionismo e Outros Ismos. Edited by Jerónimo Pizarro. Critical edition. Lisboa: Imprensa Nacional-‐‑Casa da Moeda. SAMUEL, Paulo (2015) (ed.). Orpheu e o Modernismo Português. Porto: Fundação Engenheiro António de Almeida. SARAIVA, Arnaldo (2017). “O centenário e ‘inextinguível’ Orpheu”, in Colóquio/Letras, n.º 194, Janeiro-‐‑Abril, pp. 180-‐‑85. _____ (2015). Os Órfãos do Orpheu. Porto: Fundação Engenheiro António de Almeida. SEPÚLVEDA, Pedro (2015) (ed.). Caderno do Orpheu. Lisboa: Revista Estranhar Pessoa 2. SOUSA, Rui (2011). Os Bastidores de Orpheu: visões dos do grupo a respeito do seu tempo e do seu projecto, Lisboa: CLEPUL. ZENITH, Richard (2015) (ed.). Os Caminhos de Orpheu. Lisboa: Biblioteca Nacional de Portugal – Babel.
Anales de Historia del Arte, 2020
During the Royal Journey of Succession to Portugal, which started in Madrid in March 1580 and ended in Lisbon in February 1583, the Spanish King Felipe II became D. Filipe I of Portugal. But this political expedition, which resulted in the legitimation of the new king before the old kingdom, would have serious repercussions in the field of palatine architecture, with the renovation of an important set of royal palaces belonging to the Portuguese Crown, integrated since then in the Iberian Dual Monarchy. The detailed analysis of the coeval documentary sources, with an emphasis on the epistolary correspondence produced within the sphere of Prudent-King circle, directly or indirectly, permits to comprehend the initial procedures implemented in the architectural renovation and spatial expansion of the main Portuguese royal palace in Lisbon: the Paço da Ribeira. The political and symbolic dimensions given to the palace building, made in a power scale and strength image of the King himself, must be analysed in the context of the materialization of a ruler who would inevitably leave the kingdom but not its people. [es] El Viaje Real de Sucesión a Portugal del Rey D. Filipe I de Portugal y la renovación arquitectónica de las residencias palatinas: el caso del Palacio Real de Lisboa (Paço da Ribeira) Resumen. Durante el Viaje Real de Sucesión a Portugal, emprendido en Madrid en marzo de 1580 y terminado en Lisboa en febrero de 1583, el rey español Felipe II se convirtió en D. Filipe I de Portugal. Pero esta expedición política, que tendría como resultado la legitimación del nuevo rey ante el antiguo reino, asumiría serias repercusiones en el ámbito de la arquitectura palatina, con la renovación de un importante conjunto de palacios reales pertenecientes a la Corona portuguesa, integrados desde entonces en la Monarquía Ibérica Dual. El análisis detallado de las fuentes documentales coetáneas, con énfasis en la correspondencia epistolar producida dentro del círculo del Rey-Prudente, directa o indirectamente, permite comprender los procedimientos iniciales implementados para la renovación arquitectónica y la expansión espacial del principal palacio real portugués en Lisboa: el Paço da Ribeira. Las dimensiones políticas y simbólicas otorgadas al edificio del palacio, hechas en una escala de poder y una imagen de fuerza del propio Rey. This article had the support of CHAM (NOVA FCSH / UAc), through the strategic project sponsored by FCT (UID/HIS/04666/2019) 2 PhD candidate in History of Art at
2019
The publication under review documents the exhibition Leitores dos Clássicos. Edições italianas na transição do século XV para o século XVI, held from 6 November 2015 to 30 January 2016 in the Biblioteca Nacional de Portugal (BNP). Twenty items from the library were on show: sixteen Italian incunabula, three Spanish ones, and a book issued in Basle in the 16th century9. The catalogue, authored by Ana Tarrío of the Centro de Estudos Clássicos in Lisbon, opens with a prologue that positions Portugal during the reigns of João II and Manuel I on the fringes of the Europe‐wide intellectual, educational, and literary culture and practice of humanism. Three exhibition items — Inc. 523, 832, and 462 — are explicitly singled out on the basis of their provenance and contemporary marginalia. They embody the import of humanist editions of the Classics from Italy to Portugal, the development of education and literary composition at the Portuguese court, and the philological preparation of Portug...
An answer to national decadence: the Middle Ages in contemporary Portugal (1890-1947)
In recent decades several historians have stressed the importance of studying the relation between historical memory, national identity and political culture for a better understanding of the contemporary age. Numerous studies have been conducted in this field, focusing on the forms that the memory of past ages has taken in the contemporary period, as well as the history of the modes and contexts of production of historiography and of their effects on collective memory. The memory of Middle Ages has received particular attention, given its importance to the nation-building processes since the beginning of the nineteenth century and also its large impact on artistic, cultural and literary trends. As part of this tendency, the purpose of my thesis is to study the relation between medieval studies and political discourse in contemporary Portugal, focusing particularly on the period between 1890 and 1947. From the search of multiple historiographical works, as well as discourses and texts issued by the political power in order to institute politics of memory, I intend to demonstrate to which extent there was an ideological instrumentalization of the memory of the Portuguese Middle Ages. The fulfillment of this objective will contribute to a better understanding of how political action in the present and speeches about the past – from historiography to other practices of memory – are related within the emergence and consolidation of modern politics, of History as a subject and of a sense of national identity. In this paper I intend to present the contents and structure of my doctoral thesis project to my colleagues at the Forschungskolloquium Vormoderne. For me to profit with the discussion of the project, in the Kolloquium I will present three examples of authors that I have already worked and that I consider essential to the understanding of the topic. After giving a short theoretical background about the debate concerning medieval studies and medievalism, I will give a brief context of the political importance of the Middle Ages to the period which I am studying, with some notes about the people, dates and events of the medieval and contemporary periods in Portugal. I will also briefly describe the structure and methodology which will be employed at the project. At the end of the paper, I will give more detailed biographies of the three authors that I will present in the Kolloquium: Joaquim de Oliveira Martins, António Sardinha and Vitorino Magalhães Godinho.